Dream Fatigue
No Requiem
Daze (2026)
There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more
Dylan Thomas
Todo se desvanece
Burnt Toast Vinyl (2026)
When bands spend months slowly piecing together an album with cheap gear, limited time, and apparently an alarming amount of terrible beer, it’s kind of romantic. Not romantic in the polished indie film sense. More romantic in the sense that you can actually hear people chasing a feeling before life pulls them in different directions. That tension sits at the … Read more
Eddy Current Suppression Ring
In Light Of Recent Events
Suppression Records (2026)
Australian Neo-proto-punk garagerockers ECSR released 11 new songs in May without much, if any, fanfare and not as some marketing or PR stunt but because they seem to actually give zero fucks. If anything they are making a bit of effort to curb their success which includes multiple award nominations on their home turf including the Australian Music Prize for … Read more
Exhumed
Red Asphalt
Relapse (2026)
There are few bands in extreme metal who understand their own lane as well as Exhumed. For nearly three decades, Matt Harvey and company have made gore feel theatrical, technicality feel fun, and deathgrind feel almost celebratory. Red Asphalt doesn’t rewrite that formula but weaponizes it, straps it into the driver’s seat, and floors the accelerator straight into oncoming traffic. … Read more
Fangus
Emerald Dream
From The Urn Records (2026)
The needle drops, and there’s no introductory sweaty handshake. Fangus doesn’t care for niceties; they’re ready to get down to brass-knuckle business. With their debut full-length, Emerald Dream, the Montreal quintet has exhumed a sound that feels less like a tribute to the early '70s and more like a master tape found rotting in a damp basement behind a stack … Read more
Floating Boy
Perfect Place
Independent (2026)
Sarasota, Florida’s Floating Boy have been grinding for seven years, quietly shaping themselves into a band that lives and breathes the ethics of Fugazi (if you couldn’t tell by their track inspired name) and the emotional chaos of DIY punk. Their debut full-length, Perfect Place, is the culmination of that time. There are ten tracks of anxious, politically charged emo-punk/post-hardcore … Read more
Fuming Mouth
The Ringing Bell
Triple B (2026)
There are plenty of bands capable of writing crushing death metal. There are plenty of bands capable of writing punishing hardcore. Very few can occupy both worlds without sounding like they're simply alternating between genres. Fuming Mouth have spent years refining that balance, and The Ringing Bell feels like the moment where every piece of their identity locks together. Anyone … Read more
Generacion Suicida
Hombre Nuevo
Vitriol (2026)
On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more
Hoaxed
Death Knocks
Relapse (2026)
There’s a fine line between dark rock that feels theatrical and dark rock that feels transportive. On Death Knocks, Hoaxed land firmly in the latter. This is an album that doesn’t just flirt with atmosphere but commits to it fully, wrapping heavy riffs, melodic hooks, and occult-tinged drama into something that feels natural and not staged. Three years in the … Read more
House Of All
Inklings
Tiny Global Productions (2026)
Six blokes who survived the Mark E. Smith sausage-squeezing meat grinder, plus a beautiful Blue Orchid for good measure. But if you’re turning up to Inklings expecting some pathetic karaoke penny on the eyes wake, you’re completely barking up the wrong great Deku tree. Not a tribute act. It’s a cash-in-hand inheritance from a filthy-rich uncle… let's call him Uncle … Read more
If I Die Today
I Felt Nothing
Independent (2026)
Sometimes post-hardcore stops feeling emotional and just becomes noise for the sake of noise. If I Die Today understands that line better than most bands operating in this space. Their newest albume, I Felt Nothing is undeniably aggressive, messy, loud, and volatile, but underneath all the abrasion is a band with a very clear sense of purpose. This Northern Italian … Read more
Ingested
Denigration
Metal Blade (2026)
For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more
Jet Black Maps
6 Years Overnight
Independent (2026)
There’s a certain kind of melodic punk record that doesn’t try to prove anything. There’s no scene positioning, no trend chasing, no desperate grab for relevance. 6 Years Overnight, the debut EP from Binghamton, NY trio Jet Black Maps, lives comfortably in that space. It’s the sound of three musicians who have already done the work, already played the shows, … Read more
Joyce Manor
I Used To Go To This Bar
Epitaph (2026)
Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more
Jungle Rot
Cruel Face Of War
Unique Leader (2026)
Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler mission. Writing memorable riffs, locking into crushing grooves, and leaving … Read more
Karen Dió
Fugaz
Hopeless (2026)
Six songs. That's all Karen Dió needs on this EP. Considering the title translates roughly to fleeting, brief, or transient in Portuguese, maybe that's exactly the point. Dió's second EP doesn't hang around long enough to overstay its welcome. It arrives, makes a hell of a lot of noise, throws some gigantic hooks at you, and disappears. But there's considerably … Read more
Kyle Burnett
Glory Days
Syrup Moose Records (2026)
There’s a form of folk punk that treats every song like a drunken campfire confession with all its ragged shouting and romanticized self-destruction. Then there’s the version that feels mature and more reflective. It’s less interested in glorifying collapse and more concerned with figuring out what comes after it. Kyle Burnett’s Glory Days firmly belongs to the latter category. Best … Read more
La Luz
Extra! Extra!
Sub Pop (2026)
Formed in 2012, La Luz built their reputation on hypnotic surf-noir, eerie harmonies, and a uniquely supernatural warmth that made them one of Sub Pop’s most consistently compelling bands. Their 2024 full-length News of the Universe marked a major artistic shift. The sound became lush, cosmic, dust-covered, and produced by Maryam Qudus, whose work helped push the band into its … Read more
