Feature / One Question Interviews
Fighting Kites

Words: Cheryl • November 20, 2014

Fighting Kites
Fighting Kites

Neil Debnam (Fighting Kites)

SPB: Is there a particular record you've heard this year that surprised you? In both a good or a bad way?

Debnam: Speaking from a strictly personal point of view rather than as the mouthpiece of four individuals now separated geographically by a few thousand miles, I think it has to be Robert Turman's Flux. I heard it first on the Neus Van God podcast by Kraak and was shocked when I found out it was a reissue of an album from the early Eighties. It sounded, at least to my ears, totally fresh and not at all dated. The other-worldly feeling of the sounds might have had something to do with that though. I love how minimal it is, but at the same time it manages to be so emotive. It has really got me thinking about how I make my own music in Broken Shoulder, although I haven't really managed to transfer those thoughts into actual actions yet. Guess that's difference between being talented (him) and hopefully slogging away (me).

(Damn, I should have picked one of the releases on my new Kirigirisu  label. That would have been the sensible PR-minded thing to have done. Still not very good at that kind of thing).

Fighting Kites
Fighting Kites

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Fighting Kites

Self Titled
Variant (2012)

North London four piece Fighting Kites started life in 2009, their brand of intimate instrumental rock immediately setting them apart from the arty crowd that usually inhabits the post-rock tag. Delicate structures of gentle and sweeping beauty permeate this debut record, opener “Chuck Close” a subtle composition of lightly struck notes and slow introductions to a range of noises. As … Read more

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