Blog — Page 227 of 283

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

The Subtle Art of Not Giving a F*ck

Posted by T • August 21, 2017

The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life
by Mark Manson
Pan Macmillan Australia

It is only after you have lost everything that you are free to do anything.
Nothing is static.
Everything is appalling.
Everything is falling apart.
You have to realize that some day you will die, until you know that you are useless.
Quintessentially, Mark Manson could have joined Tyler Durden’s campaign, adding the inscriptive of Charles Bukowski’s tombstone “Don’t try.”
Manson’s oeuvre is based on the truism that some things in life are just awful and we have to deal with it, no matter what positive thinking mantra is being propagated as the latest fad for the spoiled generations of millenials that are being rewarded for trying.
Despite the profane lingo – one cannot help but think that the crude language is used as a tool to trick to engage an ADHD riddled audience to engage with actual values - the book is inspiring as it is grounded on academic research and a fundamental acceptance of some truths, i.e. that you are not a unique snowflake with unlimited abilities.

It is about embracing your shortcomings, fears and limitations – about acceptance, lessons learned and confronting unpleasant truths to enable yourself to move on to figure out what truly matters and what needs to be disregarded and let go, limiting concern over things that have little to
no meaning or value in your life.

The Subtle Art of Not Giving an F is both a reality check and a mirror for self-confrontation, devoid of any positive airy-fairy fluff that mainstream media spoon-feeds us to believe in self-help gurus.
As per Manson, life is essentially an endless series of problems, no matter what your approach is.
Instead of wasting time avoiding those problems, Manson encourages the reader to make a deliberate choice to decide for which problems you are willing to sacrifice for.

“The path to happiness is a path full of shit heaps and shame,” Manson quips.

While the book does not reveal a world changing epiphany, it is an at times painfully honest, refreshing and fulfilling read that succeeds at kärchering the grime of denial and delusion off our pneumas to ultimately find the courage and confidence we desperately seek.

While abandoning hope, the book actually is hopeful and does leave you feeling elated.

The nourishing effect of Manson Trojan horsing some unfiltered truths past our filters to inspire thoughts that count.

T • August 21, 2017

Psychosis 4:48 @ Old Fitz Theatre

Posted by T • August 20, 2017

Psychosis 4:48

Old Fitz Theatre

Sydney, AU

August 19, 2017

Sarah Kane’s 4:48 Psychosis is essentially a 60 minute long stare into the abyss of darkness and struggle of mental illness, walking the thin line between life and death detailing states en route to suicide.

Succinctly distilling the imprisoning and isolating nature of clinical depression. Containing no characters, stage directions or specified settings, the 24 section of Psychosis 4:48 are a theatrical response to the pain of living.

Kane, who established herself an a playwright known for her poetic intensity and pared down language, herself dealt with issues of serious mental illness and committed suicide at 28 shortly after completing this work. In her final note to her agent, she wrote “Do with it what you will, just remember – writing it killed me”. It is not further wondrous that the themes of anger, desperation, humour of the darker kind, redemptive love, sexual desire, pain, torture – both physical and psychological – and death are conveyed in an authentic manner and pervade the bitter and lyrical meditation on the nature of clinical depression.

Director Anthony Skuse approaches the play like a musical score, with Workhorse Theatre Company’s incarnation of Psychosis 4:48 relying heavily on precise rhythmic, cyclic thematic patterning.

The extensive and expert use is made of lighting, which is employed to effectively change the dynamic of the space, helps amplify the formless nature of the dialogues and blurs the line between reality and illusion, actual and internal exchanges and thereby blends it into a single dissolving consciousness carried by a triumvirate of performers, i.e. Lucy Heernan, Ella Prince and Zoe Trilsbach-Harrison, who are able to convey a credible shared view into the mental and emotional environment of the play, reducing unnecessary movements and eliminating boundaries.

Another play in the canon of Red Line Production’s, which aligns with their simple mission statement to bring brave, fearless and dangerously real shows to an audience with simplicity and honesty.

If you ever find yourself in Sydney, you would want to make sure to pay a visit to the Old Fitz Theatre – a place that has been integral to many generations of Australian theatre makers.

