Blog — Page 210 of 281

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

The Unbelievables @ Concert Hall

Posted by T • December 23, 2017

The Unbelievables

Concert Hall, Opera House

Sydney, Australia

December 20, 2017

In medias res:

With a name that suggests a band of superheroes out of the Marvel universe, The Unbelievables is an entertainment extravaganza curated by and set in scene the producer of The Illusionists and Circus 1903.

With mind-bending illusion, death-defying stunts, the highest aerial act ever performed in Sydney Opera House’s Concert Hall (which might not sound like the biggest achievement on this earthround yet was a sight to behold), excellently performed live music, comedy and ballroom dancing, the show was filled with award-winning performers.

The cast featured renowned magician Shin Lim, ventriloquist Jay Johnson and Roberto Karlos, a Mexican speed juggler.

Variety shows can be a mixed bag, but The Unbelievables is a fun, fast-paced one: From aerial acrobatics to quick-change illusions from Guinness World Record Holders Sos & Victoria Petrosyan, the mélange of performers thrilled the audience and elicited a range of reactions by performances from Jarryd Byrne, Craig Monley (Dancing with the Stars, Australia), Sriani Argaet, Andrew Nolo and Kateryna Klishna (So You Think You Can Dance, Ukraine). 

Outstanding performances were delivered by a sword-swallower and husband-and-wife knife-throwing act, which have had just over a fortnight to perfect their routine.

In terms of vocal deliveries, Emi Secrest stole the show with her hearfelt performance.

Hosted by quick-witted New York comedian Harrison Greenbaum (America’s Got Talent), the eager audience was transported to the golden age of entertainment as he guided through the mélange of performers backed by a tight six-piece swing band.

Producer Simon Painter almost single-handedly created the Opera House's family-friendly summer circus offering from scratch: It started with The Illusionists in 2012, which he subsequently spun into a global franchise, and every year has seen a new fusion of spectacle, entertainment and skill – most recently, his Circus 1903. 

The Unbelievables is part of Sydney Opera House’s Contemporary Performance program, which is all about genre-straddling work and entertainment, where it premiered before it will transfer to the Arts Centre Melbourne and then on to Perth:

SYDNEY

19 - 29 December 2017 

Concert Hall, Sydney Opera House

MELBOURNE

3 - 13 January 2018

Hamer Hall, Arts Centre Melbourne 

PERTH

18 - 28 January 2018

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Photos by Jacquie Manning (provided)

T • December 23, 2017

The Beautiful Girls @ Metro Theatre

Posted by T • December 19, 2017

The Beautiful Girls

Metro Theatre

Sydney, Australia

December 16, 2017

Founded in 2002, Australian trio The Beautiful Girls started their career based on a sound foundation of reggae and surf rock, with cemented via their debut release Morning Sun became their signature style.

Their first full-length album, Learn Yourself, followed a year later  and ascended to top the independent charts down under, without moving an inch for months.

What followed was a trajectory that saw the band successfully infiltrate the mainstream with a number of accolades and chart hits paving the way.

Tonight was going to be a celebration of their classic, early tunes along with their and their audience’s other faves from their extensive catalogue.

The band’s summery dub, charming melodies have not inaccurately been described as "raw, spooky, rootsy, punky, reggae" and they are certainly influenced by the finer aspects of dancehall and rocksteady.

What complements the mélange is the chilled,  laid-back vocal delivery of front man and main songwriter Mat McHugh, who was warmly welcomed by an eclectic audience that was comprised of the young surfy types to quite a few middle aged followers.

Tracks from their recent full-length emission were a particular stand out part of the performance and it felt that instead of playing the songs in chronological order, track order or anything, the set felt chosen based on the feeling of the night, which gave it the added appeal of spontaneity.

It was good to see that The Beautiful Girls have retained their DNA yet have emancipated themselves from being considered mere Jack Johnson and Ben Harper epigones.

