Review
Germ
Loss

Eisenwald (2012) Cheryl

Germ – Loss cover artwork
Germ – Loss — Eisenwald, 2012


The Germ project has been in some form or another for quite some time yet the first record (Wish) from this Tim Yatras production only saw the light of day this year. It’s surprising then, that an EP should follow Wish quite so quickly, yet here we are with the melancholic yet strangely uplifting sounds of Loss on our hands.
Loss continues in the footsteps of Wish, in that it somehow mixes black metal with tranced out, blissful dance beats. It shouldn’t work, it makes no sense, but Yatras is some kind of evil genius and Loss weaves its magic around fiery rave-like processes and unholy screams. Tim Yatras has had a hand in some of the most magnificent Australian black metal that ever was – Austere, Woods of Desolation and Grey Waters to name but a few – and his style is unmistakably a part of Germ.

Germ turns the black metal blueprint completely on its head here, and the addition of punchy beats only adds to the curious, otherworldly essence of Loss and its sadness. Electronic pulses of light push through the otherwise head-spinning intensity of the darker side of Yatras’ musical landscape and the leading track “My Only Hope” features the pure and clean vocal style that made such a generous appearance on Wish. Here on Loss that vocal is utilised along with the devastating and instantly recognisable scream of Yatras along with a sweetly slow build up towards the break of synthesised song structures and succinctly soaring guitar riffs.

Songs flow between the two base elements and intoxicate with their ingenuity and freshness. This is a new approach to a genre that has seen a massive shift in style in recent times and black metal has never sounded so full of purpose whilst not adhering to the framework laid down so many years ago by the greats. “So Lonely, Dead Lonely” is a forceful piece that imbues it’s unrelenting drum beats with powerful choral arrangements and a deep sense of gloom. Loss is beautiful in it’s morose sensibilities yet is filled with a sublime hope. Lovely.

7.5 / 10Cheryl • November 26, 2012

Germ – Loss cover artwork
Germ – Loss — Eisenwald, 2012

Related features

Germ

Interviews • February 17, 2013

Daggermouth

Interviews

Related news

Germany's Shoreline

Posted in Labels on September 15, 2023

Germany's Phantom Bay: new EP

Posted in Records on September 14, 2023

German punks Love Forty Down return with a new EP

Posted in Records on January 22, 2022

Recently-posted album reviews

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more

UDDER

Self Titled
Depose Records (2025)

Some records feel like they were carefully constructed. Others feel like they were barely contained. Udder’s three-song 7” on Depose Records lands firmly in the second category with a short, strange burst of psych-leaning noise rock that feels less like a statement and more like something unearthed. That’s not far from the truth either. Originally formed in the early ’90s … Read more

Various Artists

Louder Than You Think: A Lo-Fi History of Gary Young & Pavement (Original Motion Picture Soundtrack)
Independent (2026)

Gary Young wasn’t just a drummer; he was a beautiful, unpredictable glitch poking a hole in the sky where other lovable misfits could enter and leave this universe they’d grace with their presence. While Hendrix kissed the sky, Young merely bit a hole right through it. While Pavement was busy inventing the 1990s slacker blueprint for the masses, Gary was … Read more