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Photos courtesy of Red Line Productions

T • August 20, 2017

Vin Diemen “Best of Tassie”

Posted by T • August 13, 2017

Vin Diemen “Best of Tassie”

National Art School, Cell Block Theatre

Sydney, AU

August 12, 2017

I sure hope that my recent features on Tasmania and MONA have tickled your interest in one of Australia’s most underrated territories, its wine, outstanding produce and boutique beverages.

If you have not yet planned your trip to Launceston for the 2018 incarnation of MONA FOMA, let me bring a little taste of Tasmania to you. 

Now in its third year, the two-day series “Best of Tassie” in Sydney and Melbourne showcased the unparalleled quality of Tasmania’s food and wine industry with an extended line-up of the island’s leading vintners and providores.

The grapes wines from Tasmania are made from are of a certain elegance and not dissimilar to those informing the renowned European wines, for which the local climate is particularly conducive and suitable to elicit the intense flavours particularly of such wines as Pinot Noir, sparkling wines, Riesling, Chardonnay, Sauvignon Blanc, Cabernet Sauvignon and Pinot Gris.

It is not for nothing that Tassie is held in high esteem for being at the forefront of Australian wine production in terms of quality, specifically its sparkling wines and Pinot Noirs, which is being rewarded on international terrain with accolades.

Tasmania’s first experiment with grapevines resulted in a wine that was shown at a Paris exhibition in 1848.

However, after this early start, the island’s wine production all but disappeared until the 1950s.

The early migrants from Europe recognised the similarities in Tasmania of the soils and climate with the great grape growing regions of their homelands, and began to challenge and disprove the theory that Tasmania was too far south for grapes to ripen.

Today, Tasmania enjoys a global reputation as a leading producer of premium cool climate wines, winning high praise and accolades from wine judges and critics alike – and rightly so.

Dolerite-capped mountains provide the perfect sanctuary to protect Tasmania’s wine growing regions from the harsher elements.  The soil itself is informed by an unique composition of mud- and ancient sandstones and the sediments of local rivers, stream and rocks of volcanic origin.

The fact that Tassie’s climate is one rooted in a moderate maritime one and by prevailing westerly winds off the Southern Ocean adds to the region being not unlike European terrain when it comes to being almost devoid of big temperature fluctuations, ultimately providing the ideal circumstances for the development of varietal flavours, helping to maintain the wine’s freshness and acidity.

Vin Diemen’s 2017’s “Best of Tassie” extravaganza incarnated at the Cell Block Theatre of the National Art School in the heart of Sydney’s Darlinghurst district – an ideal location for the collective of winery representatives, farmers and makers, as it offered the perfects backdrop of festival-goers grazing on distinctly Tasmanian cheeses from Bruny Island Cheese Co.

Bruny Island Cheese Co. is an artisan cheese maker in southern Tasmania, founded by Nick Haddow and their cheeses are all made and matured using traditional techniques and are some of the finest artisan cheeses made in Australia.

The cheeses Bruny Island Cheese Co. makes are very much the product of Nick and head cheesemakers Halsey's travels and training throughout the great cheese producing regions of France, Italy, Spain and the UK.

While inspired by the artisan cheeses from their travels, they do not seek to copy them.

Instead, they make cheeses that are connected to their environment -cheeses with a distinctly Tasmanian character, which served as the foundation of this year’s master classes that offered deeper insights into Bruny Island Cheese Co.’s philosophy and its approach to cheese making, specifically with it comes to working with raw mild, along with recommendations of wine pairings.

More exotic flavours and spices were offered by Shima Wasabi

Specializing in one of the trickiest crops around, the semi-aquatic herb is grown in climate-controlled "cool houses".

Shima Wasabi has researched and perfected the art of growing authentic Japanese wasabi (Wasabia japonica) in Australia and are now the largest producer of fresh wasabi in the Southern Hemisphere. Devoid of colours and preservatives that most horseradish based “wasabi” pastes and powders contain to imitate the real deal, Shima Wasabi offered freshly squeezed wasabi, which was the ideal accompaniment to Huon Aquaculture’s delicious offerings of Tasmanian salmon.

Check out our recent feature “Always Going Upstream Against the Current,” which sheds light on Huon and its delicious ray-finned emissions.

