Review
Palms
Self Titled

Ipecac (2013) Sarah

Palms – Self Titled cover artwork
Palms – Self Titled — Ipecac, 2013


Isis may have disbanded in 2010, but that's far from the last we've heard from its members. Though many of them have joined other bands, they have mostly stayed separate from one another, with no more than two ever appearing in the same place. But of course, that's what makes Palms so intriguing--featuring three fifths of Isis (Jeff Caxide, Aaron Harris, and Bryant Clifford Meyer), it's hard not to see the American quartet as part of their direct lineage. And with Deftones vocalist Chino Moreno rounding out the lineup, it's easy to be overawed by the talent that went into their eponymous debut before even hearing it. But don't let that stop you; Palms delivers on every account promised by the legacy of its members.

What's hard not to notice is that Palms take a decidedly unaggressive approach towards post-metal. With all of the downtuned chugging, greasy sludge, and raspy growls thrown by the wayside, there's absolutely nothing that even borders on aurally unpleasant about the sound of this album. While that definitely takes away some of what makes the genre effective for a lot of bands, Palms nonetheless take those compositional styles and imbue them with every ounce of feeling they have. The result is a stunningly affecting series of compositions, combining all of the movement and force of post-metal with the arresting quality of soaring lead vocals.

Seriously, Moreno's vocals really are something to stand in awe of; when he belts it out on the chorus of "Future Warrior" or the closing refrains of "Mission Sunset", you will feel insignificant in comparison to their beauty. Of course, the album's not all about the vocals; the instrumental sections of the album are equally great, if somewhat understated. On the whole, they are much more reminiscent of In the Absence of Truth or Wavering Radiant, ringing with bright clarity and yet somehow very restrained to their barest atmospheric core. The closing half "Antarctic Handshake", one of the few purely instrumental moments on the album, is also one of the most sublime, a difficult task on an album already brimming with artistry.

While they may have a hard time shaking the mantle of "Isis the second", Palms are shaping up to be a formidable act in their own right. Palms is a fantastic (if substantially unsurprising) debut, and hopefully indicative of more to come in the future. Do give this album a listen.

Recommended if you like: IsisRed SparowesPelican

8.5 / 10Sarah • June 11, 2013

Palms – Self Titled cover artwork
Palms – Self Titled — Ipecac, 2013

Related news

SPB Premiere - "Hairy Palms" by Barren Womb

Posted in Records on April 16, 2020

Dark Palms leak a new song

Posted in Records on July 7, 2015

Fall tour for Palms

Posted in Tours on July 19, 2014

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more