Review
Red Room Cinema
Apsis

New Grenada (2012) — Sarah

Red Room Cinema – Apsis cover artwork
Red Room Cinema – Apsis — New Grenada, 2012

You know what makes me feel really good about myself? Post-rock. I'm not talking about the overwrought, nihilistic, dreary stuff (though I do like that too!), but the kind that just brings you up so much that it's quite literally impossible to feel bad about anything while listening to it, the kind of music that forces you to feel happy and enjoy its sublime melodies. If that sounds like your kind of thing, then you're absolutely going to love the new album from Red Room Cinema, 2012's Apsis.

The album may only consist of three epic-length post-rock excursions (the first four tracks are indexed separately despite being part of the same overall song), but don't let that fool you. Clocking in at over forty minutes long, this is not a short album that can be easily dismissed as a mere curiosity. This is truly a fine work to listen to, and exactly as long as it needs to be to convey the band's message.

And what message is that, exactly? Tons and tons of straight-up melodic post-rock, à la sleepmakeswaves and Explosions in the Sky. It's clear that Red Room Cinema aren't out to bust any genre-barriers, but it's also clear that they're out to compete with the best. Though they may not be as explosive or ostentatious as their peers, it's hard not to hear how all of their compositions are immaculately performed and executed with those lofty goals in mind.

The twenty minute title track is clearly the highlight of the album, featuring the band at their most moving as they travel from soft and contemplative to large and formidable--the fourth part in particular, "A Storm of Meteorites", is nothing short of euphoric. As for the other two tracks, "White Arros" is a softer, more contemplative piece; this stands firmly in contrast to the closer "Shadows of a Forgotten City", which starts loud and stays loud up through the end, acting as a fitting climax to the album.

Red Room Cinema aren't presenting anything new or revolutionary with Apsis, but what they are showing is that they know what they want to do and they like doing it. It's hard not to listen to this album and enjoy yourself as much as the band is. If you're a fan of the traditional upbeat post-rock sound, you're going to love Red Room Cinema, and if you haven't gotten into post-rock before, give Apsis a try--it's as friendly and inviting as they come.

Recommended if you like: Explosions in the Sky, Loss of a Child, sleepmakeswaves

7.0 / 10 — Sarah • March 25, 2013

Red Room Cinema – Apsis cover artwork
Red Room Cinema – Apsis — New Grenada, 2012

Recently-posted album reviews

Nick Soulsby

Born of Struggle, Living in Hope: The Anarcho-Punk Lives of the Centro Ibérico (1971-1983)
PM Press (2026)

Living in Hope , as the subtitle suggests, is a punk-centric history of the Centro Ibérico, an anarcho-punk squat at 421 Harrow Road. It is also the first book-length treatment of the space, which was at the crossroads of far-right fascist violence, police surveillance, housing disputes, and the punk scene. Founded in 1970 by Spanish Civil War veteran Miguel García … Read more

Roky Erickson And The Aliens

The Evil One (deluxe edition)
Fire Records (2026)

I feel very fortunate to have seen Roky Erickson perform live at SXSW backed by Okkervil River in 2010 or 2011. Erickson passed away in 2019 at the age of 71. For those of you who aren’t already disciples, Roky Erickson was the lead vocalist of legendary Texas psych rockers 13th Floor Elevators. Recorded after the breakup of the Elevators … Read more

Mike D

Thank You
Capitol (2026)

Beastie Boys were a huge part of my transition from teenager into adulthood. An album for every stage of their growth musically matched the many chapters of my own personal development. Ad-Rock, MCA, and Mike D were like cherished friends for my earholes. The world mourned together when we lost Adam Yauch to cancer in 2012 and were heartbroken knowing … Read more