Over hundred wines were on offer for sampling and our favourites included the following drops in the categories:

Sparkling

  • Jansz Tasmania Vintage Cuvée 2011
  • Moorilla Cloth Label Late Disgorged Sparkling 2006

Riesling

  • Bay of Fires Riesling 2016
  • Sharmans Riesling 2014

Pinot Gris / Grigio

  • Josef Chromy Pinot Gris 2016

Whites

  • Moorilla Muse Chardonnay 2015  
  • Pipers Brook Chardonnay 2016

Rosé

  • Delamere ‘Hurlo’s’ Rosé 2015

Pinot Noir

  • Holm Oak “The Wizard” Pinot Noir 2015
  • Sharmans Pinot Noir 2013 

Cabernet & Blends

  • Moorilla Muse Cabernet Sauvignon Cabernet Franc 2014

Other Reds

  • Beautiful Isle Syrah 2016 
  • Moorilla Muse Syrah 2013 

Non-wine drinks were proffered courtesy of:

Hartshorn Distillery, a new micro distillery making boutique batches of Vodka and Gin from their own sheep whey.

The Tamar Valley-based producer of international award winning spirits, Strait Brands, with its interesting Tasmanian Pepperberry Vodka.

The Abel Gin Co. with its excellent take on traditional gin,  turning it on its head with a blast of citrus over base notes of the Tasmanian wilderness, and Willie Smith’s Organic apple cider, whose range we have recently covered in a feature and who had a bottle of their fine Willie Smith’s Whisky Aged Cider on offer:

Following maturation times ranging from six to twelve months, individual barrels were selected and blended to achieve a complex, balanced cider that expresses both soft apple cider characteristics and persistent whisky and oak notes. Soft carbonation and no filtration results in a structured cider with textured mouthfeel and lingering warmth.

Another excellent collaboration with Tasmania’s Lark Distillery, which shall be the focus of an upcoming feature.

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Photos by KAVV

T • August 13, 2017

Montaigne @ Metro Theatre

Posted by T • August 12, 2017

Montaigne

Metro Theatre

Sydney, AU

August 12, 2017

Michel de Montaigne was one of the most significant philosophers on the French Renaissance known for popularizing the essay as a literary genre.

He is also know for posthumously inspiring Jessica Cerro, a Sydney-based singer-songwriter graced with a powerful vocals range to inhabit stages with her theatrical, comfortable and eccentric stage presence.

Tonight at the Metro Theatre was no exception:

She won the audience over – not that much resistance was to be overcome - by exuding her affable charm and by effortlessly swinging up and down the vocal scale and conveying a range of emotions from angst via dealing with day-to-day frustrations to more joyous heights – from exorcising meanderings through emotional wastelands of heartbreak to inspired odes to (self-) empowerment.

Backed by a full band, the performance was embedded in full and rich soundscapes that accentuated her elastic voice. 

While the performance at times seemed like a colourful patchwork of the different facets, comprised of left-of-centre melodies reminiscent of Sigur Ros and vocal operatics inspired by the likes of Regina Spektor and Florence Welch, that make up Montaigne’s personality and musical versatility, she has grown to refine the art of harnessing all individual parts to tell a coherent story of her own.

An artist that is enjoyable on every level – from music via vocal, the themes of her songs and the mélange of it all – and whose career has only just begun.

Michel de Montaigne might have preferred to quote other in order to better express himself – Montaigne’s strength is self-expression to an extent that will have others quoting her.

T • August 12, 2017

Thus, let us drink beer! – Belgium special

Posted by T • August 6, 2017

“…thus, let us drink beer!” – Belgium special

 

Waffles.

Friterie.

Chocolate.

A royal palace bigger than Buckingham palace.

The first country to legalise euthanasia and ban cluster bombs.

Three official languages.

Belgium.

 

One of the many good things coming out of the small European country is beer: 800 varieties are brewed in Belgium – not bad for a country with less than 11 million people.

Claiming that beer plays a prominent role in Belgian life is an understatement par excellence.

There is quite a variety of traditional beer style, some of which are unique to Belgium and each with its distinct, taste, smell and feel:

Trappist beers are one of the most famous types of Belgian beer as they are brewed in Trappist Monasteries, i.e. the name refers less to the style and more to the origin of the beer though, since for the beer to gain the Trappist certification, the brewery must be in a monastery, the monks must play a role in its production, and the profits from the sale of the beer must be used to support the monastery and / or social programs outside.