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Photos by KAVV

T • December 19, 2017

Paradise Lost @ Metro Theatre

Posted by T • December 18, 2017

Paradise Lost

Metro Theatre

Sydney, Australia

December 15, 2017

“It is during our darkest moments that we must focus to see the light.” -Aristotle

A band with such longevity as Paradise Lost while consistently maintaining relevance for a scene they become originators for, as well as a line-up that has remained consistent and stable with only changing drummers over the course of time resulting in a collective, consistent and coherent approach to quality songwriting that displays a breadth and depth that few of their peers do, is seldom to be found. 

Since they first incarnated in Halifax, West Yorkshire, Paradise Lost blossomed in Cimmerian shade and a  niche they have created for themselves, i.e. fusing Gothic elements with a foundation of Doom Metal, and have proven to be an influential band for a myriad of bands rooted in often completely different genres.

Twenty-five years after releasing their debut album, Paradise Lost emerged again in Australia for only five shows to perform songs from their trailblazing catalogue as well as  focussing on material from their confounding new album The Plague Within.

The set was diverse paying homage to their roots in the old school death / doom sound of their early releases via the evolution of incorporating quieter passages, keyboards and the softening of Nick Holmes’ death grunt to what resembled a James Hetfield-esque barking to quieter passages laced with Electronica and synthesizers and highlighting the band’s return to their gothic metal sound they are most known and held in esteem for.

It was great to hear the newer, slower, brooding and relentlessly heavy cuts from their doom-laden recent album, ‘The Plague within’ with Nick Holmes growling more than he has in years – which cements Paradise Lost’s legacy and is testament to the fact that things are cyclical as it marks a return to their heavier, darker and gloomier side.

The performance confirmed the notion that Paradise Lost is after all these years one of the few solid, classic bands that are worth coming back to.

With a focused tour de force with a well curated setlist devoid of showy ornaments, the architects of gothic metal demonstrated in an impressive manner that they are all about the delivery and deliver they did in spades.

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Photos by KAVV

T • December 18, 2017

The Easybeats @ Enmore Theatre

Posted by T • December 17, 2017

The Easybeats

Sydney, Australia

Enmore Theatre

December 15, 2017

Let’s start with the basics for the uninitiated:

To claim that the Easybeats, who first incarnated in Sydney in 1964, were one of very first realrock and roll bands in the Southern hemisphere is a statement that would be hard to refute. What was happening in the old world, specifically in the wake of The Beatles, who caused the phenomenon that became known as the “British Invasion”, had an immense impact on the original members as all of their familiar had European heritage and they channeled their influenced to create an ailment called “Easyfever”, which was the Aussie equivalent to “Beatlemania”.

Fast waaaaay forward and enter Empire Touring, who made it their mission to bring you music from The Easybeats and Steve Wright, performed by Australia’s rock n roll royalty: Chris Cheney, Phil Jamieson, Kram, Tex Perkins & Tim Rogers.

The musical emissions of The Easybeats have never been not relevant, with current artists still deliberately taking a page or two off the Easybeats’ book and aficionados never having wavered. To say that The Easybeats’ legacy looms large is an understatement per se and tonight’s show was well executed and curated homage to their aggression and finesse, the sexuality k that has been a template for any band that the protagonists of the evening have been involved in, which showed as they reveled in the opportunity to celebrate the tunes. The show was backed by the extraordinary Easyfever band comprised of The Whitlams’ Jak Housden Ashley Naylor from Even, Baby Animals’ very own Dario Bortolina, Dave Hibbard, known from his collaborations withJoe Bonamass, Divinyls’ Clayton Doley Divinyls and headed by The Living End himself Chris Cheney, Phil Jamieson who will also head Green Day’s American Idiot musical down under, Tim Rogers of You Am I, Spiderbait’s Kram the ever entertaining Tex Perkins, which culminated in a multi-headed supergroup par excellence first international rock band. Each of the frontmen brought their unique swagger to the stage and magical moments were created with permutations of duets with the total of the evening becoming even bigger than the sum of the individual constituents would have you believe.

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Photos by KAVV

Gallery: The Easybeats @ Enmore Theatre (6 photos)

T • December 17, 2017

On Running

Posted by T • December 14, 2017

I used to jog but the ice cubes kept falling out of my glass.

