Review
Quelle Chris
2Dirt4TV

Independent (2012) Nathan G. O'Brien

Quelle Chris – 2Dirt4TV cover artwork
Quelle Chris – 2Dirt4TV — Independent, 2012


Hot off the heels his underappreciated 2011 debut full-length Shotgun & Sleek Rifle, Detroit MC/producer Quelle Chris drops his latest EP, 2Dirt4TV. This time around Quelle steps from behind the boards, leaving the production to “Legendary underground MySpace producer” Mr. Dibia$e. The result couldn’t be more seamlessly harmonized, as Dibia$e’s laid-back boom-bap balances Quelle’s nonconformist flow in way that recalls the arty weirdness of rappers like Das Racist, fellow Detroiter Danny Brown, Devin the Dude and oddly enough, Native Tongues.

In comparison to Quelle’s previous EP The S.O.N, in which he did all the production himself, it is apparent that Dibia$e’s techniques are a bit more advanced than Quelle’s lazy, sometimes even sloppy, approach. Both are similar producers in that they craft entirely contagious head-nod-isms with simplistic ploy, but Dibia$e’s seems to be more progressive. Perhaps channeling The Pharcyde, “Whateverdoe” is a left-hand ode to the herb. Quelle and fellow Crown Nation stable mate Mosel rap over a loop of deep grooves and high claps that sounds like it could have been picked from J.Dilla’s back catalog of beats. You get the sense that not only this track, but the whole EP, was recorded under a haze of marijuana smoke.

It’s easy to forget that rap was originally just a guy talking on the mic over some beats. Sure, that style may seem amateurish and scatterbrained, considering there have been great advancements in mic skill and breath control since the inception of hip-hop. But in 2012, it has become quite apparent: dexterity matters little. I mean, Weezy, Drake and for that matter, Tyler the Creator are some of the biggest stars in the genre. Traditionally speaking, these are not what you would call good rappers. By the same token, but on a much smaller level, as an MC that’s where Quelle subsists. He applies an unfussy methodology when it comes to rapping: basically, if it rhymes, it rhymes...and if it doesn’t, it still sort of does. On the opening track, “Live Alone, Die Alone” he clumsily rhymes the word “up” three times in a row— “bills stackin’ up”, “money rackin’ up” and then “bills stackin’ up” again. However, in the very next breath he adds, “Aint gonna be no Quantum Leap, Scott Backula” and somehow makes it work.

For the most part, there’s not much on this EP that doesn’t work. However, the anti-music industry tirade near the end of the title track gets a little annoying, considering it’s contradictory to a similar rant that closes out The S.O.N. EP, where Quelle demands that if you don’t like something you should change it. Not to mention, it’s followed by three plus minutes of dead air before the next song starts. Even if that was intended to serve artistic purposes, its effect is lost on the listener.

Whereas Shotgun & Sleek Rifle drug on a bit long, 2Dirt4TV, at only six songs, is probably the perfect length for an MC of acquired taste such as Quelle Chris.

Quelle Chris – 2Dirt4TV cover artwork
Quelle Chris – 2Dirt4TV — Independent, 2012

Related features

Quelle Chris

One Question Interviews • November 16, 2013

Related news

Jean Grae & Quelle Chris' Everything's Fine

Posted in Records on January 28, 2018

Recently-posted album reviews

The Dwarves

Sunshine, Lollipops & Rainbows
GREEDY (2025)

Sunshine, Lollipops & Rainbows is a live studio recording from 1989, released on picture disc earlier this year on limited vinyl for Record Store Day. Given that it came shortly before the release of Blood, Guts & Pussy, it's no surprise that it's heavy on songs from that record (10 of 14, if I've counted correctly). It's more primal than … Read more

Osmium

Osmium
Invada (2025)

Osmium brings together four artistic heavyweights, united not just by a shared experimental ethos, but by a love of bespoke and often self-made instruments. On their debut record, Hildur Guðnadóttir harnesses the unstable feedback of the halldorophone, a cello-like instrument designed by Halldór Úlfarsson. James Ginzburg (emptyset) contributes tamboura-like drones using a monocord of his own design. Sam Slater operates … Read more

Lutheran Heat

Hi Again
Pinata Records (2025)

Lutheran Heat have one of my favorite band names, a distinctly Minnesota tongue-in-cheek nod to local culture and mannerisms. But while I dig the band name, that's not really relevant to the rest of this review. Hi Again is their first record in 9 years, but it continues their garagey indie-punk tones. Expect garage rock guitar tones, slacker indie rock … Read more