Drinking for a cause.

There were 7 certified Trappist breweries in 2011, six of which are in Belgium plus one in the Netherlands.

The beers are mostly top-fermented, but otherwise have very little in common stylistically.

Abbey beers are similar to Trappist beers, but do not meet all of the specifications required to receive the Trappist designation.

Abbey beer may be:

  • produced by a non-Trappist monastery; or
  • produced by a commercial brewery under commercial arrangement with an extant monastery; or
  • branded with the name of a defunct or fictitious abbey by a commercial brewer; or
  • given a vaguely monastic branding, without mentioning a specific monastery, by a commercial brewer, which is not really a criterion at all.

In other words, “Abbey” is a marketing ploy without further foundation or merit to it.

Amber Ales are similar to English pale ales, but are less bitterly hopped.

Blondes or Golden Ales are a light variation of pale ale, often made with pilsner malt.

Brown Ale is darker than amber ales, less sour than Flemish brown ale, and less strong than dubbel.

Champagne Beers are generally ales that are finished à la méthode originale for champagne.

Dubbel (double) are classic Abbey/Trappist types with a brown colour. Typically, a dubbel is between 6 and 8% ABV and is usually bottle conditioned.

Lambic Beers (Gueuze and Fruit Lambics) are a wheat beer variety brewed via spontaneous fermentation from exposure to wild yeasts and bacteria native to the Senne valley (Brussels area). These beers have a distinct flavour that is dry, vinous, and cidery, with a bit of a sour aftertaste. Lambics can be broken into the subclasses of Gueuze, Fruit Lambic, and Faro. These beers taste very different from how you would an expect a beer to taste. While an acquired taste, they can be delicious and are definitely worth trying if you visit Belgium.

Pils or Pale Lagers comprise the bulk of beer production and consumption in Belgium. These beers are not really distinctive and are what you are used to from mass produced beers all over the world.

Belgian Strong ales can vary from pale to dark brown in colour. They are usually medium to full-bodied and are high ABV. More often than not they are referred to as dubbels or tripels.

White or Wheat Beer is traditionally made with a mixture of wheat and barley, and often other additives, rather than just barley malt, hops, and yeast like regular beer. Before hops became widely available in Europe, beers were flavoured with a mixture of herbs called gruit, and then later in the Middle Ages, hops were added to the gruit. That mixture is still used today in most Belgian/Dutch white beers, usually with additives like orange peel and coriander. The production of this type of beer in Belgium had nearly ended by the late 1950s, and in the town of Hoegaarden, the last witbier brewery, Tomsin, closed its doors in 1955. Thankfully, in 1965, a milkman who used to help at the brewery revived the style and it can now be found all over the world. Their alcohol strength is about 5-6 percent ABV, and these beers can be quite refreshing, especially in hot weather. White beers also have a moderate light grain sweetness from the wheat used.

Many breweries produce special beers during December. Most contain more alcohol than the brewery’s other types of beer and may also contain spicing.

Let’s see what I found remarkable while sampling Belgian brews, shall we?

 

Bosteels Brewery

Brouwerij Bosteels (Bosteels Brewery) was founded in 1791 and is still owned and operated by the same family, now its seventh generation. They brew three beers:  DeuS, Karmeliet Tripel, and Pauwel Kwak.

DeuS Brut des Flandres

  • Style: Champagne Style Golden Ale
  • Alcohol Content: 11.5%ABV
  • Country: Belgium

The elegant contours of the bottle hint at the delightful subtlety of DeuS. In its flute glass you will discover a light blonde to pale golden beer, brightly scintillating, saturated and with extremely tiny bubbles.

DeuS is crowned by a fine linen white, meringue-like head.

A fascinating complexity.

It develops the fragrance of fresh apples backed by mint, thyme, citrus, ginger, malt, pears, hops, allspice and cloves.

It glides over the tongue as smoothly as silk and then blossoms into a creamy, tingling sparkle. DeuS is light and vivacious and seduces you with the sweetness of a grape and the fruitiness of a desert apple. The finish is beautifully dry with a bare hint of tannin.

