It is time, once again, to wax lyrical about how creative the underground metal scene is. This year has seen a surge in artists presenting their full vision for the first time, perhaps an effect of being shut indoors for much of the last 18 months and having the means … Read more
The number 13, unlucky for some, a portend of doom, of sign of bad things to come. For Only Death Is Real the number 13 brings a handful of releases that range from electronic beats to deeply religious texts to raw black metal and dungeon synth. The number 13 is … Read more
Circle of Ouroborus - Kiromantia (His Wounds) Keeping up with Circle of Ouroborus could be a full-time job in itself, as the duo turn around new music at a rate that is enough to give one a moment of breathlessness. They have been quieter in recent years compared to the … Read more
The first Only Death Is Real of 2022 comes at a tumultuous time, a time where the pandemic still has a grip on the world and where world leaders can wantonly decide to invade their neighbours on a whim. The nuances are, of course, much trickier to unravel but from … Read more
Baazlvaat - An Old Forgotten Text (Self-Released) Baazlvaat appeared as if from nowhere (Flint, Michigan) during 2021 with The Higher Power, a record that owed as much to Bathory as it did to Thin Lizzy (despite the band not really knowing the latter), as a home-recorded full-length that quickly caught … Read more
The collection of artists that make up this edition of Only Death Is Real have something that connects them. Despite the surface appearances being markedly different across the board, the five bands/musicians gathered here have been wildly prolific in their careers -- whether that’s for a long or a short … Read more
Winter is approaching which means that musical preferences change alongside the season. For this edition of Only Death Is Real, that change is reflected in the excess of doom that has been released in the last month, with a sprinkling of black metal thrown in for good measure. There’s something … Read more
Can you believe that it’s 2023? It hardly seems like last week that we were ushering in 2022 and trying to maintain an outlook of hope that maybe, just maybe, this was a year in which things got better. Judging by the music that makes up this edition of Only … Read more
For the twentieth edition of this column, we are doing something slightly different. Why? Well, to be honest, my listening habits have taken a detour of late and instead of diving into a million different things, I am concentrating way too hard on a handful of releases. And these two … Read more
I'm slowly running out of things to say in these intro pieces. Do you read them? Do you need to know why I chose these particular records or are you happy to dive in and discover? Barbelith – Deathless Master (Self-Released/Third House) Nearly ten years after Mirror Unveiled was released, … Read more
It's time, once again, for Only Death Is Real to make an appearance. This is the twenty second edition of the column and I'll be honest with you, writing is becoming harder each time. Sitting down to purposefully do something is difficult, opening the laptop seems to get scarier and … Read more
Arkhtinn – 三度目の災害 (Prava Collective) The mysterious Prava Collective release music by a handful of artists (who may or may not be in every band or at least more than one), each digital drop containing a plethora of music that encompasses the entire label’s roster while Amor Fati handle the … Read more
Acathexis – Immerse (Amor Fati/Extraconscious Records) Acathexis’ self-titled debut from 2018 is one that still bears repeated listens, personally, many years later. With some of the best known and hardest working musicians within black metal behind the band, it was always clear that this is a band to watch. Featuring … Read more
Do you ever go through phases of listening to the same music over and over and over again? Why would I listen to something new when I could listen to X ten times in a row, or that song off Y a couple of times a day? Sometimes something new … Read more
2020 has only been upon us for three short months, yet the outlook for the rest of the year looks as bleak as it has ever been. Pandemics, floods, ineffective governments, dysfunctional rulers..... the list could go on but I fear that life is depressing enough already. The music contained … Read more
The world has gotten exponentially more weird since the last time this column was published and it doesn’t seem as though it’s going to get any better any time soon. Music can help in a multitude of unusual situations and perhaps these five records go some way into making these … Read more
Finding new music to explore has become many people's escape since the world of 2020 changed for the worse. In times of struggle music has often become a guiding light and a saviour and in regards to Bandcamp itself, a place where people can effect change just by supporting artists, … Read more
Finding new music to explore has become many people's escape since the world of 2020 changed for the worse. In times of struggle music has often become a guiding light and a saviour and in regards to Bandcamp itself, a place where people can effect change just by supporting artists. … Read more
The challenge of listing the definitive "best" album openers is perhaps impossible. While we're dedicated at SPB to challenging the odds and defying convention, that might be a steep request even for us. Instead, we've chosen some of our personal favorite openers from records across a variety of genres. Inevitably, … Read more
Last year we introduced you, the readers of Scene Point Blank, to a new feature, "Pass the Mic," as part of our evaluation of the best music of 2006. We asked some of our favorite record labels to tell us their thoughts on the music of the year. With this … Read more
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