Blog — Page 21 of 283

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

Sting @ Aware Super Theatre

Posted by T • February 17, 2023

Sting
Aware Super Theatre
Sydney, Australia
15 February 2023

Overplayed rock ballads notwithstanding, I have always found it difficult way to resist the magnetic pull of the way Sting channeled his alchemy into a mélange of subtlety which is delicately substantiated by his immensely visceral song-writing abilities. 

Merging elements from seemingly unrelated cultures and widely agnostic of musical genres, the way he has been serenading audiences over the last forty-five years with his earnest vocals backed by his rich linguistic devices and, of course, his light, idiosyncratic way of strumming the bass has cemented the unique place he occupies in the world of music.

Having not only spearheaded an immensely successful, groundbreaking band but forging a solo career in his own right, nurturing both the adulation of fans as well as critical acclaim, it was fantastic to finally witness the man in a live environment. 

Cutting a lean figure and agile in nature due to being equipped with a headset mic, Sting free flowingly commanded the stage with a solid presence. Framing his extensive arsenal of hits with engaging anecdotes and a well-calibrated setlist, his presence and delivery resonated with the audience from the get-go.

What accentuated Sting’s performance and made it even more memorable than a mere one-man focused show were the moments when he genuinely allowed for constituents of his impressive backing band to shine and take the limelight - be it via soaring, dualling vocal performances or with e.g., harmonica parts replicating what Stevie Wonder had initially incepted.

Summa summarum: A spirited, effortless, and transcending performance that not only did justice to Sting’s varied musical legacy – the tour is not for nothing aptly named “My Songs” - but one that solidified the unique place he occupies in the pop cultural canon.

T • February 17, 2023

Tex Perkins & The Fat Rubber Band @ Factory

Posted by T • February 12, 2023

Tex Perkins & The Fat Rubber Band
Factory Theatre
Sydney, Australia
04 February 2023

It must have been at the tail end if 2006 when two icons of the Australian rock scene, i.e. Tex Perkins and Tim Rogers, joined forces under the moniker TnT to channel what they described to be the equivalent of Leonard Cohen doing KISS style songs. 

Musically, the collaboration was imbued with the trademark tongue-in-cheek, jocular  bravado yet it also resulted in what felt like some of their most vulnerable and sombre songs. I vividly remember a live incarnation in Western Australia that not only had the stage set up centred around a bar, which only added to the appeal and amplified their respective personas.

Given that I have grown to love both artists and their oeuvres both solo as well as the numerous incarnations with their core and other bands over the last seventeen years, a sense of excitement ensued when it was announced that the two raconteurs  were to reunite in celebration of their respective new albums with Tim’s   The Twin Set and Tex backed by The Fat Rubber Band. 

With both artists performing individual sets with their respective aforementioned bands, of which we unfortunately missed the Tim Rogers’ component of the evening, Tex Perkins and The Fat Rubber Band delivered an exquisitely nuanced performance.

With Tex having proved over the years how versatile his incarnations can be, depending on the contexts and bands he channels his alchemy in, it was interesting to see him perform as part of a band that seems to have its focus firmly set on sounding as rural as can be.

Backed by Matt Walker as he weaves his entwined guitar conversations to form a tapestry of plaintive bluesy, calm and occasionally howlin’ atmospheric, country tinged harmonies which serves as the backdrop against which Tex projects his trademark self-deprecating and redemptive lyrics into a vivid narrative. The result is  a comprehensive a comprehensive, artfully formed whole that is much more than the sum of the individual constituents would have one guess.

Specifically impressive were the barbershop-quartet acapella interludes, which accentuated the collision of acoustic and electric instruments and added yet another unexpected facet of depth and proved that Perkins has so much more to offer than the gravelly baritone he is prominently known for.

Not unlike any other time I have had the chance to experience Tex Perkins live, it was a remarkable set, this time rooted in the realm of existential blues.
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Photo by T

T • February 12, 2023

Save Ferris @ The Glass House 2/3/23

Posted by Aaron H • February 9, 2023

Ska-Punk legends, Save Ferris, recently skanked through a lively set in Pomona at The Glass House. The band ripped through songs spanning their career as well as covers, including Sublime's "Santeria" and of course their classic rendition of Dexys Midnight Runners' "Come On Eileen." Check out our gallery of photos below.

Gallery: Save Ferris @ The Glass House (19 photos)

Aaron H • February 9, 2023

Darkness @ The Newtown Library

Posted by T • February 8, 2023

Darkness
The Newtown Library
Sydney, Australia
04 February 2023

Opulently decked out with eclectically curious, gothic-tinged brick-a-brac and restaurated into a venue that swallows ye who dares to enter, Newtown’s heritage listed Library proves to be a locale par excellence for a drama that is inspired by an event in 1816, which saw five protagonists holed up within the confines of the Villa Diodati adjacent Lake Geneva.

Overshadowed by a crisis brought about by one of the largest volcanic events in the history of mankind with implications reminiscent of what we are grappling with in the current day and age, the group of five decides to kill time by each spinning a spooky yarn imbued with inherent truths yet spun from fantastic and morbidly gripping vantage points.

Set in scene in a 360 degree site-specific way that engages the audience from all angles, Darkness embodies the DNA of an immersive experience, which is only further accentuated by how playwright Andrew Bovell connects themes of the past with the present to then project them forward, thereby increasing their intensity manifold.

Dramaturgically excelling with the portrayal of the depths and complexities the emotional worlds of the protagonists harbour and further enhanced by carefully calibrated atmospheric lighting and foreboding sound effects, one cannot help but be transported into an alternative universe at the crux of existentialism, love and death.

Allowing the audience to hang out at The Library’s otherworldly bar to further contemplate and reflect after the performance on the need to be, Darkness is a vibe situated somewhere between the all too familiar universal questions and the unknown.

T • February 8, 2023

The Formative Years – Marginal Man

Posted by T • January 26, 2023

The Formative Years – Marginal Man

Marginal Man were a five piece hardcore punk band from Washington DC that rose from the ashes of Artificial Peace’s breakup, whose emissions were more on the rudimentary end of the spectrum, and one of the first hardcore bands from the DC scene that featured two guitars.

Marginal Man’s their first LP, "Identity" was released on Dischord Records in March 1984 and while getting exposure and appreciation, remains one of the more underappreciated and overlooked records in hardcore punk history. 

Marginal Man combined the unbridled, raw energy of bands like Minor Threat and Crucifix and paired it with varying artistic influences of Dead Kennedys, straddling the line between the aggressive style of first-wave ferocious hardcore and the more melodic, thereby providing fertile ground for slow grinding emotional struggles that records like Black Flag’s My War riffed on long before “emo” became a thing.

Marginal Man’s Identity album, the primary theme of which is the existential quest for one’s purpose and place in society, stands out from Dischord Records’ flawless discography in that it captures the imagination and wiry agility of hardcore punk yet pulls back to delve into more refined realms substantiated with unrivalled melodic sensibilities and incredible guitar work that was way ahead of its time.

T • January 26, 2023

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