Karmeliet Tripel

  • Style: Tripel
  • Alcohol Content: 8.5%ABV
  • Country: Belgium 

Tripel Karmeliet is a golden-to-bronze brew with a creamy head.

Its characteristics derive not only from the grains used but also from restrained hopping with Styrians and the fruity nature (banana and vanilla) of the house yeast.

Hints of vanilla mixed with citrus aromas.

Tripel Karmeliet has not only the lightness and freshness of wheat, but also the creaminess of oats together with a spicy lemony almost quinine dryness.

Kwak

  • Style: Amber Ale
  • Alcohol Content: 8.5% ABV

Kwak is recognisable by its deep bright amber colour and a dense, creamy coloured head.

You will smell a mellow, fruity and malty aroma with a slightly spicy character (coriander, hops).

Additional earthy and very subtle aromas of banana and perhaps also a whiff of pineapple or mango in the background.

Discover a very mellow, fruity attack, a nougat-like solidity, and a slightly spicy character with hints of liquorice passing into a warm finish that reminds you of caramelised banana. The bitterness always remains in the background but in the end emerges delicately.

Chimay

Chimay is an authentic Trappist beer. As explained above that means that it is brewed within the walls of a Trappist monastery under the control and responsibility of the community of monks, and whose revenue is devoted to social service.

The “Authentic Trappist Product” logo is granted by the International Trappist Association.

It guarantees the consumer the Trappist origin of the products according to the above mentioned well-established principles:

  1. They are manufactured on-site or in close proximity to the monastery.
  2. The monastic community is engaged in management and all aspects of the means necessary for their operation. This must clearly reflect both the unquestionably subordinate relationship with the beneficiary monastery and the relationship with the culture of the enterprise itself in the plan of monastic life.
  3. The income provides for the major portion of the necessities of the community and for social services. 

Chimay Red

  • Taste: Silky with a light bitter touch
  • Type of foam: Firm and unctuous
  • Alcohol content: 7% alcohol by volume
  • Country: Belgium 

Tasting Notes: The Chimay Red Cap, or “Première”, in 750 ml bottles, is the oldest of the Chimays. It possesses a beautiful coppery colour that makes it particularly attractive.

Topped with a creamy head, it gives off a slight fruity apricot smell from the fermentation. The aroma felt in the mouth is a balance confirming the fruit nuances revealed to the sense of smell.

This traditional Belgian beer is best savoured at cellar temperature (10 – 12°C).

Chimay Triple

  • Taste: Subtle combination of fresh hops and yeast that is improved by a bitter touch.
  • Type of foam: Fine and snowy.
  • Alcohol content: 8% ABV
  • Country: Belgium 

The Chimay Triple, last-born of the Abbey, is labelled “Cinq Cents” on the 750 ml bottle.

Of a golden colour, the Trappist beer combines sweet and bitter in a rare balance. The beer’s aroma felt in the mouth comes from the hops’ perfumes with fruity touches of Muscat grapes and raisins, even ripe apples.

Duvel

  • Style: Golden Ale
  • Alcohol Content: 8.5% ABV
  • Country: Belgium

Duvel is one of the first Belgian beers I indulged in and a long time favourite for special occasions.

Subtlely bitter.

Natural.

Silky.

Refined and distinctively hoppy due to ingredients from Slovenia and the Czech Republic.

Effervescent and an undeniably sweet aftertaste.

The extensive work that goes into the brewing process can be tasted.

A standout Belgian champagne beer.

There are specific Duvel glasses and a pouring method that should be adhered to in order to get the most out of the tasting experience.

Duvel Triple Hop

  • Style: Golden Ale
  • Alcohol Content: 9.5% ABV
  • Country: Belgium 

A melange of two hops informs the flavours of this Duvel variation not unlike the basic one, but a third one is added to the mix, hence “triple”, duh, which results in its own unique aroma and taste nuances, backing the final alcohol content of 9.5%.

Liefmans’ beers are brewed craftsmanship, steeped in the rich tradition of Belgian beer culture.

Liefmans is made with a combination of light, dark and roasted malt. After fermenting for a week, the beer spends from between two months to a year maturing in cellars, depending on the type.

The typical bitterness, with sweet overtones, is created by blending mature beers with younger brews.

