Blog — Page 212 of 283

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

The Beautiful Girls @ Metro Theatre

Posted by T • December 19, 2017

The Beautiful Girls

Metro Theatre

Sydney, Australia

December 16, 2017

Founded in 2002, Australian trio The Beautiful Girls started their career based on a sound foundation of reggae and surf rock, with cemented via their debut release Morning Sun became their signature style.

Their first full-length album, Learn Yourself, followed a year later  and ascended to top the independent charts down under, without moving an inch for months.

What followed was a trajectory that saw the band successfully infiltrate the mainstream with a number of accolades and chart hits paving the way.

Tonight was going to be a celebration of their classic, early tunes along with their and their audience’s other faves from their extensive catalogue.

The band’s summery dub, charming melodies have not inaccurately been described as "raw, spooky, rootsy, punky, reggae" and they are certainly influenced by the finer aspects of dancehall and rocksteady.

What complements the mélange is the chilled,  laid-back vocal delivery of front man and main songwriter Mat McHugh, who was warmly welcomed by an eclectic audience that was comprised of the young surfy types to quite a few middle aged followers.

Tracks from their recent full-length emission were a particular stand out part of the performance and it felt that instead of playing the songs in chronological order, track order or anything, the set felt chosen based on the feeling of the night, which gave it the added appeal of spontaneity.

It was good to see that The Beautiful Girls have retained their DNA yet have emancipated themselves from being considered mere Jack Johnson and Ben Harper epigones.

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Photos by KAVV

T • December 19, 2017

Paradise Lost @ Metro Theatre

Posted by T • December 18, 2017

Paradise Lost

Metro Theatre

Sydney, Australia

December 15, 2017

“It is during our darkest moments that we must focus to see the light.” -Aristotle

A band with such longevity as Paradise Lost while consistently maintaining relevance for a scene they become originators for, as well as a line-up that has remained consistent and stable with only changing drummers over the course of time resulting in a collective, consistent and coherent approach to quality songwriting that displays a breadth and depth that few of their peers do, is seldom to be found. 

Since they first incarnated in Halifax, West Yorkshire, Paradise Lost blossomed in Cimmerian shade and a  niche they have created for themselves, i.e. fusing Gothic elements with a foundation of Doom Metal, and have proven to be an influential band for a myriad of bands rooted in often completely different genres.

Twenty-five years after releasing their debut album, Paradise Lost emerged again in Australia for only five shows to perform songs from their trailblazing catalogue as well as  focussing on material from their confounding new album The Plague Within.

The set was diverse paying homage to their roots in the old school death / doom sound of their early releases via the evolution of incorporating quieter passages, keyboards and the softening of Nick Holmes’ death grunt to what resembled a James Hetfield-esque barking to quieter passages laced with Electronica and synthesizers and highlighting the band’s return to their gothic metal sound they are most known and held in esteem for.

It was great to hear the newer, slower, brooding and relentlessly heavy cuts from their doom-laden recent album, ‘The Plague within’ with Nick Holmes growling more than he has in years – which cements Paradise Lost’s legacy and is testament to the fact that things are cyclical as it marks a return to their heavier, darker and gloomier side.

The performance confirmed the notion that Paradise Lost is after all these years one of the few solid, classic bands that are worth coming back to.

With a focused tour de force with a well curated setlist devoid of showy ornaments, the architects of gothic metal demonstrated in an impressive manner that they are all about the delivery and deliver they did in spades.

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Photos by KAVV

T • December 18, 2017

The Easybeats @ Enmore Theatre

Posted by T • December 17, 2017

The Easybeats

Sydney, Australia

Enmore Theatre

December 15, 2017

Let’s start with the basics for the uninitiated:

To claim that the Easybeats, who first incarnated in Sydney in 1964, were one of very first realrock and roll bands in the Southern hemisphere is a statement that would be hard to refute. What was happening in the old world, specifically in the wake of The Beatles, who caused the phenomenon that became known as the “British Invasion”, had an immense impact on the original members as all of their familiar had European heritage and they channeled their influenced to create an ailment called “Easyfever”, which was the Aussie equivalent to “Beatlemania”.

Fast waaaaay forward and enter Empire Touring, who made it their mission to bring you music from The Easybeats and Steve Wright, performed by Australia’s rock n roll royalty: Chris Cheney, Phil Jamieson, Kram, Tex Perkins & Tim Rogers.

