Blog — Page 39 of 282

The Formative Years – Tool

It took a while until I got to appreciate the enigma that seems central to the world of Tool and their conceptually themed albums along with the symbol and easter eggs laden- comprehensive package they present

While Tool’s first two post-grunge albums did not necessarily capture my imagination, it was the release of  Ænima that not only embodied the evolution of the band that with this album had found its own unique, layered and definitive stride and sound but also one that had transformation as a central theme, along with an omnipresence of Carl Gustav Jungian ideas when it comes to self-discovery and its psychological implications.

While musically Tool quintessentially remained in nu metal territory , Ænima saw them introduce new proggy facets and complex, ever building compositions the magnitude of which tend to grow with each listen. 

Pounding rhythms, bizarrely timed signatures and a convincing sonic portrayal of angst are merely a few of the ingredients that make listening to the album an engaging, dense and genuinely original experience challenging one to reconcile one with one’s nature as well as its opposite.

Ænima saw Tool create an album that explicitly invites analysis while also including tracks that deliberately defy explanation and thereby not only leaves it up to the listener to interpret and contextualize it for him- / herself but actively makes the recipient a vital collaborator.

Water of Life - Cut Hill Distillery 

Founded by a conglomerate of motivated beverage industry professionals, Cut Hills Distillery set out to not merely build on the foundations of the qualities that Australian whiskey has become known and appreciated for and creating their own contemporary take on classic styles, but pro-actively paving the way for the pushing the envelope further by honouring traditional methods as well as employing modern technologies.

Cut Hill Distllery’s first forays into the world of producing their own drops started with an initial release program, which was comprised of multiple, private cask bottlings in a bid to bridge the time before their first own releases.

My first exposure to Cut Hill was via its Private Barrel Series Wine Cask, which as the name would suggest, takes advantage of the barrels sourced from South Australia’s widely recognized Barossa and McLaren Vale wine regions, which previously held a range of characteristic red wine varietals.

On approach, the nostrils are tickled by hints of cherry, winey and sweet aromas, backed by blueberry, grassy and apple nuances backed by the faintest hints of spicy, clove eugenol nuances.

On the top of the mouth, we enter sweet, buttery flavours informed by vanilla, honey and rum, which are further accentuated by delicately calibrated sour and slightly tannic highlights.
The medium length finish culminates in oaky highlights and reverberates with welcome, warming hints of char. 

Summa summarum, clocking in at a relatively tame ABV of 43%, this little number is a great starting point for wine lovers looking to broaden their horizon and embark into whiskey territory.

Taking things up a notch or two is Cut Hill Distillery’s Fortified Cask expression, which lives up to its name from the get go as what materializes on the nose, catapults us into woody, piny territory, accompanied by equally sweet and tarty notes rounded out with a characteristic almond nuance.

What the nose promised is seamlessly transitioned onto the palate, where a rich avalanche of fruit-forward flavours reminiscent of Amaretto-like honeyed vanilla and biscuity, dulce de leche sapors.

The elongated finish concludes with brown sugary coca notes backed by the warm spicy and slightly astringency of nutmeg and cloves, resulting in quite an indulgent affair that makes this expression a borderline ideal dessert dram.

Given the quality of the aforementioned first two expressions and their wine barrel based approach, I cannot wait to experience Cut Hill Distillery trying its hand at channelling its alchemy in mead cask and cask strength expressions.

On the gin side of things, Cut Hill created their own idiosyncratic take on the traditional dry style with their Lost Phoenix Australian Dry Gin.

Based on a foundation of grain spirit and infused with botanicals grown on their own turf, i.e. a melange of pepperberry, lemon myrtle and peppercorns, the focus is firmly set on paying homage to South Australia and all that is has to offer.

Centred around a juniper forward approach, slightly piney flavours with a touch of pepperiness and fruitiness are flanked by citrussy and vegetal-peppery highlights, which reach into grapefruity realms, to then be further accentuated by aromatic menthol notes.

Cut Hill’s Lost Phoenix gin proves to be a great base for a G&T and even holds its own as a straight sipper.

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image from company website

Audio = Ground Zero – JBL Home Audio options

Given the devil’s pace TV technology has advanced over recent years, with models getting smaller yet quantum leaps being made in terms of picture quality, you are going to want some serious audio to go along with technological improvements, which, unless your abode and wallet can accommodate and afford a full-blown home theatre, is where a slim, low profile, space saving soundbar comes in handy to distinctly upgrade your TV audio with clearer dialogue, richer sound and crisper details. 

In that regard, a well performing soundbar is the audio equivalent to a pair of glasses.

However, with a myriad of models and sheer endless features of varying quality crowding the market, there are a few guiding basics one should consider, e.g. making sure there are three or more channels to simulate surround sound for a more immersive experience and the availability of connectivity options like HDMI Arc, USB and wireless connectivity. 

At the affordable end of the spectrum and as an entry level model, one would be hard-pressed to go past JBL’s compact Bar 2.0 All-In-One soundbar as in terms of ease-of-use, uncluttered functionality with control buttons on top and a simple remote control layout and pronounced simplicity when it comes to the setup, i.e. simply using the HDMI ARC connection and you are in business, it offers a myriad of benefits.