Mrs Rosa Merckx, the first and for many years the only female master brewer in Belgium, was at the helm for over 40 years and helped to perfect the unique flavour of Liefmans beers.

  • Style: Aged Brown Ale
  • Alcohol Content: 8% ABV
  • Country: Belgium

Liefmans Goudenband is a mofo of a distinctive dark beer. Originally called IJzerenband (Iron Band) – a reference to the iron bands around the beer barrels – the bottle gained its champagne cork when it was renamed Liefmans Goudenband (Gold Band). Made in open vats with beer of mixed fermentation, it is left to mature for four to 12 months in the cellar. Mature beer is then fortified with younger beer, so the fermentation process starts up again.

Liefmans Goudenband is a beer for storing, and just keeps improving over the years not unlike a fine wine. Even after ten years, this dark red beer tastes as fresh as ever. You’ll immediately pick up on the aromas of caramel, apple, rhubarb, cherries and malt. On the taste buds you will find hints of apple and cherries, combined with woody notes, while the aftertaste hints at nuts and dried raisins. The mildly acidic taste make this beer an unusual match for blue cheese.

Kriek-Brut

  • Alcohol Content: 6.0% ABV
  • Country: Belgium

The Kriek-Brut beer represents the marriage between the fresh accents and slightly acidic flavour of black cherries. Liefmans Kriek-Brut is a mixed fermentation beer, with every hectoliter containing up to 13 kilos of fruit!

Liefmans Kriek-Brut is a blend of Oud Bruin and pale beer aged on cherries.

The beer is matured for 18 months, bringing out the very best of its intense flavour.

Liefmans Kriek-Brut is a deep reddish-brown colour, with a pale head and wood and almond notes.

On the palette, you can clearly taste the slightly sweet, yet at the same time gently bitter fruit flavours.

Jupiler

Now this is an interesting one.

Interesting in that Belgian beer mainliners look down on it as it is a “factory beer”.

Well, go to Williamsburg and read Vice while having a craft beer, pal.

My dad introduced me to it and I find it surprisingly drinkable.

Did you know that they have beer machines in Belgium? Yup. You think that used panty machines in Japan are useful? Maybe for the novelty factor.

At 2am when roaming Belgian cities, a couple of Euro coins meant that we were able to crack a cold Jupiler to fuel night of mischief. Thank beejeezus for Jupiler.

Maredsous

Blonde Ale

  • Alcohol Content: 6.0% ABV
  • Country: Belgium 

Fresh, with a harmoniously fruity aroma and a slightly bitter aftertaste. Still prized by the monks as a drink to accompany their lunch. This is a delectable Blonde ale with sprightly fruitiness, soft malting, and a slightly dry, gently-hopped finish. A sparkling nose, complex flavours, and a touch of bitterness give this fine ale all of the refreshing qualities of a classic Belgian Blonde.

Maredsous Brune

  • Style: Brown Ale
  • Alcohol Content: 8.0% ABV
  • Country: Belgium 

Maredsous Brune was blended by Father Attout, whose aim was to brew an aromatic ale for Christmas. His creation, with a caramel bouquet, has become an indispensable fixture for beer lovers. This is a rich mahogany-brown Dubbel ale, with a delicate body, creamy head, and lush bouquet. Within its velvety taste you will discover subtle hints of dark fruit, chocolate, and toffee. You will also savour a dry and warming finish.

This ancient home of the Benedictine monks is also the birthplace of the renowned line of Maredsous Abbey ales.

Benedictine values are indisputably embodied in the authentic flavor and character of the Maredsous ales.

A substantial portion of the profits generated by Maredsous sales are donated to charitable causes.

Silly Brewery

Last century saw large farms in Hainaut brewing barley and hops.

Silly is a village lying in the Ath, Enghien and Soignies triangle and is crossed by the Sylle, the river from which the village takes its name.

Silly possesses a brewery that was founded in 1850 as Cense de la Tour, and that is today operated by the 5th generation.

From 1947 the Brewery became more prominent than the farm yet was still only producing top fermentation beer like Grisette, Saison and Scotch.

Several years later in 1950 when the Brewery already had a chain of bars, it began producing a bottom fermentation beer Pils as part of its product range.

