Blog — Page 27 of 278

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

Italian Film Festival 2022 Opening Night

Posted by T • September 27, 2022

Italian Film Festival 2022 Opening Night
Palace Cinemas
Sydney, Australia
13 September 2022

A highlight for film buffs on the annual cinema circuit is ST. Ali’s Italian Film Festival, which in 2022 incarnated again presented by Palace Cinemas in all major cities on terra australis.

While there is no shortage of country-specific film festivals in Australia, the Italian variant is a league above and an exercise par excellence in terms of truly celebrating the essence of the country’s filmmaking tradition. 

Each year the well-curated program runs the gamut with not merely covering contemporary flics and documentaries, but dedicated retrospectives paying homage to the greats of Italy’s grand directors as well as idiosyncratic comedies like the Opening Night’s Belli Ciao, starring comedic duo Pio and Amedeo in the respective roles as formerly inseparable friends reuniting after years of separation in what culminates in a humorous culture clash between the country’s North and South.

The retrospectives are a personal favourite of each year’s programming and with Pier Pasolini being the focus of 2022, three of his most iconic cinematic literary adaptions, i.e. The Canterbury Tales, The Decameron and Arabian Nights, are presented in a bid to shed light on the century of his birth and form a highlight of the festival, which is complemented by Sophia Loren-starring classics and counterpointed by present-day motion pictures, resulting in an impressive and well-curated melange of thirty-seven movies.

Not unlike it was the case in previous years, the Opening Night of the Italian Film Fest is never not a joyous and vibrant affair that creates a tangible buzz that sets the scene and serves as a prelude to experiencing the magic of cinema.

T • September 27, 2022

black midi/BC,NR @ The Glass House 9/22/22

Posted by Aaron H • September 26, 2022

Black Midi and Black Country, New Road have been making their way through the states, and SPB caught the show as it rolled through Pomona. Despite the release of their critically acclaimed new album earlier this year, Black Country, New Road have been playing all new material after their front-person, Isaac Woods, left the band earlier this year. Meanwhile, Black Midi are fresh off the heels of their new record, Hellfire, while also playing old favorites from Cavalcade and Schlagenheim. You can check out the gallery below:

 

Gallery: Black Midi/BCNR Glasshouse 9/22/22 (17 photos)

Aaron H • September 26, 2022

Thus Let Us Drink Beer – Edge Project and Temple

Posted by T • September 26, 2022

Thus Let Us Drink Beer

Edge Project

Edge Project is one of the more worldly breweries in Australia as they not only keep tabs on the latest developments on international terrain, but pro-actively connect with like-minded partners overseas to broaden their horizons and to collaborate with their favourite brewers.

Having started as a gypsy brewery in New Zealand and Australia with hand drawn labels to adorn their liquid emissions, what has become known and well established as Edge Brewing Project has evolved significantly since its inception in 2013, including but not limited to being decorated with international awards as well as restaurants taking note, such as envelope pushing fine-dining powerhouses like Noma, which included Edge Project’s brews on their exclusive menu based on the shared interest in giving native ingredients the centre stage in their recipes. 

While we have covered Edge Project’s focus on small batch lagers, imperial stouts and sours before, I was intrigued when I learned about them having launched an IPA – one that has apparently been years in the making.

Based on a collaboration with New Zealand partner brewery Omnipollo, the IPA occupies an interesting place as it marries West Coast characteristics in terms of  hop-forwardness and approachable malty flavours with the juicy and tropical haziness that East Coast IPAs are known for.

Orangey in appearance, this little number has a subdued bitterness with tropical sweetness on the front end, which fades into a delicate maltiness dancing against a backdrop of stone fruits and citrussy highlights. 

Clocking in at 7% ABV, this proves to be a vibrant companion to complement a boilermaker with a dram of peated goodness and one that should delight anyone remotely into India Pale Ales.

Let’s enter a reference to Talking Heads via Edge Brewing Project’s aptly named Imperial Red Lager, i.e. Psycho Killer. 

Not unlike the aforementioned IPA, we find ourselves again in experimental hybrid territory in that hops from New Zealand, in addition to grains and rice add their idiosyncratic flavours to create something bigger than the mere sum of the individual components would have you think.

On the palate, butterscotch dances with nougat and toffee nuances with a smooth mouthfeel and hardly any astringency. Hoppy overtones are kept on the down low, providing just enough bitterness so that the sweetness is refraining from entering saccharine territory and the aftertaste is softened. 

As the flavour notes suggest, Psycho Killer is something that one would not expect to originate on Australian turf and speaks volumes to Edge Project’s ability to not merely experiment for experimentation’s sake but nailing the flavours of what they have set out to end up with effortlessly.

Temple Brewing

Informed by the credo that beer is more than merely an alcoholic beverage and instead a way of bringing people together, Temple Brewing is engrained in Melbourne’s Brunswick East community with their core range and an ever-changing innovative roster of limited brews, with which their brewers challenge their skills, and push boundaries by playing around with different styles, ingredients and techniques to fuel their passion. 