The musical emissions of The Easybeats have never been not relevant, with current artists still deliberately taking a page or two off the Easybeats’ book and aficionados never having wavered. To say that The Easybeats’ legacy looms large is an understatement per se and tonight’s show was well executed and curated homage to their aggression and finesse, the sexuality k that has been a template for any band that the protagonists of the evening have been involved in, which showed as they reveled in the opportunity to celebrate the tunes. The show was backed by the extraordinary Easyfever band comprised of The Whitlams’ Jak Housden Ashley Naylor from Even, Baby Animals’ very own Dario Bortolina, Dave Hibbard, known from his collaborations withJoe Bonamass, Divinyls’ Clayton Doley Divinyls and headed by The Living End himself Chris Cheney, Phil Jamieson who will also head Green Day’s American Idiot musical down under, Tim Rogers of You Am I, Spiderbait’s Kram the ever entertaining Tex Perkins, which culminated in a multi-headed supergroup par excellence first international rock band. Each of the frontmen brought their unique swagger to the stage and magical moments were created with permutations of duets with the total of the evening becoming even bigger than the sum of the individual constituents would have you believe.

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Photos by KAVV

Gallery: The Easybeats @ Enmore Theatre (6 photos)

T • December 17, 2017

On Running

Posted by T • December 14, 2017

I used to jog but the ice cubes kept falling out of my glass.

- David Lee Roth

 

One day, out of the blue I started to run.

Simply because I wanted to.

The passion that I have developed for running, the homemade void, the silence and long-distance running play an important role in my life, and the ties between running and life act as a driving force as well as an escape.

Yourself as the only and ultimate opponent.

Hurt being an unavoidable reality.

I do not run because I want to live long but, but because it aides in a Thoreau-esque way to suck the marrow out of life, corner it and get rid of what is irrelevant.

If you are going to while away the years, it is far better to live them with clear goals and fully alive than in a fog, and I believe running can help to do exactly that.

As the ever on-point and poignant Murakami put it so eloquently, exerting yourself to the fullest within your individual limits: That is the essence of running for me, and a metaphor for life.

When you are running, you do not have to talk to anybody and do not have to listen to anybody. 
That is something irresistible. 

Running in void. 

Running from the void. 

Running into the void. 

Italian hardcore pioneers Cheetah Chrome Motherfuckers would be proud.
 
Okay, so there is casual running.

Then there are marathons.

Officially, running one means that 42.195 kilometres need to be covered, mostly on concrete and it is common knowledge that the genesis of marathons finds its roots in a soldier from Greece, going by them name of Pheidippides, being tasked to relay a message from the Battle of Marathon to the nation’s capital. The outcome was that he achieved the mission yet died as a result of it.

Poor sod.

Still got the job done.

Commitment on par with excellence.

While the distance only became benchmarked and standardised in the early 1920s, it was one of the first disciplines as part of the modern Olympics as early as 1896.

It caught on and as a result there are hundreds of marathons run on yearly basis, most of which in a recreational manner and some having thousands of active runners.

Bigger cities tend to have their own variants of marathons and related running events.

Let us have a look at the ones that I have had the opportunity to experience on terra australis:

The most popular one in Australia?

Easy - City to Surf, clocking in 14 kilometres it is the most accessible run and held on a yearly basis.

City to Surf caters to both ends 0f the spectrum: It is both a race in the traditional sense as well as a fun event, serving as a magnet for a day out with close to 100,000 participants every year, resulting in it being one of the largest runs of its kind.

The run is staggered with first access given to disabled participants, invitation-only seeded runners coming second along with preferred runners. Next are runners who can prove a finishing time below seventy minutes they have achieved previously, followed by ones who completed the run previously below 90 minutes. Then comes group that is not subjected to any time limitations and it culminates in the back of the pack, i.e. you can walk the distance if you have to.

Starting smackbang in the centre of Sydney, the course snakes along the Eastern parts of Sydney and finishes at Bondi Beach – the epitome of picturesque Australian postcard perfection.

What is cool about City to Surf is the fact that you will be serenaded by amateur and sometimes well-established bands performing along the suburban roads, e.g. Australian indie darlings You Am I performed an impromptu early surprise set on the rooftop terrace of a pub to cheer on the runners of the 2017 incarnation.

Valentines Day Hug the Harbour Marathon in February is a 42km run in Australia’s winter around Sydney’s iconic harbour.

An enjoyable low-key event and heavy on scenery.

Instructions are easy to follow: Rock up and convene outside Bavarian Bier Cafe at the Manly Wharf and try to get yourself to the pub at Watson’s Bay at the end of it.

As for training tracks, it does not get better when it comes to coastal runs than the 5km Bondi to Coogee. 

Starting where the City2Surf finished, i.e. Bondi Beach, it runs along the seaside of Sydney passing by all the main beaches Sydneytown is known for.

