Timo Ellis of Netherlands
SPB: What is the weirdest description you’ve heard others say of your music? Do you think it’s accurate or can you see where the idea came from?
Timo: “You’re like the Sybil of music, with some sort of dissociative identity... I feel like you’re dancing on some sort of “post-sensibility” ledge. Often with regard to visual art, there’s this notion of 'removing the hand of the artist' and those who attempt it, often do it in an overly rational way -- scrubbed and antiseptic. I feel like your musical equivalent is not about removing the hand, it's about having more hands than a Hindu god.”
IMO, this is kind of the best compliment I’ve ever received in regards to my work, overall. (And perhaps it’s a little grandiose of me to want this uncritically reprinted in full... but hell, why not??) For me it’s an intuitively brilliant and accurate reading of my entire M.O... I have hugely varied tastes, advanced level skills (not expert... yet) and want to comprehensively explore, and express them… so I do (and IMO, not in a fuckin’ dilettantish way, etc.)
Recently more people are (maybe) more familiar with my work in the context of my sludge-rock band (NETHERLANDS)... but I also have a reasonably gigantic catalog (25+ solo albums, under several different pseudonyms) of other kinds of work, ranging from field recordings, country, noise, Italo-classical, electronics, minimalist and ambient adventures, disco, “pop”, punk/ hardcore/metal, and (so far)... three baritone ukulele records... among many others. And if I may be so bold, NONE of these records fucking suck, aiight??? My point being: check me out! It’ll be well worth the investigation, I assure you! Thank you. #nofalsemodesty #fuckbranding