Dust off your battle vest and break out the studded bracelets, and prepare to go back in time to 1982. After having to postpone their 40th-anniversary celebration after front-man, Keith Morris, contracted Covid, the band is picking up their first tour in 15 years to a sold-out crowd at Pomona's, Glass House, before their big hometown show in Hollywood. Joining them on tour are Detroit's Hardcore-Punk pioneers, Negative Approach, and Reno's primitive Straight-Edge outfit, 7Seconds. The two So-Cal shows of the tour have the added bonus of Jersey's, Bouncing Souls. All the makings for a quintessential punk show. So how was the predominantly older audience going to fare this Tuesday night?

Negative Approach kicked off the show at 7 pm, and despite being a little early, the crowd didn't need any warm-up. Those already on the floor were cheering along while the pit got going. As aggressive as Negative Approach were, everyone in the pit was respectful to each other as they made their rounds, making sure not to push down the two in wheelchairs joining in on the fun. The highlight of the set was hearing Ron Sakowski's meaty bass tone as frontman, John Brannon, growled through tracks like "Tied Down" and "Lost Cause."

Following was 7 Seconds, and this set was a real highlight of the entire show. The band claimed when they broke up in 2018, that they wouldn't be doing any reunion shows, but here we are 5 years later. The audience was excited, and the band was excited. Kevin Seconds maintains his mantra of being young 'til he dies and he gives one of the most energetic performances of the night. The room was only maybe half full as it was relatively early, but everyone joined in the singalongs, especially when the band powered through their cover of Nena's "99 Balloons." The band oozed positive vibes and it was clear the crowd was giving it right back.

The "little brothers" of the show were the Bouncing Souls. The band definitely felt like the odd one out, but it was a nice bonus to have them join the show. You could tell the slight younger fans in the room were getting their moment. At one point, a crowd-surfer was fighting his way onto the stage. As the bouncers tried to pull him off, bassist Bryan Kienlen, fought to pull him on stage, eventually getting it through the bouncer's head to let him onto the stage. The fan took over mic duties during the band's "Manthem" chorus. While the set had its moments, overall it was starting to feel a little like the room was tired. However, the audience lit up during their cover of "Lean on Sheena" and of course the crowd-favorite, "True Believers" as they closed their set.

As the Circle Jerks started to set up and the 4-page setlist that probably took longer to write than most of their albums, was taped to the floors, the room began to fill. Without cutting the lights, no big walkout or hype song, the band took the stage. Keith took a moment to pour over their excitement to tour for Group Sex's 40th anniversary, but then Covid put that on hold. In that time, the band's second album, Wild in the Streets, reached its 40th anniversary, so now they're celebrating both albums. While many generations covered the floor, even 5 or 6-year-old kids more likely dragged to the show by their punk parents, the crowd was much older. Maybe it was the Tuesday night or maybe its because of the older demographic, It was clear that there was some fatigue in the room. It really showed when the Circle Jerks took a moment to thank the bands joining them on tour and asked the crowd to cheer, but they were met with a lukewarm response. Something that Keith even took note of as he asked "Have we really been that fucking boring?" Perhaps he couldn't see the huge circle pit that overtook most of the floor during the entire set though. Aside from the huge pit though, most of the crowd just stood and enjoyed the show.

All-in-all, the Circle Jerks were great and it's a shame the fans couldn't give the same energy back. Many of the fans left before the encore. It was hard to tell if they thought the show was really over or if they were ready to call it a night. All I know is I recommend not missing the tour if it's yet to hit your town. Everyone seemed in high spirits and there was a positive vibe in the venue. Go have a great time and appreciate some of punk's most legendary acts!

Thus Let Us Drink Beer

Vale Brewing IPA and Wayward Brewing Hazy IPA

Vale Brewing

Originally incepted fourteen years ago as McLaren Vale Beer Company, Vale Brewing’s reputation precedes as it has not merely established itself as a veritable heavyweight on the firmament of South Australian breweries but with is boundary pushing, accolade decorated, innovative, sessionable craft beers has shown its commitment to deliver consistent brews.

