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Thus Let Us Drink Beer – Rocky Ridge Brewing Anniversary releases

Rocky Ridge Brewing Co is a truly unique entity on the firmament of Australian quality craft beer breweries as its focus is not only set on sustainable practises and locally sourced ingredients, but also on pumping out quality brews that consistently push the envelope without ever running danger of entering novelty territory.

Located South of one of the most remote cities on this earthround, i.e. Perth, in the Margaret River region, all ingredients are grown within the confines of head brewer’s Hamish Coates family farm, with H2O sourced from rainwater and the operations being propelled forward via channeling the power of the sun.

Needless to say, the fact that I have yet to come across a Rocky Ridge release that I do not immensely enjoy does not hurt either, so when I got wind of an array of special releases being released to celebrate their fifth anniversary, I got mildly excited especially as some of those were to be created in collaboration with other craft brewers and thus offered the opportunity to introduce hops from other regions into the mix.

If you have followed this series with an iota of interest it should not come as a surprise that two of my favourite expression from Rocky Ridge’s limited anniversary releases are India Pale Ales, one of which is based on Rocky Ridge joining forces with what could be considered their Australian West Coast equivalent in terms of ingenuity and quality, i.e. Mountain Culture. 

The collaboration culminated in the release of an expression named That John Denver is Full of Sht**, which is quintessentially a tour de force in terms of bold hoppiness, accentuated by dominant citrussy and resinous notes and backed by a distinct bitterness. 
With an ABV clocking in at 10% this dangerously moreish little number makes for a hell of a boilermaker with a dram of Octomore 6.3.

The other DIPA I instantenously fell in love with Rocky Ridge’s hoppy The Shape of Trub to Come, the artwork of which is a thinly veiled homage to Refused (and them imitating Rye Coalition’s  cover artwork of Teen-Age Dance Session,  which in turn was a reference to Dan Terry’s album of the same title).

Based on a melange derived from the best the quartet of El Dorado, Galaxy, Strata and Citra hops have to offer, The Shape of Trub to Come tickles the nostrils upon approach with its punchy aromas and what the nose promised is seamlessly transitioned to the top of the mouth with a pronounced juiciness with only the faintest hint of bitterness. 

An expertly calibrated, sessionable DIPA that sets the mark high for Rocky Ridge’s future releases.

The Formative Years – Darkthrone

No matter if you think you like what is commonly described as black metal, I dare you to listen to Darkthrone’s dense  and hard hitting 1992 record A Blaze in the Northern Sky as it remains a unique and genre coining record that has to offer so much more than shock value, open-handed clusters of minor chords and tremolo-picked single-note leads. 

While Fenriz remained adamant about using cheap equipment, the clear production creates an unpolished, deliberately primitive and radically simplistic atmosphere that conveys an eerily dark energy, which is only further enhanced by the sombre vocal delivery that punctuates the distortion and steady blast beats. Quintessentially, the album is a nightmarish collage.

Darkthrone never set out to reinvent the wheel and while their brand of sonic assault defied categorizations back in the day, they carefully curated and calculated the ingredients the gnarly, seemingly dilettantish total of which result in something much bigger than what the individual components could be summed up to. 

While A Blaze in the Northern Sky is not remotely near my fave Darkthrone emissions, it blew my mind when I came across it the first time in the mid '90s.

An album that feels like a musical artifact of a troubled time and place and one that successfully brings a vision to life. 

Water of Life – Amber Lane

We have covered quite an array of Australian whiskies as part of this series and while terra australis has established itself firmly on the firmament of quality whiskey producing nations, it was only over the last couple of years that distilleries evolved to create more refined and complex expressions and thereby crafting their own DNA.

Incepted in 2017 and based in the Yarramalong Valley on New South Wales’ Central Coast, Amber Lane distillery started out as a venture of the duo Rod Berry and Phil Townsend, which since then have grown their operations significantly and committed themselves to not only crafting high-grade spirit via using a pot still for double distillation and a consistent high-quality mash bill, but curating seasoned barrels and taking their time with the maturation process until their drops hit the sweet spot as far as the complexity of their flavour profiles is concerned.

My first exposure to Amber Lane was via their Destiny expression, which is comprised of a union of whiskies that have matured for four years in ex-Heaven Hill American Oak Bourbon Casks and ex-Fernando de Castilla and ex-McWilliams Sherry casks. 
Upon approach the nostrils are tickled by honeyed vanilla aromas, which seamlessly transition to the top of the mouth where buttercream, macaroons and vanilla custard collide with a caramelly top layer, pieced by gingery, slightly floral and acidic notes. 
The elongated finish reverberates with delightful fruity and raisiny notes, which make this little number a dessert dram par excellence. 

Amber Lane’s second release is aptly called Liquid Amber, the dark fruity chestnut nose of which clearly indicates that we landed firmly in Sherry Cask territory.

On the palate butterscotch dances with honeyed chocolate, caramel and tangy nuances, which culminate in a distinctly berry and fig dominated sweetness before things are rounded out via an excursion through cinnamon valley.

Given the quality of what I have tasted, I cannot wait to try Amber Lane’s new Cask Strength expression.

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image from company website

The Formative Years – Sodom Agent Orange

Persecution Mania was Sodom’s album that saw them leaving the confines of the Hellhammer / Venom inspired black metal underground and rise to prominence with a departure from speed metal, a transition to thrash and with their third album, i.e. Agent Orange, they found their stride with what became their trademark raw, rhythmic and straightforward approach to song-writing and a well-calibrated average song duration of around four minutes all peppered an underlying punkish feel. 

Each song on Agent Orange has lasting appeal and thematically centred around the atrocities of war, it holds a timeless relevance which along with the great production courtesy of Harris Johns makes the album a complete listening experience.

Essentially Sodom’s biting, intricate, technical, catchy and ferocious riffs were the children of the marriage between the essence of what made Metallica’s mid-paced chugging cadence exciting around 1984-86, the angry appeal of Megadeth before the 1990s and deliberate nods to the oeuvre and grimy style of Motörhead.

While Sodom’s no frills approach carved a niche for themselves with their chaotic craftmanship and successfully established their brand as one of the Teutonic four in the pantheon of thrash metal, on international terrain they never seemed to get the appreciation they deserved to the scene being busy worshipping bands from the Bay Area.

The Art of Science: The interwoven history of two disciplines
Allen & Unwin

Opulently illustrated, The Art of Science meticulously examines the artistic emissions of  forty creators, artists and researchers who with their oeuvre set out to delve into exploring the intersection of fields of tension between inventiveness and revelation.

In essence, what is achieved through the examinations culminates in making visible that both intertwined disciplines have more in common than what divides them and that they essentially not merely exist in harmony but beget one another, with commonalities resulting in the urge to push boundaries, nurturing the thirst for enlightenment, experimentation and the unearthing of information.

The Art of Science masterfully elicits that what is perceived as a dividing line between art and science is not only blurred but quintessentially non-existent with artists actively contributing to vital visualizations that are vital foundations to make the advancements  and progressions of scientific discoveries possible, whereas the endeavours of scientists ensure that the artists’ hunger for invention, the endeavours to communicate seemingly intangible thoughts / ideas and the creation of a tool for self-expression is fuelled and based on reliable data, no matter if it is based in natural history, botanical, neurological and optical research or other fields of science that serve as a starting point.

An illuminating tome shedding light on the cross-pollinating nature of two vital disciplines.