It was just a couple of years back when Corrections House were putting out their debut album, Last City Zero. Comprised of veterans in extreme and experimental music, including Scott Kelly, Bruce Lamont, Sanford Parker and Mike IX Williams, the band ventures forth into the realm of electro-industrial, encompassing elements of metal and noise in the way to reaching their … Read more
With an impressive line up including Scott Kelly of Neurosis, Bruce Lamont of Yakuza, Sanford Parker of Minsk and Buried At Sea, and Mike IX Williams of EyeHateGod, the debut album of Corrections House is met with some high expectations. And thankfully the four musicians are able to deliver. It is quite intriguing to hear what these guys can bring … Read more
The mighty COC have returned. In the past few years the band returned to the musical landscape by reforming their original and much beloved lineup. That is the lineup that wrote the much lauded classic Animosity. Records under such pretenses could go a few ways. Will the band return playing a rehashed version of old songs? Will they reach far … Read more
The liner notes for Sigillum Luciferi are emblazoned with the phase "tune down, smoke up," which really ought to be the motto for any self-respecting stoner/doom/sludge band. Cough definitely fits that sound to a "t," and the packaging of the album, adorned with naked chicks, occult symbols, and pot leaves, does as well. But how does Cough stack up with … Read more
I think this is the type of hardcore that the kids with camo shorts and black running shoes are calling "amazingcore." There is a new crop of expressively distraught hardcore bands that place their hearts on their sleeve much like emotional hardcore bands did so unapologetically in the 90's. These "amazingcore" bands not only reap the benefits ripping their hearts … Read more
The largest requirement of a piece of music, especially from a genre like hardcore, is the intention of creating something completely new: a blending of influences with one's own contributions to create something that's never been heard before. In turn, the biggest requirement of a band is progression: a maturation in both concept and sound and a willingness to experiment … Read more
Sometimes I make mistakes. When I was in kindergarten I crossed in the middle of the street and was promptly hit by car. In the fifth grade I decided to ride my brakeless bike down the steepest hill in my home town. I made it about halfway down. When I was a senior I skipped my girlfriend's piano recital to … Read more
Vancouver collective Crack Cloud burst onto the scene in 2018 with two independently released EPs- followed up by their first full length album, Pain Olympics, in 2020. The multimedia collective features an ever changing line up of musicians, filmmakers, designers and artists. Originally formed by Zach Choy (lead vocals, drums) and Mohammed Ali Sharar (keyboards) as an outlet for their … Read more
Most people already have a clear opinion of Cradle Of Filth. Generally speaking the band are rather polarizing and have done little over time to change that fact. While some opinions may be unfounded, the band also do much to make the most of their fanbase. The band plays a very dramatized style of what could almost be called Orchestral … Read more
Clear Heart Full Eyes starts off curiously. Sure, “Apollo Bay” establishes that Finn’s solo debut is a separate project compared with The Hold Steady, but it’s also a minimal and boring song—among the worst and most forgettable on the record. He speaksings over a wandering guitar with some occasional slide that ultimately gets repetitive: something I won’t say about the … Read more
Without doubt, one of my favorite musical discoveries of the past few years has been British singer-songwriter Craig Taylor-Broad. After first unleashing an (apparently, now deleted) EP under the name of the noises we make we no one is around in mid-2014, Taylor-Broad has continued a string of undeniably difficult yet definitively fascinating work – 2014's three-track Suicide Song EP … Read more
Some of the most memorable albums were created in the strangest fashion, The Doors' L.A. Woman comes to mind. Although not exactly a legendary album, the same goes for Crayven's debut EP Colosseum. Guitar and bass were recorded straight to the computer, vocals in the studio of a local radio station and the drums into a mic before going into … Read more
When reviewing an album, it can be difficult to summarize thoughts and feeling elicited from the music you're listening to, to organize these thoughts and feelings in written prose succinctly, honestly, and, above all, professionally. Using these guidelines as my template, I can say with all sincerity, fuck me running, this group is terrible. Creature Feature is the "brain"child of … Read more
Creatures have made a name fo9r themselves over the past few years playing a style of metalcore that bears a resemblance to the Holy Terror style. So the basics here are heavy with a strong leaning towards metal riffing and an obvious inclination towards evil. The band seemed rather silent after releasing their Salvation EP last year. With a few … Read more
Bear with me here as I am in the middle of sonically orgasming while listening to this tape from Cremation Lily (the aptly titled 2 as this is the second tape from this project); no seriously, I am not overly hyperbolizing right now because these sounds literally elicit this kind of intense and powerful emotional response while the tape plays … Read more
It has been quite a journey for Zen Zsigo and Cremation Lily, a path defined by constant flux. It was back in the early ‘10s, that the initial demos of the project appeared. Back then it was all about textural harshness, with Zsigo pushing the power electronics ethos. The initial chaos would subside, and from there on Cremation Lily explored … Read more
Sexless Merit is a release that I have been fixating on for some time (listening to all three tapes over and over again, much to the annoyance of some people that may or may not live in my house anymore) all the while enjoying every minute but not quite having anything to say about the six pieces that inhabit these … Read more
Bar none, I have never heard a more wondrous take on the violence of Power Electronics than the Untitled (which came in an extremely limited cassette run from the label Strange Rules) debut from Cremation Lily (a mysterious act from the British Isles). Without getting into the reasons or “how to’s” or “what for’s” of my finding this tape, suffice … Read more
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