Performance-wise, the Bar 2.0 All-In-One delivers in terms of depth both in the realms of 
low-end reach as well as midrange, with nuances being no less crisply presented in the higher frequencies. 

What I really like about the Bar 2.0 is the way layered, complex sound fields are conveyed  with all nuanced subtleties and tonalities even in bigger rooms without ever lacking punchiness

Stepping things up a few notches is the tour de force that is the JBL’s Bar 5.1 Surround. Imbued with MultiBeam technology that is used in cinema audio systems around the world, it should not be further wondrous that this little number is the epitome of being blissfully submerged in sound.

Comprised of a standard yet oversized soundbar setup with an accompanying wirelessly-connected subwoofer that can be placed wherever one feels like, this minimalist designed soundbar houses five front-facing drivers and two side firing built-in speakers, which results in its bigger size that makes it a veritable unit.

Controls can be easily accessed either via remote control or directly in the middle of the soundbar, with the button given a welcome tactile response. Connectively is ensured via Optical / HDMI inputs, with both AirPlay2 and Chromecast being supported for wireless streaming and the possibility to connect your mobile devices via Bluetooth.

Informed by JBL’s idiosyncratic MultiBeam technology, the sound of this entertainment powerhouse could not be more detailed and spatially-accurate, delivering an audio soundscape equivalent of 3D by not merely maintaining but enhancing intensity, thereby making it one of the most capable soundbars in its class and placing JBL on the firmament of quality home audio providers.

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image from company website

The Formative Years – Entombed

As far as Scandinavian metal is concerned, Entombed was one of the bands that defined their own idiosyncratic melange based on a well-calibrated mix death metal and hardcore punk influences, which cross-pollinated across underground genres and gave birth to a myriad of epigones.

I was first exposed to Entombed via their album Left Hand Path and when it was released, it left not merely an impression on me but quite a dent on underground music at large as within the context of its time, i.e. the infancy of death metal, with its raw, aggressive approach, it was almost the diametric opposite of the prevalent melodic and progressive metal that was en vogue.

Given the fact that all band members were in their late teens, there was a youthful, unrelenting capturing crusty energy to it, which was accentuated by frenzied thrash, consistently poignant drumming, slow chugging heaviness and innovative riffing that perfectly conveyed the horror themes of the album.

In essence, through condensing the DNA of death metal to its punkish base, Left Hand Path not merely went on to serve as the template for what death rock and the future Swedish sound was to be based on but it created a distinct, ominous sonic aura, i.e. a sound that grabbed one by the throat and would become instantaneously recognizable and inextricably linked to Entombed.

A classic and vitally important album that opened a chasm into another world.

Thus Let Us Drink Beer – Rocky Ridge Brewing Anniversary releases

Rocky Ridge Brewing Co is a truly unique entity on the firmament of Australian quality craft beer breweries as its focus is not only set on sustainable practises and locally sourced ingredients, but also on pumping out quality brews that consistently push the envelope without ever running danger of entering novelty territory.

Located South of one of the most remote cities on this earthround, i.e. Perth, in the Margaret River region, all ingredients are grown within the confines of head brewer’s Hamish Coates family farm, with H2O sourced from rainwater and the operations being propelled forward via channeling the power of the sun.

Needless to say, the fact that I have yet to come across a Rocky Ridge release that I do not immensely enjoy does not hurt either, so when I got wind of an array of special releases being released to celebrate their fifth anniversary, I got mildly excited especially as some of those were to be created in collaboration with other craft brewers and thus offered the opportunity to introduce hops from other regions into the mix.

If you have followed this series with an iota of interest it should not come as a surprise that two of my favourite expression from Rocky Ridge’s limited anniversary releases are India Pale Ales, one of which is based on Rocky Ridge joining forces with what could be considered their Australian West Coast equivalent in terms of ingenuity and quality, i.e. Mountain Culture. 

The collaboration culminated in the release of an expression named That John Denver is Full of Sht**, which is quintessentially a tour de force in terms of bold hoppiness, accentuated by dominant citrussy and resinous notes and backed by a distinct bitterness. 
With an ABV clocking in at 10% this dangerously moreish little number makes for a hell of a boilermaker with a dram of Octomore 6.3.

The other DIPA I instantenously fell in love with Rocky Ridge’s hoppy The Shape of Trub to Come, the artwork of which is a thinly veiled homage to Refused (and them imitating Rye Coalition’s  cover artwork of Teen-Age Dance Session,  which in turn was a reference to Dan Terry’s album of the same title).

Based on a melange derived from the best the quartet of El Dorado, Galaxy, Strata and Citra hops have to offer, The Shape of Trub to Come tickles the nostrils upon approach with its punchy aromas and what the nose promised is seamlessly transitioned to the top of the mouth with a pronounced juiciness with only the faintest hint of bitterness. 

An expertly calibrated, sessionable DIPA that sets the mark high for Rocky Ridge’s future releases.