Review / 200 Words Or Less
Powernap
Oreosmith EP

Asian Man (2015) Loren

Powernap – Oreosmith EP cover artwork
Powernap – Oreosmith EP — Asian Man, 2015

Oreosmith, whatever the hell that title means, is the first release from Powernap and it’s familiar and powerful, leaving curious signs of where the band may develop. The general sound is gruff, mid-tempo punk a la Jawbreaker or The Broadways.

The EP is 6 songs long, clocking at 18 minutes and it keeps a defined sound throughout. The mid-tempo numbers like “Beautiful Day” and “Jewelry” are nice slices of the style, but they don’t bring a lot of new inspiration to the table. When the tempo takes just a little more variance, as in “Girls From Bars,” which speeds things up, it adds a little more zing, leaping above the somewhat drone gruff vocals of Hugo Mudie. That variance earns a bright spot. The chorus in “Live Slow, Die Whenever” is so big it almost feels too epic (though what do you expect with that song title?), and when they give a harder edge to the guitars in “I’ll Resist” it really stands out in a coarse and angry punk swing.

The band includes members and exes of Miracles and Sainte Catherines, among others, and in a first EP it brings a lot of promise. I’d like to hear them once they define the direction of their songwriting a touch more.

7.2 / 10Loren • May 18, 2015

Powernap – Oreosmith EP cover artwork
Powernap – Oreosmith EP — Asian Man, 2015

Related features

Powernap

One Question Interviews • May 21, 2015

Related news

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more