Take in and pay a memento mori at Waverley’s Cemetery, watch whales if you are lucky and indulge in a salty seaside breeze.
Perfect.

A first highlight of the running calendar each year is the Sydney Morning Herald Half Marathon, which is traditionally held in May and the first major race of the year with around 10,000 participants.

The race has an early start, is comprised of undulating hills circumnavigating the Sydney CBD and the real killer comes towards the end as just when you’ve thought you’ve made it, it goes uphill and you better save some energy to make it to the finishing line as you have to drag yourself past Lady Macquarie’s Chair.

With the Blackmore Half- and Marathon in September, you get one of the best organized runs in the country: Starting across the iconic Harbour Bridge, it ends by the Opera House and leads past other landmarks, despite the course meandering a bit back and forth. Not super flat but not extravagantly hilly either. The last stretch around Circular Quay goes across prime Australian real estate that you will not normally get to run and is quite something, even by Australian picturesque standards.

Volunteers are cheerful and there is a general buzz about the event with plenty of water stations and free energy gels for the marathon runners.

The event is coordinated with public transport and your racing bib entitles you for free transport to and from the event

If you are remotely interested in running events, you would have heard of Tough Mudder. Not so much a race but more of an exercise in endurance of approximately twenty kilometres. Twenty kilometres of obstacles and adverse territory that has to be conquered, demanding not only physical but mental toughness.

There won’t be any medals or laurels waiting for you at the finishing line.

It is as down to earth as it gets, with just an icy brewski being the reward.

It is a fun event, especially if you participate with a team and have specifically trained for the challenges – and challenges there are aplenty:

“Electroshock therapy”, “Birth canal”, “Mud mile”, “The Block Ness monster”, “Snot rocket”, “Quagmire” and “Arctic enema” are mere examples of obstacles that have to be mastered and if you think that it is all about novelty names, you are mistaken. 

While one does not have to be an elite athlete to participate and the event is about camaraderie and a fun time, it is highly recommended to prepare adequately far in advance to be able to not just last the course, but defy gravity, take sometimes not very calculable risks and overcome your fears.

Running and gear. 

Now, that is quite a topic in itself. I started off caveman-style using random running shows, band shirts and shorts. As I kept running, started roaming around the globe, lived on different continents and ran in different climates all year around, things got a tad more sophisticated.
 
Along the 6,800km I have run over the last couple of years, I have tried, and used up a lot of gear from established brands to no name cheapo brands in Europe, across Asia and Oceania. Some looked better than others, but did not perform well and failed to last.
 
Not too many moons ago, Adidas, which had not been on my running gear radar for a long time, has entered the picture with their recent range, has not left since as it ticks quite a few boxes and all relevant ones for what I am doing.
 
Running shorts of choice are the Supernova Dual moisture wicking shorts with a sweat-guard zip pocket as they combine the snug coverage of tights with the easy, loose cut of lightweight shorts. Built from sweat-wicking fabric for long-lasting dry comfort, they feature a lightweight outer layer over inner tights that provide light support and minimize chaffing. 
The shorts feature climalite fabric, which sweeps sweat away from your skin, providing ventilation and moisture management, and technology that ensures optimum visibility in lowlight conditions.
Most importantly, they are light and feel great.

Adidas’ running tops use Deltapeak - a balanced, ultra-high functionality, material which achieves a sophisticated fusion of comfort and features like light weight and stretch.

Feel-good-factor is off the charts: I have yet to encounter a fabric that does a better job, has a better fit and is able to weather cold, wet, humid and extremely hot climates.

Shoe-wise the Adizero Boost Adios 3 takes the cake as it combines the toughness of an everyday trainer and the nimbleness of a racing shoe.

You might have heard of the Yeezy Boost range that turns heads of sneaker heads and sole collectors the world over.

The focus with Adidas Boost Adios 3 is not so much about looking fancy and trying to resemble something out of space – au contraire – in fact, it looks like a very classic, stripped down Adidas design, but it is all about the performance enhancing qualities it provides. Despite being super light, it is robust and sturdy where it needs to be.

With its newly-improved Continental rubber compound in the outsole, the Adizero Boost Adios 3 has proved to be a suitable companion for both short runs as well as long-distance running to enhance an already very good traction along with a snug upper that adapts very well to the movements and strains of running.

Another feature I have come to appreciate if the responsive cushioning of the Boost midsole, sufficient arch support and its effortless gait cycle.

A super light and comfortable shoe that comes on the narrow side of things, so you would want to get it one size bigger than you would usually go for.