- David Lee Roth

 

One day, out of the blue I started to run.

Simply because I wanted to.

The passion that I have developed for running, the homemade void, the silence and long-distance running play an important role in my life, and the ties between running and life act as a driving force as well as an escape.

Yourself as the only and ultimate opponent.

Hurt being an unavoidable reality.

I do not run because I want to live long but, but because it aides in a Thoreau-esque way to suck the marrow out of life, corner it and get rid of what is irrelevant.

If you are going to while away the years, it is far better to live them with clear goals and fully alive than in a fog, and I believe running can help to do exactly that.

As the ever on-point and poignant Murakami put it so eloquently, exerting yourself to the fullest within your individual limits: That is the essence of running for me, and a metaphor for life.

When you are running, you do not have to talk to anybody and do not have to listen to anybody. 
That is something irresistible. 

Running in void. 

Running from the void. 

Running into the void. 

Italian hardcore pioneers Cheetah Chrome Motherfuckers would be proud.
 
Okay, so there is casual running.

Then there are marathons.

Officially, running one means that 42.195 kilometres need to be covered, mostly on concrete and it is common knowledge that the genesis of marathons finds its roots in a soldier from Greece, going by them name of Pheidippides, being tasked to relay a message from the Battle of Marathon to the nation’s capital. The outcome was that he achieved the mission yet died as a result of it.

Poor sod.

Still got the job done.

Commitment on par with excellence.

While the distance only became benchmarked and standardised in the early 1920s, it was one of the first disciplines as part of the modern Olympics as early as 1896.

It caught on and as a result there are hundreds of marathons run on yearly basis, most of which in a recreational manner and some having thousands of active runners.

Bigger cities tend to have their own variants of marathons and related running events.

Let us have a look at the ones that I have had the opportunity to experience on terra australis:

The most popular one in Australia?

Easy - City to Surf, clocking in 14 kilometres it is the most accessible run and held on a yearly basis.

City to Surf caters to both ends 0f the spectrum: It is both a race in the traditional sense as well as a fun event, serving as a magnet for a day out with close to 100,000 participants every year, resulting in it being one of the largest runs of its kind.

The run is staggered with first access given to disabled participants, invitation-only seeded runners coming second along with preferred runners. Next are runners who can prove a finishing time below seventy minutes they have achieved previously, followed by ones who completed the run previously below 90 minutes. Then comes group that is not subjected to any time limitations and it culminates in the back of the pack, i.e. you can walk the distance if you have to.

Starting smackbang in the centre of Sydney, the course snakes along the Eastern parts of Sydney and finishes at Bondi Beach – the epitome of picturesque Australian postcard perfection.

What is cool about City to Surf is the fact that you will be serenaded by amateur and sometimes well-established bands performing along the suburban roads, e.g. Australian indie darlings You Am I performed an impromptu early surprise set on the rooftop terrace of a pub to cheer on the runners of the 2017 incarnation.

Valentines Day Hug the Harbour Marathon in February is a 42km run in Australia’s winter around Sydney’s iconic harbour.

An enjoyable low-key event and heavy on scenery.

Instructions are easy to follow: Rock up and convene outside Bavarian Bier Cafe at the Manly Wharf and try to get yourself to the pub at Watson’s Bay at the end of it.

As for training tracks, it does not get better when it comes to coastal runs than the 5km Bondi to Coogee. 

Starting where the City2Surf finished, i.e. Bondi Beach, it runs along the seaside of Sydney passing by all the main beaches Sydneytown is known for.

Take in and pay a memento mori at Waverley’s Cemetery, watch whales if you are lucky and indulge in a salty seaside breeze.
Perfect.

A first highlight of the running calendar each year is the Sydney Morning Herald Half Marathon, which is traditionally held in May and the first major race of the year with around 10,000 participants.

The race has an early start, is comprised of undulating hills circumnavigating the Sydney CBD and the real killer comes towards the end as just when you’ve thought you’ve made it, it goes uphill and you better save some energy to make it to the finishing line as you have to drag yourself past Lady Macquarie’s Chair.

