Review / 200 Words Or Less
Royal Blood
How Did We Get So Dark?

Warner Bros. (2017) — Kevin Fitzpatrick

Royal Blood – How Did We Get So Dark? cover artwork
Royal Blood – How Did We Get So Dark? — Warner Bros., 2017

When English duo Royal Blood released their self-titled debut in 2014, i got into an argument with a friend of mine as to how many members were in the band - my friend insisting that there had to be “at least three - because just listen”.

Of course we now know that this friend was very wrong and he has lived the last four years in shame and seclusion somewhere in the channel islands.

He wasn’t wrong in the sense that it sure didn’t sound like two dudes making all that noise, but if that debut sounded like a full band, then Royal Blood’s sophomore release How Did We Get So Dark sounds downright orchestral.

I think partial credit could certainly go to producer Tom Dalgety, who along with sole band members Mike Kerr and Ben Thatcher created a lush, warm, full sounding record.

But Thatcher and Kerr continue to create hook-laden solid rock that’s at once garage sing-along and stadium anthem rock. Stompers like “Look Like You Know” and “Lights Out” are a solid counter-measure to more nuanced tunes like “Don’t Tell”.

Anyone who had the good fortune to see them open up for Queens of the Stone Age this fall watched them tear shit up. They’re young, they’re hungry and they know how to deliver the goods, live and in the studio.

Royal Blood – How Did We Get So Dark? cover artwork
Royal Blood – How Did We Get So Dark? — Warner Bros., 2017

Related news

Foo Fighters announce 2015 tour

Posted in Tours on November 18, 2014

Recently-posted album reviews

Moonraker

Me and the Bells
Punkerton Records (2026)

I have probably talked about this before, I knew of Moonraker through split EPs and things like that, but they didn't fully pop into my consciousness until The Forest. Me and the Bells, four years later, is their follow-up full-length and it continues the trajectory from that record while still capturing its own distinct vibe. Musically the band is heavily … Read more

Dreamwell

Hymns for the Denial of God
Prosthetic (2026)

Some records make their intentions obvious from the very beginning. They use the same structure that countless bands have for decades: verse, chorus, breakdown, payoff, and the blunt force of explaining what you are supposed to feel. Hymns for the Denial of God does something much more complex. It’s a series of difficult questions no one wants to answer, proposed … Read more

Wine Lips

TV Dinner
Stomp Records (2026)

ALBUM HIGHLIGHTS – “Leech”, “Semi Detached Furnished Home”, “Strip Club DJ”, “Static On The Radio” Toronto’s garage-psych punks Wine Lips bring us album number five. Aside from the awesomely colourful, off-the-wall humanoid artwork, TV Dinner takes a sharp turn from the sonically trippy toppings of previous entries – particularly 2024’s Mushroom Death Sex Bummer Party. Tracks are punchy fuzz-bombs, as … Read more