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Photos from Adidas website

T • December 14, 2017

Sydney Burlesque Gala 2017

Posted by T • December 13, 2017

Sydney Burlesque Gala 2017

Sydney, Australia

Aight, let’s tick off the basics and history lesson first: As per definitionem, “burlesque”, derived from Italian “burlesco”, is a work of art meant to elicit a joyful atmosphere by either mocking the inherent ideas behind more serious works or treating their sujets and protagonists in a similar manner.

Eventually the format morphed into what became known as a “variety show”. Burlesque shows lost their allure in England as the nineteenth century came to an end, yet the American equivalent carried the torch forward with the emphasis being put more and more on female nudity – a transition gradual in nature, with the focus being less and less on artistic merits and more on elaborate outfits, appearance and shenanigans performed on stage.

At the beginning of the 1940s, the stripper vs. artists ratio had been turned upside down with the former driving the show and being the main selling point, and the fact that the era of Prohibition was yet to commence, was aptly fueled by alcohol.

Fast-forward to our age and burlesque is en vogue again with both Europe and the US seeing resurgence. The brains and organisers behind Sydney’s Burlesque Gala live and breathe the essence of burlesque, coquettish disrobing, slinking and swinging between aerial routines, erotic shadow projection and downright saucy striptease in intimate live music and burlesque venues hosting outstanding performers of Australian burlesque and their second Annual Sydney Burlesque Gala presented the biggest Sydney Burlesque Events over ten massive nights.

Produced by three of Sydney's Favourite Burlesque entertainers i.e. Kelly Ann Doll (Red Light Confidential) , Memphis Mae (Mr Falcons) and Michael Wheatley (The Boys Light Up), the Gala’s tenet is to celebrate all things burlesque: Comedy, Spectaculars, Boylesque, Burlesque, Circus, Cabaret, Live Music – the lot. Pocket rocket, anchorette and Dominatrix of Ceremonies extraordinaire Memphis Mae is a well known Sydney Producer who is the founder of Mr Falcons Burlesque; one of Sydney's longest running monthly burlesque shows with a host of prestigious performers from all across the world.

Memphis prides herself on her quality over quantity morals that are very clear to all that attend her events. With her well calibrated delivery, she manages to steer the audience’s exhilaration through the curated evenings with pizzazz, keeping the event flowing, expertly navigating the thin line between saucy allusions, engaging banter and matter of factly framing of what the recipients are to experience, bridging between the varied segments of the evenings. Her conspirator, Kelly Ann Doll, has headlined almost every major burlesque event in Australia since she crashed her way onto the Australian scene almost ten years ago and has also held court away in Europe, USA, Asia and Indonesia.

A pedigree that manifests in her performances. Completing the triumvirate with a family history in burlesque that goes all the way back to the 19th Century, Michael Wheatley, co-producer of the infamous Red Light Confidential, has been tearing it up in the world of burlesque since 2010. After the success of their debut earlier this year, The Martini Lounge returned with all the class of the original Burlesque Shows. The Rock’s venue The Basement was transformed into a vessel that served as a stage for live music, dance and a gastronomic journey, reminiscent of New York Jazz clubs.

Hosted by aforementioned Sydney MC Memphis Mae, The Martini Lounge is in essence a modern twist on old school burlesque and variety performance, accompanied by leading Sydney blues and jazz band, The Hanged Men, an amazing cast of six musicians, spouting blues and jazz classics with veracious style.

Dancers and thematic events on the evening - as described by the organisors - were:

Sheena Miss Demeanour, Bella Louche, Lillian Starr, Noemi Nikolett and International burlesque star fresh from her tour with Dita Von Teese’s show “The Art of the Teese”, Australia’s dynamic Zelia Rose. An immersive and intimate experience, with a hint of cheek, a giant Martini Glass and a stunning smorgasbord of live music that penetrated aural senses.

Another of the flagship events of the Gala, i.e. The Saffron Club, provided the perfect evening for those whole like a bit of sophistication to their sin: The Saffron Club brings the underworld of Kings Cross back to life as you step into the devilry of the 1950's when local standover Abe Saffron ruled and the Showgirls were fierce. The Saffron Club introduced Newtown’s venue Leadbelly deviously to the thrilling and lascivious world of Burlesque and Vaudeville with showgirls / -boys, pole dancing, comedy and singing and culminating in #MyAwards are the not so serious community burlesque awards that happened after the entertainment section of the Saffron club. Summa summarum: 2017’s incarnation of the Sydney’s Burlesque Gala was a refined affair that whets one’s appetite for the 2018 incarnation.

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Photo by KAVV

T • December 13, 2017

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