With the Blackmore Half- and Marathon in September, you get one of the best organized runs in the country: Starting across the iconic Harbour Bridge, it ends by the Opera House and leads past other landmarks, despite the course meandering a bit back and forth. Not super flat but not extravagantly hilly either. The last stretch around Circular Quay goes across prime Australian real estate that you will not normally get to run and is quite something, even by Australian picturesque standards.

Volunteers are cheerful and there is a general buzz about the event with plenty of water stations and free energy gels for the marathon runners.

The event is coordinated with public transport and your racing bib entitles you for free transport to and from the event

If you are remotely interested in running events, you would have heard of Tough Mudder. Not so much a race but more of an exercise in endurance of approximately twenty kilometres. Twenty kilometres of obstacles and adverse territory that has to be conquered, demanding not only physical but mental toughness.

There won’t be any medals or laurels waiting for you at the finishing line.

It is as down to earth as it gets, with just an icy brewski being the reward.

It is a fun event, especially if you participate with a team and have specifically trained for the challenges – and challenges there are aplenty:

“Electroshock therapy”, “Birth canal”, “Mud mile”, “The Block Ness monster”, “Snot rocket”, “Quagmire” and “Arctic enema” are mere examples of obstacles that have to be mastered and if you think that it is all about novelty names, you are mistaken. 

While one does not have to be an elite athlete to participate and the event is about camaraderie and a fun time, it is highly recommended to prepare adequately far in advance to be able to not just last the course, but defy gravity, take sometimes not very calculable risks and overcome your fears.

Running and gear. 

Now, that is quite a topic in itself. I started off caveman-style using random running shows, band shirts and shorts. As I kept running, started roaming around the globe, lived on different continents and ran in different climates all year around, things got a tad more sophisticated.
 
Along the 6,800km I have run over the last couple of years, I have tried, and used up a lot of gear from established brands to no name cheapo brands in Europe, across Asia and Oceania. Some looked better than others, but did not perform well and failed to last.
 
Not too many moons ago, Adidas, which had not been on my running gear radar for a long time, has entered the picture with their recent range, has not left since as it ticks quite a few boxes and all relevant ones for what I am doing.
 
Running shorts of choice are the Supernova Dual moisture wicking shorts with a sweat-guard zip pocket as they combine the snug coverage of tights with the easy, loose cut of lightweight shorts. Built from sweat-wicking fabric for long-lasting dry comfort, they feature a lightweight outer layer over inner tights that provide light support and minimize chaffing. 
The shorts feature climalite fabric, which sweeps sweat away from your skin, providing ventilation and moisture management, and technology that ensures optimum visibility in lowlight conditions.
Most importantly, they are light and feel great.

Adidas’ running tops use Deltapeak - a balanced, ultra-high functionality, material which achieves a sophisticated fusion of comfort and features like light weight and stretch.

Feel-good-factor is off the charts: I have yet to encounter a fabric that does a better job, has a better fit and is able to weather cold, wet, humid and extremely hot climates.

Shoe-wise the Adizero Boost Adios 3 takes the cake as it combines the toughness of an everyday trainer and the nimbleness of a racing shoe.

You might have heard of the Yeezy Boost range that turns heads of sneaker heads and sole collectors the world over.

The focus with Adidas Boost Adios 3 is not so much about looking fancy and trying to resemble something out of space – au contraire – in fact, it looks like a very classic, stripped down Adidas design, but it is all about the performance enhancing qualities it provides. Despite being super light, it is robust and sturdy where it needs to be.

With its newly-improved Continental rubber compound in the outsole, the Adizero Boost Adios 3 has proved to be a suitable companion for both short runs as well as long-distance running to enhance an already very good traction along with a snug upper that adapts very well to the movements and strains of running.

Another feature I have come to appreciate if the responsive cushioning of the Boost midsole, sufficient arch support and its effortless gait cycle.

A super light and comfortable shoe that comes on the narrow side of things, so you would want to get it one size bigger than you would usually go for.

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Photos from Adidas website

T • December 14, 2017

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