Blog — Page 21 of 282

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

Darkness @ The Newtown Library

Posted by T • February 8, 2023

Darkness
The Newtown Library
Sydney, Australia
04 February 2023

Opulently decked out with eclectically curious, gothic-tinged brick-a-brac and restaurated into a venue that swallows ye who dares to enter, Newtown’s heritage listed Library proves to be a locale par excellence for a drama that is inspired by an event in 1816, which saw five protagonists holed up within the confines of the Villa Diodati adjacent Lake Geneva.

Overshadowed by a crisis brought about by one of the largest volcanic events in the history of mankind with implications reminiscent of what we are grappling with in the current day and age, the group of five decides to kill time by each spinning a spooky yarn imbued with inherent truths yet spun from fantastic and morbidly gripping vantage points.

Set in scene in a 360 degree site-specific way that engages the audience from all angles, Darkness embodies the DNA of an immersive experience, which is only further accentuated by how playwright Andrew Bovell connects themes of the past with the present to then project them forward, thereby increasing their intensity manifold.

Dramaturgically excelling with the portrayal of the depths and complexities the emotional worlds of the protagonists harbour and further enhanced by carefully calibrated atmospheric lighting and foreboding sound effects, one cannot help but be transported into an alternative universe at the crux of existentialism, love and death.

Allowing the audience to hang out at The Library’s otherworldly bar to further contemplate and reflect after the performance on the need to be, Darkness is a vibe situated somewhere between the all too familiar universal questions and the unknown.

T • February 8, 2023

The Formative Years – Marginal Man

Posted by T • January 26, 2023

The Formative Years – Marginal Man

Marginal Man were a five piece hardcore punk band from Washington DC that rose from the ashes of Artificial Peace’s breakup, whose emissions were more on the rudimentary end of the spectrum, and one of the first hardcore bands from the DC scene that featured two guitars.

Marginal Man’s their first LP, "Identity" was released on Dischord Records in March 1984 and while getting exposure and appreciation, remains one of the more underappreciated and overlooked records in hardcore punk history. 

Marginal Man combined the unbridled, raw energy of bands like Minor Threat and Crucifix and paired it with varying artistic influences of Dead Kennedys, straddling the line between the aggressive style of first-wave ferocious hardcore and the more melodic, thereby providing fertile ground for slow grinding emotional struggles that records like Black Flag’s My War riffed on long before “emo” became a thing.

Marginal Man’s Identity album, the primary theme of which is the existential quest for one’s purpose and place in society, stands out from Dischord Records’ flawless discography in that it captures the imagination and wiry agility of hardcore punk yet pulls back to delve into more refined realms substantiated with unrivalled melodic sensibilities and incredible guitar work that was way ahead of its time.

T • January 26, 2023

The Formative Years – Trio

Posted by T • January 24, 2023

The Formative Years – Trio

Neue Deutsche Welle not merely dominated my youth but my childhood as when it first emerged, much to my delight it was omnipresent both on mainstream radio and TV.

Trio was a German, formed in the town of Großenkneten in 1979 and three years later they created a world hit with what became their signature and most memorable song, i.e. "Da Da Da".

What resonated instantaneously with me was not merely the primal, stripped down nature of Trio’s songs, devoid or any ornamental flourishings but their strange sense of humour and their quirky, Dadaistic appearances on prime time TV with the lead singer, droll voiced Stephan Remmler, playing pre-programmed simplistic ditties on a Casio keyboard backed by the disinterested drummer playing simple beer garden rhythms singlehanded while eating an apple with the other one. 

Essentially, Trio presented a deconstructed version of rock’n roll and with their idiosyncratic personalities appeared otherworldly doing so. 

Depending on your point of view, it could be classified as highly conceptual performance art or alternatively as nonsensical minimalism reminiscent of the Plastic Ono band – a comparison that is given a further dimension by the fact that their overlooked classic first record was produced by Beatles collaborator and ex-Manfred Mann bassist Klaus Voormann.

Trio’ first album is essential for anyone interested in late seventies and early eighties new wave with punk, post punk, rockabilly, comical Schlager, reggae and synth pop sensibilities as it managed to artfully merge the aforementioned influences to an explosive melange that while showing appreciation also poked fun at anyone taking the individual genres too seriously.

A unique, fun and essential album.