My first exposure to Temple Brewing was via their Weston St IPA, which, as the telling name suggests, is essentially an ode to everything that is to love about West Coast IPAs.

Upon approach the nostrils are tickled, by aromas of grapefruit and caramel-like malts. On the top of the mouth, a crisp, dry, over-the-top hop bitterness serves as a backdrop for citrussy, resinous, piney, and downright dank flavours to dance on. 

Brewed with a ton of Cascade, Chinook and Simcoe Cryo hops, the intense hoppy, resinous pine flavours are amplified through the concentrated lupulin of whole-leaf hops containing resins and aromatic oils.
 
Clocking in at 7.4% ABV, this immensely crushable West Coast IPA knows to convince with its not at all subtly bitter flavour profile, culminating in delicious biscuit-like malt notes without taking away from the supremely dank flavours that showcase everything hops can bring to a beer.

The finish leaves on lusting for more with bitter pine reverberating.

Things get interesting with Temple Brewing’s X Market Lane Starry Sky: 

Paying homage to Melbourne’s reputation of arguably being at the cutting edge of sourcing, roasting and brewing specialty coffee, the Van Gogh referencing Starry Sky constitutes a collaboration with local roasters Market Lane Coffee, resulting in a big imperial Irish stout made with Brazilian coffee.

Dark brown to black in colour with flavours that are intensely malty, deeply roasted with coffee accents of dark fruit (think raisins and figs) and dark chocolate, the bitterness is low to moderate. 

Starry Sky is a full malty, viscous bad boy with an ABV of 12% and a vibrant melange of hazelnuts, dark cherries and a clean dry finish reminiscent of what you get from traditional Irish Stouts.

Let’s get La Vey-ian: 

“Woe to you, oh earth and sea, for the Devil sends the beast with wrath because he knows the time is short. Let him who hath understanding reckon the number of the beast, for it is a human number…”

Temple Brewing finds itself on the altar of the Church of Satan with its 666 expression: 
Being the brewery’s 666th batch of beer, with 6.66% ABV and a bitterness of 66.6 IBU, this Red IPA is so much more than the mere novelty in terms of metrics would suggest.

Hoppy, bitter, and moderately strong not unlike an American IPA, the complex flavour profile is dominated by caramel, toffee and a dark fruit malt character. 

Retaining the dryish finish and lean body that makes IPAs so drinkable, what I love about this fiery red little number is that amongst the malty overtones, piney and resinous nuances shine through in equal measure along with a well-calibrated bitterness.

Devilishly delicious.

T • September 26, 2022

The Formative Years – Anti-System

Posted by T • September 22, 2022

The Formative Years – Anti-System

As far as early and raging UK anarcho punk is concerned, there are few releases that are as perfect as Anti-System’s “No Laughing Matter”. 

It feels like every riff is the epitome of how raw, infectious, relentless and unpolished pissed off hardcore punk should sound like.

When I first came across Anti-System, I could not believe that the unique melange of driving drumming, high energy riffing and energetic vocal delivery channelling brutal straight forward anger was recorded as early as 1985, especially given how clear and well-produced it sounds.

Given the blast of pure energy, thrashy components and concisely delivered anger paired with the thoughtful lyrics, it makes it a timeless, unicorn release that still sounds great. 

An album jam packed full of intense thrashers  and one that set the foundation for what was to eventually emerge as crossover. 

If you’d like to find out where bands like Onslaught sources their inspiration from, listen to this.

T • September 22, 2022

The Chats @ Enmore Theatre

Posted by T • September 21, 2022

The Chats
Enmore Theatre
15 September 2022
Sydney, Australia

It must have been in 2017 that I first came across The Chats via their hit viral video “Smoko”, which instantaneously not merely won them over a myriad of fans, but also exposed ocker vernacular and their trademark depiction of annoying mundane occurrences to a worldwide audience.

With their recently released album Get Fucked, The Chats have fine-tuned their idiosyncratic melange of agitated, crass, fast punk rock and deliberate absurd posturing, which not only seems to be inspired by but subverts street punk and classic 70s pub rock in equal measure, resulting in their own brand of endearing shed rock that anyone remotely into joyous garage punk would find difficult not to fall in love with.

In a live environment, The Chats incarnate not unlike they do on their charming recordings: 
Stripped down to a trio, vocalist Eamon Sandwith is the focal point as the band conjures an intense surge of a tight set, spiked with back-to-back bangers and given their well-oiled improved tightness of their rapid-fire delivery, they never run danger of outstaying their welcome.

A furious, life-affirming and cathartic evening with middle fingers firmly erected and community spirit intact. The only thing that leaves a bit to be desired is banter and audience engagements, which sure will organically evolve with time.

You want to make sure to make an effort to get to experience The Chats within the confines of smaller venues as long as you can, as frenetically celebrated tours in Europe and the US along with celebrity endorsements and a support slot for the upcoming Guns ‘N Roses tour on terra australis indicate where the journey is headed.

---
photo by T

T • September 21, 2022

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