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Reviews by Jeremiah-duncan

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Summer Blue – Self Titled EP

Review — October 30, 2025

You may not be familiar with the band Summer Blue, but that’s your issue. If you do know the San Jose, CA based band, then you know how enjoyable they are to listen to. For some background for the newcomers, the band started in 2022 as a side project between …

Ace Enders – Posture Syndrome

Review — October 31, 2025

If the name Ace Enders sounds familiar, it should. He’s been the voice behind The Early November, one of Drive-Thru Records’ cornerstone emo bands in the early 2000s. While that scene exploded, Ace carved his own path with that band, as well as solo experiments under the name I …

217 – In Your Gaze

Review — November 8, 2025

If you didn’t know, hardcore and punk are alive and thriving in Italy. When I come across bands from there, their scene never ceases to amaze me. Italy gave us Raw Power and Negazione in the ’80s, Slander and Strength Approach in the 2010s. Now 217 picks up that lineage …

Action/Adventure – Ever After

Review — November 8, 2025

Chicago’s Action/Adventure have been grinding the pop-punk trenches since 2014. They have always played pop-punk like it still has something to prove because for them, it does. They went viral in 2020 on TikTok with their song “Barricades” by calling out the exact thing no one in the scene wanted …

The Devil Wears Prada – Flowers

Review — November 18, 2025

Twenty years into the grind and The Devil Wears Prada haven’t lost their edge. However, in recent years, it’s a bit more refined and less jagged than their earlier release. The band’s latest release, Flowers, feels like their sharpest, most well-oiled bloom yet. From the opening track “That Same …

Chairmaker – Leviathan Carcass

Review — November 19, 2025

There are some musicians that come along and can literally play every instrument and do it well. Such is the case for the grindcore brainchild behind Chairmaker, Neil Erskine. He drops his self-released, debut album titled “Leviathan Carcass” on November 14th. Fueled by the perils of the late capitalist society …

Imperial Domain – Portentum

Review — November 20, 2025

Formed in 1995, Imperial Domain cut their teeth in the Swedish death metal underground with early demos before dropping In the Ashes of the Fallen (1998) and The Ordeal (2003). After the 2014 death of original vocalist, Tobias Heideman, Imperial Domain could’ve folded into the past like so many of …

Armor for Sleep – There Is No Memory

Review — November 22, 2025

Armor For Sleep return with an album that treats memory like a weapon. It’s delicate, devastating, and impossible to disarm. For those who may not be as old as me and missed their emergence into the emo/indie scene, the Teaneck, New Jersey band started in 2001. Led by frontman Ben …

Often Wrong – The Figs Are Starting to Rot

Review — November 27, 2025

Often Wrong is an emo/grunge/screamo hybrid born out of the DIY scene. It was built through the kind of friendships that start in basements, not boardrooms. The band formed in 2024 and quickly started carving out their own lane. They are blending fragile, journal-entry emo with blown-out guitars and throat-shredding …

Speed – All My Angels EP

Review — December 5, 2025

If you haven’t hopped on the SPEED train when they broke through, now is the time. The band formed in Sydney and blew past “local band” status the second the world caught up to what Australia already knew. BIPOC-fronted, community-driven, and fueled by the belief that hardcore is supposed to …

PitchBlack – Walking on Burning Ground

Review — December 6, 2025

Formed in the mid-2000s, PitchBlack have always been one of Danish metal’s most overlooked heavy hitters. A band is sitting between old-school melodeath grit and European thrash aggression, building a reputation on intensity instead of trends. They debuted with Designed to Dislike in 2007, followed it with The Devilty in …

Witness Chamber – Bronze Gates

Review — December 9, 2025

Straight out of Boise’s unforgiving hardcore pipeline, the band Witness Chamber returns with Bronze Gates, their most suffocating and sharpened release yet. Seven tracks with zero breathing room. If you’ve followed the band since 2021’s Paradise Awaits EP or the 2023’s True Delusion, you already know they’ve never …

Stay The Course – Red Flag

Review — December 10, 2025

Hailing from Wichita, Kansas, Stay The Course brings their brand of pop-punk/easycore onto the scene. This is the band’s second album and is being released courtesy of Punkerton Records out of Ohio. What started out as a 5-song EP, developed into a 10 song LP. The band re-recorded some of …

Second Harbour – Coalesce EP

Review — December 11, 2025

Formed around the tight-knit chemistry of brothers Xavier and Vincent Morency with drummer John Muggianu, Canada’s Second Harbour are that rare modern post-hardcore band that sound equally comfortable bleeding and building. Their new four-song EP, Coalesce, marks both their SharpTone Records debut and their clearest creative statement yet. The …

Osiah – Aion

Review — December 29, 2025

Deathcore is a genre that’s constantly threatening to eat itself alive. For every band trying to push boundaries, there are ten more content to recycle the same breakdowns, the same vocal gymnastics, the same studio-polished violence. Osiah, however, have never been interested in playing it safe and their latest EP  …

Floating Boy – Perfect Place

Review — January 1, 2026

Sarasota, Florida’s Floating Boy have been grinding for seven years, quietly shaping themselves into a band that lives and breathes the ethics of Fugazi (if you couldn’t tell by their track inspired name) and the emotional chaos of DIY punk. Their debut full-length, Perfect Place, is the culmination of …