T • January 24, 2023

Water of Life – Bakery Hill MMXXIII

Posted by T • January 23, 2023

Water of Life – Bakery Hill MMXXIII

If you happen to even remotely follow this series, you could not be blamed for finding the sheer range of activity within the confines of the Australian distillery landscape overwhelming, especially given the large number of new entities popping up on the radar on a regular basis and the exponential increase in international accolades being bestowed on them.

While there is merit in innovation and the creation of new products along with the inevitable declamatory noise via social media channels, there are distilleries that just seem to have gotten it right from the start.  Focussing their efforts on finetuning their craft centred around the creation of meticulously distilled drops, they let their liquid emissions speak for themselves.

One of those distilleries is Bakery Hill.

Having incarnated twenty-three years ago and thereby being one of the oldest distilleries on the mainland that is terra australis, what was originally founded by David Baker in the Eastern part of Melbourne has established itself as a widely esteemed, veritable heavyweight internationally based on the father / son duo’s long-term vision, product development and trust in the process.

My first exposure to Bakery Hill was via their core expression, i.e. the Classic Single Malt. 

Clocking in at 46% ABV, I vividly remember how immensely more-ish I found what tasted like a lighter style of a malt centred expression, with delicate nuances of drying oak and spices enriching the finish.

Needless to say, being a hopeless Islay head, I fell head over heels for Bakery Hill’s defiantly peated Sovereign Smoke expression, which as the telling name suggests, rules supreme in the realm of deliciously phenolic and bonfire goodness.

What I found interesting about Bakery Hill’s approach, apart from them doing their own milling, was their focus on American oak ex-bourbon casks instead of an over reliance on wine casks and longer maturation periods compared to other Australian contemporaries, which results in cleaner, undiluted from overly tannic flavour profiles with the limelight set on the malt.

Having perfectioned its core portfolio, Bakery Hill’s special releases are never not a special treat and it took until 2023 that I finally got a hold of the much fabled about Blunderbuss 2022 expression.

If you follow our “Thus Let Us Drink Beer” series, you would be familiar with Hop Nation’s Imperial Stout beer that goes under the moniker of The Kalash, the flavour profile of which is informed by having spent significant time in Bakery Hill barrels. 

Now that the barrels have been returned, Bakery Hill in turn refilled them with their six year old Bakery Hill Classic whisky. 

With a powerful ABV of 58%, this little number proves to be an example par excellence for a dense complex tour de force: Aromas of dark chocolate and coffee with highlights of orange peel tickle the nostrils, before honeyed stout flavours flanked by a natural ocean taste materialize on the top of the mouth. 

The finish is an elongated affair, meandering between savoury and sweet terrains, eliciting a Pavlovian reaction.

Beautiful.

Given all of the aforementioned, it would be highly concerning if I did not love Bakery Hill’s vibrant Peated Double Wood expression: Having undergone a maturation period of five years in American oak before seeking further refinement in fifty litre French Oak barrels, earthy peat aromas lure one in.

On the palate, smoky peat serves as the foundation on which tobacco and floral citrus notes dance against a backdrop of oaked sweetness. The long and elegant finish rounds things out with spirit driven reverberations.

Things get interesting with the High Seas expression as it is the result of what commenced twelve years ago when a barrel of Scottish whisky was sent across to the Southern hemisphere to be decanted and filled with Bakery Hill’s peated single malt.

The amber coloured drop brims with maritime aromas and flavour-wise navigates around chocolate milky caramel territory, candy and clove flavour notes reminiscent of honey and rum. The finish culminates in the delicate and balanced marriage of peat and vanilla without either constituent overpowering the other.

Finally, I was lucky enough to sample a dram of one of Bakery Hill’s future releases, i.e., Muscat Cask, which as the name suggests, after maturation in the American oak ex-bourbon casks spent a year in ex-Yarra Valley Muscat Casks before being returned to American oak again.

The result does not disappoint: With vanilla, cinnamon and apples prominent on the nose, a multi-layered tapestry of rich dark fruits and cocoa is unveiled to culminate in a crescendo of rich, oaky spicy highlights.

Despite being pronounced on the flavour front, I like the subtle sweetness and lingering hints of muscat of the finish. Another winner that will hopefully see the light of day sooner than later.

T • January 23, 2023

Mayhem @ Factor Theatre

Posted by T • January 20, 2023

Mayhem
Sydney, Australia 
Factory Theatre
19 January 2023

Having missed out on previous live incarnations of Mayhem over the years and given both the immense influence they have been exerting on the metal landscape at large since their original inception almost forty years ago along with much fabled about notorious live performances, it felt like it was high time that I finally got to experience one of the most prominent Norwegian black metal bands in the third dimension.