As I unfortunately missed out on Vale’s Margherita Sour, which quickly sold out shortly after its release, my first exposure to Vale was via their IPA expression, which proved to be a tour de force in merging the best that New Zealand, terra australis and the US have to offer in terms of quality hops, i.e. Nelson Sauvin, Galaxy and Citra variants, the total of which results in much more than the sum of the individual components would have you think.

With the hop forward emphasis being on tropical and citrussy flavours with a distinct passionfruit note, subtle nuances of malty caramel are weaved in and rounded out by piney notes and a delicately subdued bitterness, this could be interpreted as an Australian / New Zealand balanced take on a traditional American IPA.

Given the quality of the IPA, I can only hope that Vale Brewing will confidently venture into continuing to craft exotic, bigger and higher ABV expressions.

Wayward Craft Brews

If you have remotely followed this series, the fact that with its dedication to create exciting brews that marry traditional European approaches with its own idiosyncratic twist, Wayward Brewing is one of my favourite Australian craft breweries should not come as a surprise.

With the common denominator of Wayward’s Craft Brews being that they are all about flavour, especially their releases in the realm of India Pale Ales have been consistently knocking things out of the park and having refined and calibrated the DNA of their hazy variants over the last three years, Wayward’s 2022 incarnation of their Hazy IPA is no exception:

In essence, Wayward Brewing’s Hazy IPA with its relatively tame ABV of 5.8% is the epitome of what could be classified as a sessionable IPA. Based on a foundation of Sabro, Simcoe and Citra hops, the nostrils are tickled upon approach by an tantalizing juicy hoppiness.

With barely any remnants of bitterness, what materializes on the top of the mouth is a tour de force of tropical flavours with mango and pineapple nuances taking centre stage, subtly counterpointed by hints of resinous pine accents.

While I usually reach for the bolder section in the IPA department, Wayward expertly showcases with this tweaked little number that flavours do not have to be overwhelming to tick all the boxes and leave you savouring each and every sip.

The Formative Years – Spermbirds

First incepted in 1982 in Kaiserslautern and having evolved from the fun punk band Die Walter Elf, an outfit that was more inspired by traditional British classic punk,  Spermbirds established themselves quickly as a trailblazer in the realm of catapulting Germany on the forefront of the firmament of the American hardcore punk inspired scene.

Fronted by the ex-GI Lee Hollis who introduced his other constituents to bands like Minor Threat, Misfits, Descendents, Bad Brains, the Big Boys, et cetera, the band quickly created their own idiosyncratic sound, which was heavily influenced by the attitude of bands like Angry Samoans and Agent Orange.

With the advent of the 1990s, not unlike many of their contemporaries Spermbirds underwent style and line-up changes, with Lee Hollis departing to explore ventures not unlike the more artistically inclined, progressive rock inspired post-hardcore outfit 2Bad. While it saw Spermbirds garnering some mainstream success and a departure from their trademark hardcore sounds, it did not last long before dissolving only to eventually reconnect with their roots, leading to a reunion with Hollis, resulting in them continuing their journey to this day.

Of unwavering relevance to this day not merely for the European hardcore scene are their first four albums - not merely because of their fast, furious and innovative sound and unbridled at times un-PC attitude but mainly due to the fact that they reflect the times and spirit of the nascent German hardcore scene in an authentic and most infectious form.

What’s Sumatra with You?

Mecca Coffee

While Australia is known on international terrain for its great coffee culture with a myriad of quality outlets, in its nascent stage they were few roasters that endeavours to strive for transparency and fair trading as much as Mecca Coffee did, travelling wide and far to both resolve logistical obstacles as well as do better for our planet while appreciating and honouring the efforts of the producers.