1990 saw the creation of a white beer known as Blanche Titje.

This beer together with Saison de Silly, Double Enghien and Divine, have contributed to the growth of this independent and traditionally based family business.

Over recent years the Brewery has been enhancing its export business including Australia.

Silly Brewery has a range of beers under its umbrella, including some novelty ones but my favourite is the humble Silly Pils: A bottom fermented beer, pils type. 
 
First and foremost you notice the malt in this beer. This taste is followed by subtle impressions of hop bitters that do not overstay their welcome and never veer toward tartness. 
Summa summarum a pils beer with an amazing taste that makes for a splendid thirst-quencher.


 
Watch out for the second instalment of the “…thus, let us drink beer!” special.

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Photos by T and Creative Commons

T • August 6, 2017

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A new, personal Charlie Continental EP

Posted in Records on May 26, 2026

Charlie Continental has released a new 7" called “Snow & Rain b/w Untethered”, out now via Snappy Little Numbers. A-side "Snow & Rain" is written in response to the death of his wife -- a personal song rooted in managing grief and in finding help in community. Read more Charlie … Read more

Sub Pop makes Sweeping Promises

Posted in Records on May 24, 2026

Sweeping Promises promises a new album called You Say I Romanticize, out on August 14 via Sub Pop Records. The band will be on tour across North America shortly after its release, with dates shared below alongside a new song. They last released Good Living Is Coming for You in … Read more

A triad of new Iron Lung releases

Posted in Labels on May 23, 2026

Iron Lung just opened preorders for three new releases this June. Summed up in short: Consensus Madness - Endeavors. Out June 26, think protopunk meets first wave meets hardcore from Chicago, IL. Alien Nosejob - How A Mosquito Operates. Out June 26, the Jake Robertson led project continues its exploration/reinvention … Read more

Tornado Lobster Killer shares "Pay to Play"

Posted in Bands on May 23, 2026

Italian hardcore punk band Tornado Lobster Killer shared a new single called "Pay to Play," the first glimpse of new music off the upcoming full-length album titled Lobsteria. Fittingly, given its take on the music industry's exploitative pay-to-play system, the single was entirely self-produced by the band. Specifics about Lobsteria … Read more

Pylar in July

Posted in Records on May 22, 2026

Spanish doom metal project Pylar has announced a new record this July 10: Delyrio, releasing via Cyclic Law/Cavsas. The first glimpse is streaming below. Read more Delyrio Track Listing: 1. Aροτεοsis 2. Adoración 3. Enajenación 4. Enardecimiento Read more

Sutekh Hissing Arkestra

Posted in Records on May 22, 2026

Label Cyclic Law has announced a collaborative record featuring Sutekh Hexen and Hissing, coming out on cd and digitally. The two bands as one concept goes by SH:HS (Sutekh Hissing Arkestra), and is a recording from two separate performances in 2017 and 2019, later revisted and rehaped by the bands. Read more

Two bands on Three Count Records #1

Posted in Labels on May 22, 2026

Three Count Records will release a new split release tomorrow: the first Peach Rings recording as a full band on one side, and punk/emo/ska band Those Dogs on the flip. It's also the first release from the label, based in Durham, NC, which began as a mobile record distributor/DJ project. … Read more

More NOFX releases

Posted in Videos on May 22, 2026

The recenlty retired NOFX continue to put out new material, with the band announce that they will release the official soundtrack and score to the upcoming documentary 40 Years of Fuckin' Up, also featuring the band. The soundtrack has two new songs, the titular "40 Years of Fuckin’ Up" and … Read more

MidWest Friends Fest 2026 in late May

Posted in Site News on May 22, 2026

The volunteer-run MidWest Friends Fest 2026 returns next week, taking place May 28-30 at Southgate House Revival in Newport, KY with a lineup that includes 80+ bands: Fat Heaver, MK Naomi, Little Low, Neckscars, Toilet Rats, and many more. Read more

Dates with Oakwood

Posted in Tours on May 21, 2026

Set to release Blurred Away on May 29, Oakwood has also announced a North American tour this summer following its release. The project begain in 2013 and saw renewed interest in 2024 after they uploaded to streaming platforms. Blurred Away will release via Memory Music. Read more track listing: Every … Read more