The packed out Factory Theatre was visibly brimming with excitement as to how the ever unpredictable entity known as Mayhem was to continue their legacy with their hostile sounds. 

Instead of resting on their laurels, it was great to see an unsanitised, righteous version of the band, showcasing both their opaque facets with searing borderline cacophonous unrelenting noise parts, their trademark all out metal onslaught as well as their atmospherically theatrical, ethereal side substantiated by the ever morbid and melodramatic histrionics of frontman and accomplished vocalist Attila Csihar.

What I have always loved about Mayhem is their raw, stripped down, dirty and distorted punk rooted approach, which was not merely integral to the first part of their career but was front and centre tonight, aiding in making the full force of their primal overdrive physically tangible.

Garbed in a tattered, multi-layered cloak and corpse paint at the beginning and undergoing quite a few costume changes throughout the evening, conducting the tight band with a cross made of bones and later on channelling Macbeth with a cranium, Attila’s ghoulish vocals were clear and severe, as he spearheaded the horde reminiscent of a devilish pope alternating between serenading and threatening the unfaithful. 

The appreciative and enthusiastic crowd lapped up the ritualistic ceremony, which was staged in differently themed parts with a well-curated setlist that made it a thrilling exercise for both the old school aficionado as well as the large number of younger aged attendees.

---

photos by T

T • January 20, 2023

Latest news stories

SPB featured stream: Drakulas - Midnight City

Posted in Records on April 30, 2026

It's our pleasure to share Midnight City, the third album from Austin, TX based Drakulas. The band features members of some well-known bands, namely Riverboat Gamblers and Rise Against, but this project takes a new turn with protopunk meets early new wave that describes a dark underbelly of a world … Read more

Triple Lutz debut LP

Posted in Records on May 17, 2026

Triple Lutz is preparing to release their debut album, In the Hands of an Angry Mob, out June 26 on SBÄM Records. The punkk band formed in 2017 and describe themselves as "half queer, half femme, and half bald." The video/single below described them arguably more accurately in just under … Read more

A Mr. Dinkles ditty

Posted in Records on May 16, 2026

Mr. Dinkles' debuted “Socialism Ditty” yesterday, a new single form the upcoming R.I.P.T. EP, which releases on June 5 on Futureless. The Los Angeles//Seattle duo play indie-punk with power-pop tones. Read more R.I.P.T. Track Listing Socialism Ditty Eat Chips and Talk Shit Letter to Elon Grinding My Teeth IDRW Upcoming … Read more

New from We Are Horror

Posted in Labels on May 16, 2026

We Are Horror Records has two new May releases: First, the label released Santa Carla by Hellbound Heist on the first. Second comes The Operating Table by Toria and the Terror, released yesterday, May 15. Read more Read more

New Morality, Bleached Cross

Posted in Records on May 16, 2026

Formed remotely between Chicago, IL and San Diego, CA, as a duo and growing into a full band based in Chicago, darkwave/post-punk Bleach Cross has just announced a new album called Wrath, which the band will bring down upon on us July 24 this year, courtesy of New Morality Zine … Read more

Ritual Bronze: Ohio post-hardcore

Posted in Records on May 16, 2026

Ritual Bronze has announced their self-titled debut album, out June 12 on Steadfast Records/Sweet Cheetah Records. The post-hardcore grou pcomes from Cleveland, OH, often building on quiet/loud dynamics for emotional effect. Read more Read more

Anthrax iz back

Posted in Records on May 15, 2026

It's hard to believe, but Anthrax is 45 years into their career -- and they keep going. The band, featuring Scott Ian (guitar), Charlie Benante (drums), Frank Bello (bass), Joey Belladonna (vocals), and Jonathan Donais (guitar) just announced Cursum Perficio, their twelfth studio album, coming out Sept. 18 on Megaforce … Read more

Trash Sound Conglomerate, est. 2021

Posted in Records on May 15, 2026

Sophomore Slump will release in early September, a new album from Seattle, WA based Trash Sound Conglomerate, coming via Moodkiller Records -- sharing the news alongside a new single called "Skinless in Seattle. Formed in 2021, the band has released two singles, two EPs and, as of this fall, two … Read more

