Review
Red Room Cinema
Apsis

New Grenada (2012) Sarah

Red Room Cinema – Apsis cover artwork
Red Room Cinema – Apsis — New Grenada, 2012

You know what makes me feel really good about myself? Post-rock. I'm not talking about the overwrought, nihilistic, dreary stuff (though I do like that too!), but the kind that just brings you up so much that it's quite literally impossible to feel bad about anything while listening to it, the kind of music that forces you to feel happy and enjoy its sublime melodies. If that sounds like your kind of thing, then you're absolutely going to love the new album from Red Room Cinema, 2012's Apsis.

The album may only consist of three epic-length post-rock excursions (the first four tracks are indexed separately despite being part of the same overall song), but don't let that fool you. Clocking in at over forty minutes long, this is not a short album that can be easily dismissed as a mere curiosity. This is truly a fine work to listen to, and exactly as long as it needs to be to convey the band's message.

And what message is that, exactly? Tons and tons of straight-up melodic post-rock, à la sleepmakeswaves and Explosions in the Sky. It's clear that Red Room Cinema aren't out to bust any genre-barriers, but it's also clear that they're out to compete with the best. Though they may not be as explosive or ostentatious as their peers, it's hard not to hear how all of their compositions are immaculately performed and executed with those lofty goals in mind.

The twenty minute title track is clearly the highlight of the album, featuring the band at their most moving as they travel from soft and contemplative to large and formidable--the fourth part in particular, "A Storm of Meteorites", is nothing short of euphoric. As for the other two tracks, "White Arros" is a softer, more contemplative piece; this stands firmly in contrast to the closer "Shadows of a Forgotten City", which starts loud and stays loud up through the end, acting as a fitting climax to the album.

Red Room Cinema aren't presenting anything new or revolutionary with Apsis, but what they are showing is that they know what they want to do and they like doing it. It's hard not to listen to this album and enjoy yourself as much as the band is. If you're a fan of the traditional upbeat post-rock sound, you're going to love Red Room Cinema, and if you haven't gotten into post-rock before, give Apsis a try--it's as friendly and inviting as they come.

Recommended if you like: Explosions in the Sky, Loss of a Child, sleepmakeswaves

7.0 / 10Sarah • March 25, 2013

Red Room Cinema – Apsis cover artwork
Red Room Cinema – Apsis — New Grenada, 2012

Recently-posted album reviews

Alien Nosejob

How A Mosquito Operates
Anti Fade, Iron Lung (2026)

The one-man band of Alien Nosejob continues to crank out short, angry hardcore in quick bursts. I've lost count of how many records Jake Robertson has now released under the name. I'll just say that while the first couple took some direction changes, the project seems to have found its footing in 1980s-influenced hardcore. With 17 songs in 24 minutes, … Read more

Cancer Bats

Give Me Dirt
Marshall Amplification PLC, New Damage records (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more