Jenks Miller (Horseback, solo)
SPB: What part of your live show do you find the hardest on sound engineers?
Miller: The biggest challenge in Horseback's live shows is getting the vocals to sit right in the mix. Most bands feature vocals at the front of the mix; I prefer our harsh textures to sit further back and blend with the wide-open, harmonic (i.e. tube amp) guitar sound. This allows the hypnotic repetition of the rhythm to be the focus.
Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more
Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more
Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting. Read more
Nic (Nonthewiser) SPB: What were your biggest takeaways from recording your EP Injustice For All? What did you learn and what would that change the process next time around? Nic: Recording Injustice For All taught us how important planning really is. Since we live in different cities, we record everything … Read more
Stanley Christiaensen (The Immortal Samsara Travelers – guitar/flute/vocals/sitar) SPB: How do you typically begin the composition process for a song? Christiaensen: The composition process always starts from either existential questions like the evolution of the human species or historical visions like the Hadean Eon, Egyptian mythology. An atmosphere will spark … Read more
I remember distinctly the first time I was introduced to Horseback. It was by their 2012 album Half Blood, and I'm told that my experiences were pretty standard. For the uninitiated, your first few seconds of listening to Horseback will inevitably go something like this:"Hm. This is some pretty interesting post-rocky stuff. Oh, hold on, something's messed up with this … Read more
This collaboration between Horseback and Locrian was a hotly anticipated one in several musical circles (particular if you were a fan of either outfit prior to hearing of this release), and the prospects of what these two projects might create together induced some mind blowing (think the head explosion scene in Scanners) possibilities in the heads of those of us … Read more
Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more
Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more
Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting. Read more
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