The Ultimate...And Justice For Art: Stories About Heavy Metal Album Covers:

Posted in Music News on May 15, 2026

Meet ...And Justice For Art: Stories About Heavy Metal Album Covers, a new hardcover book featuring interviews about iconic metal album covers. In total the 372-page book contains700 graphics and 120+ interviews including features on Black Sabbath, Slayer, Iron Maiden, Metallica, Neurosis, and many more. Originally published in 2015 and … Read more

A double EP by Resurrectionists

Posted in Records on May 14, 2026

Resurrections of Milwaukee, WI, has a new double EP on the way -- a re-release of their Anytime You Make A Place For Them (2025) EP, combined with the brand new Ok, Let’s Play King EP -- out June 19 via Seismic Wave. “I joke sometimes that this is where … Read more

Vaux Records rises

Posted in Labels on May 14, 2026

Rise Records' founder Craig Ericson has launced a new label, Vaux Records, which has signed Cuntrol (Los Angeles, CA) and J Noire (Nashville, TN) to the roster to begin. The label will partner with Many Hats for distribution and MerchNow for merchandise/online store. Ericson was with Rise from 1991- 2015, … Read more

SPB premiere: "Kink" by Upset Boy and the Queens

Posted in Bands on May 14, 2026

Nashville, TN based rock ‘n’ rollers Upset Boy and the Queens have announced the upcoming release of a new EP, Hissy Fit of Destruction. The 6-song EP comes out on June 12 via Sweet Cheetah Records, but we have a new single for you now, "Kink." “I originally wrote ‘Kink’ … Read more

Rad Skulls and 5 labels team up for debut

Posted in Records on May 14, 2026

Rad Skulls will be releasing a full-length album -- their debut -- later this summer, See You in Hell. The record follows a demo and 7", and will release via a plethora of independent, international labels: Engineer (UK), Scene Police (Ger), Sell The Heart (US), Waterslide (Jap), and High End … Read more

Get set for Lights & Motion

Posted in Records on May 14, 2026

Instrumental group Lights & Motion just announced plans for Bloom II, a six song collection out on May 29 via Deep Elm Records. The band exits hiatus with a follow-up to their 2018 release, Bloom, as explained by Christoffer Franzen" This EP was the first thing I wrote when I … Read more

Ink Bomb explodes with "Rome Is Burning (again)"

Posted in Bands on May 14, 2026

Dutch punk band Ink Bomb shared a new single today, "Rome Is Burning (again)" b/w "Rerun", kickng off a trilogy of planned 2026 double singles. The band last released Saudade in 2024. Read more Read more

The Mountain Goats' Days

Posted in Records on May 13, 2026

2026 will bring us album #24 from The Mountain Goats, featuring a lineup of John Darnielle, Matt Douglas, and Jon Wurster on the new Days, out August 7 on Cadmean Dawn Records. “This album began life as Grunges, a sequel to Goths, after I made a joke on social media … Read more

FVRMN ep7

Posted in Records on May 13, 2026

Tokyo based alt-punk band FVRMN just released ep7, a new fundraiser for Tokyo Exotic Animal Sanctuary. The EP features 7 songs, including a remastered version "French Uhuru", a collaboration with Brittany Luna (Catbite), and a remix by Toilet Rats, and more. FVRMN released Suicides last year, their fifth full-length (Sweet … Read more

Billy Batts and the Made Men (live)

Posted in Records on May 13, 2026

Atlanta, GA punk band Billy Batts and the Made Men is the latest to release via DCxPC Live, announcing the upcoming release of DCxPC Live Vol. 41: Billy Batts and the Made Men Live at El Dorado Bar, Troy, NY 1/10/25. The band formed in 2019 and is on the … Read more

A Neptune sighting

Posted in Records on May 13, 2026

Experimental artists Neptune return with the new Play Some Music, out June 5 on Sleeping Giant Glossolalia. It is album #9 from the band, and their first new material in 12 years. Listen to a preview below. Read more Tracklist: 1. #41 2. Enter H— 3. Glass Masque 4. Furies … Read more

Envy's Insomniac Doze 20 years later

Posted in Records on May 12, 2026

Temporary Residence has announced a 20th anniversary reissue of Insomican Doze by Ency, first released in 2006 (and recipient of this triple author review here at SPB). The new update comes out on July 17, remastered with new packaging and lyric sheets in both English and Japanese. Read more INSOMNIAC … Read more