Given the aforementioned, perceiving itself as a piece of the mosaic that makes the fabric of the coffee loving community, valuing an ethical approach, sustainability and leveraging its values of authenticity, Mecca became quickly a pioneering roaster, supplying coffee to hundreds of boutique cafés up and down the east coast, including its own high-ceilinged flagship outlet, where one can stack up on Mecca’s curated range of java beans or alternatively enjoy an expertly brewed cup with seasonal house blends, espresso blends, and coffees sourced from Peru, Bolivia, Colombia, Rwanda, and Ethiopia. 

Apart from Mecca’s milk chocolatey core House blend, which I have grown to love as the foundation for Flat Whites, include the Maria Olimpia variant from Honduras, which with its bright and juicy blood orange and sugarcane accents lends itself particularly well to be enjoyed as a straight up espresso due its nuances not needing to rely on any interference of sugar or milk.

Same goes for Mecca’s maple syrupy Los Rosales and José Hernán Salazar roasts: Sourced from Colombia, especially the latter with its sweetly complex melange of well calibrated bergamot and papaya florals is one of the most delicately balanced Pink Bourbon variants I have had the fortune to taste and a testament to how Mecca channels its alchemy when it comes to the curation of its beans.

Hello Coffee

Based in an area where the espresso heritage holds strong, i.e. the Australian state of Victoria, and nestled in Apollo Bay at the foot of the green hills of the Otways, the community-based specialty roasters of artisan coffees known as Hello Coffee only recently popped up on my radar.

Having started out with an intrinsic love for quality coffee and the willingness to experiment, the founders originally tracked down an old coffee roaster to practise and what started out in a shed has quickly evolved to become a veritable third place for the local community and the HQ from which Hello Coffee roasts speciality grade beans from mainly Central America, Africa but also areas that are not necessarily known for its coffee bean production, i.e. terra australis.

Ranging from light-fruity roasts for filter lovers on one end of the spectrum to darker roasts, e.g. their excellent cherry and dark chocolate  flavoured, vibrant Dark Seas roast, for milk-based drinkers, Hello Coffee offers a wide variety of nuances with its expressions, with the common denominator being the use of quality beans.

My absolute favourite of the Hello Coffee range, apart from their silky smooth The High Road roast with blueberries dancing against a backdrop of chocolatey highlights, is their Whisky Aged Single Origin variant: Sourced from Columbia and carrying the resulting full-bodied characteristics of its origin, the beans have been aged in oak whisky barrels for four weeks, resulting in a tour de force of fortified wine and preserved fruit flavours. 

I can only hope that the fine people behind Hello Coffee harbour a weak spot for Islay whiskies and consider a collaboration with whisky distilleries of the smoky and peaty variant to source barrels from.

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images from company websites

The Formative Years – Dead Moon

After having been in bands like the Weeds and Lollipop Shoppe, Fred Cole founded the punk-influenced Rats in the late 1970s before focussing his efforts on country music and Americana. 

It was not until 1987 that he founded Dead Moon with a line-up that would remain consistent in trio form until the band disbanded in 2006, i.e. with singer/bassist Toody Cole and Fred's wife and drummer Andrew Loomis

Dead Moon dominated Portland’s independent scene and exerted an immense influence on the wider underground scene with their idiosyncratic melange of country, garage and punk music influences. Infused with Cole’s omnipresent 1960s roots, their trademark stripped down sound and rounded out with a gloomy lyrics centred around unrequited love they carve out a lane for themselves.

Given the fact that Dead Moon refused to play outside their neck of the woods in the US until the mid-1990s, they were better known in Europe and countries like Australia, where they developed a fanatic cult following from the get go.

While I have to admit that I did not click instantaneously with Cole’s high, quavering vocals when I first encountered them as a teenager, they eventually grew on me once I realized how unique their own enthusiastically expressive brand of vintage punk rock was, which was further amplified by the fact that most of their recordings have been mastered on a mono recording lathe and released on their own label Tombstone Records.

Once one delves into the back catalogue of Dead Moon, it should not prove wondrous to realize how much of an impact that had on what was to emerge as grunge in Seattle, with especially bands like Pearl Jam making no secret of the fact that they adored them.

Check out one of their late reunion shows: