The Formative Years - Adrenalin O.D. 

Based in New Jersey and active from 1981 to 1990, Adrenalin O.D. pioneered blazing speed-punk with sarcastic lyrics and a humorous edge.

With their first emission they found themselves on what is considered the definitive document of the late 1970s punk and emerging hardcore scene, i.e. the New York Thrash tape compilation, which was released through the ROIR cassettes label in 1982.

Let's Barbeque was Adrenalin O.D.’s first vinyl release and along with their 1984 LP The Wacky Hi-Jinks of Adrenalin O.D. became instant cult classics. 

Originally released on the band’s own Buy Our Records label and capturing the frustrations and restlessness of suburban youth during the angst-filled Reagan era, the full length delivers fifteen songs in less than twenty-four minutes comprised of lightspeed paced riffing without running danger of lacking musicality, pummelling drumming and majestical onslaughts delivered to the point, peppered with wise-ass derision, comedic elements and mayhem in equal measure.

To this day Adrenalin O.D.’s first full length remains one of the most energetic offerings that has emerged from within the aforementioned historical continuum, creating the foundation for irreverent punk and speed metal to fuse and thereby effectively being one of the originators that spawned thrash metal and served as a source of inspiration for bands like Anthrax and Stormtroopers of Death.

Fulfilling social needs through well-made products: TEIXIDORS assimilates and ICEBREAKER differentiates

Full disclosure: It was not until very recently that I started to value the merits of wool, linen and cashmere, especially when it comes to high-end pieces manufactured with utmost care with the outcomes being tangible in terms of comfort, elegance, softness and moisture wicking insulation.

However, once I licked blood and tumbled down the rabbit hole of related offerings, I found the wool and fibre market increasingly difficult to navigate due to large discrepancies in both quality and price tags. 

After quite a bit of trial and error, my interest was piqued during a recent trip to Spain as through a local recommendation in Barcelona, I was made aware of a co-op that has been not only been focussed on crafting wonderfully imperfect textiles for close to forty years but has since its inception made the social integration of people with learning difficulties and at risk of social inclusion their key tenet.

Teixidors’ operations are centred around the manual loom, at which a person with a disability is trained to become an expert with an incredible capability to transform high quality raw materials such as cashmere and Merino wool into exquisite and unique blankets and shawls, the result of which is eventually being taken to market through some of the most exclusive stores on this earthround.

With the art of weaving requiring constant interaction by the weaver, an unwavering focus on the task at hand to count the passes of the shuttle and the ability to coordinate the movement of at times up to six different treadles to measure the pressure of the beater on the warp and weft, it goes without saying that these are skills that take years to perfect.

Via the precise movements and meticulous skills developed by the weaver, fibres are transformed into idiosyncratic handwoven pieces: There is a musical poetry to the process as the loom moves in unison with the vibe and energy of its operator, who subtly interchanges rhythms, ultimately translating into a permanent crossing of threads, leaving a stamp of individuality on each piece woven.

With sustainability, traceability of materials and environmental impact being at the core of Teixidors’ DNA, they work with a singular farmer in the Provence region of France and buy his entire production of wool on an annual basis, which is then washed and combed at a GOTS certified facility before Teixidors makes its own yarn in their workshop.

More exotic source materials like Yak wool and cashmere are sourced from co-operatives in Mongolia that were started by Veterinaries Without Borders in a bid to secure fair salaries and responsible production in the region. 

Avoiding the allure of using cheap materials and adding chemicals in the production process to manipulate the material into becoming softer and fluffier, Teixidors’ approach is informed by a well-calibrated formula balancing efficiency and profitability, thereby bringing out the very best in natural materials by using ecological soap, water and time, i.e. washing each pieces individually by hand.

In essence, Teixidors is an example par excellence for using their constraints and limitations as a strength for a market segment that desires a unique product – and doing good along the way.

When I started icebreaker I was 24, broke and had absolutely no idea what I was doing.

A chance meeting with a merino sheep farmer had sparked something inside me, a passion. From that moment I was hooked on the possibilities of natural solutions to technical apparel. Starting out was hard. Those years were pure belief and perseverance. Giving up never entered my mind for a moment. At the time, synthetics were king and wool was a non-contender.

Now over 20 years later, merino-based apparel is seducing wearers all over the world and we’re proud of the part we play in sharing the wonder and brilliance of the power of nature. Its beauty, resourcefulness and strength are qualities we are committed to and humbled by constantly.

Change of gear and location?

Inspired by what nature provides and a prototype of thermal underwear, Icebreaker has been channeling its alchemy in the realm of everything soft, silky and incredibly comfortable in the southwestern Pacific Ocean based on superfine wool shorn off the backs of merino sheep since 1995 and has since evolved to a veritable global player with flagship stores in Europe and the US.

If you are over unsustainable synthetic, plasticky outdoor fabrics - such as polyester and polypropylene – and are looking for a high performing natural merino fibre layering clothing system meant to keep you alive in the elements, you would be well advised to take note these Kiwi trailblazers.

Timeless and simple in terms of elegant designs, and designed around the philosophy of social ethics and sustainability, Icebreaker is pro-actively transcending single usage and with its multifunctional and purposeful pieces proves to be diametrically opposed to fast fashion. 

With a focus on natural fibres as the key ingredient of its fabric composition, Icebreaker’s ‘top to toe’ layering system is enhanced by combining merino with other fibres, e.g. with a touch of Elastane to enhance garments in terms of stretch and comfort, thereby organically adapting to your life and style, be it dedicated collections focussed on outdoor activities like skiing and snowboarding in the wilderness, biking, urban environments or accessories that keep you cosy within the solitary confinement of your abode.

A favourite of the current Icebreaker collection includes the Merino Ainsworth Hooded Jacket which provides cool-weather warmth and a subtly understated stylish refuge from the elements.

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image from Teixidors website

The Formative Years – Social Distortion

Despite having been formed in 1978, Social Distortion did not really enter my musical cosmos until the early 1990s via a taped version of their Mommy's Little Monster and Prison Bound LPs. Especially their debut album coloured me intrigued and sent me down a rabbit hole to track down a dubbed VHS version from Urs Völlmin (Apocalypse Now fanzine-fame) of the Another State of Mind tour documentary.

Mommy’s Little Monster captured essentially the DNA of adolescent punk rock, i.e. fast paced tempi, omnipresent teenage angst and timeless melodies that eventually became a trademark for Orange County based punk bands.

However, the Prison Bound LP with its country / western flavours and the band entering of what was to become classified as honky tonk influenced “cowpunk” did not manage to ignite my imagination, to put it mildly, and I was pretty sure that the band had peaked early on until, well, until I was taken by surprise by the release of the album White Light, White, Heat, White Trash in 1996.

The album saw Social Distortion return to a harder sound, let go of country influences and as the cherry on top, they managed to recruit former Danzig drummer Chuck Biscuits, who propelled the band forward in a live environment with his idiosyncratic drumming that is reminiscent of him beating up his drum kit. 

Apart from powerful, passionate and personal lyrics dealing with personal demons and an underlying darkness and sinister feeling all songs seem to be informed by, the album harbours the song Don’t Drag Me Down, which is easily one of the hardest songs Social Distortion has written, both in terms of the subject matter as well as musically. 

It was fantastic to catch them on tour in 1996 and witness them in a small venue packed to the rafters transition from the Rolling Stones cover Under my Thumb into Don’t Drag Me Down.

Thames & Hudson

The Catwalk Collection and Monocle book series

If I was tasked with simmering down what makes the confines of your four walls your distinct abode that not only looks but feels like it captures your DNA, visually appealing coffee table books would rank high as sources to spark inspiration.

Obviously not limited to specific locations, books can add an idiosyncratic and subtle facet to interior design, change the mood of a room and be a borderline ideal conversation starter in case you are inclined to entertain.

All the better if the coffee table books of choice are not merely comprised of a collection of photos but have substance beyond iconographic appeal, which is where Thames & Hudson’s collection of 'Catwalk' books comes in. 

Showcasing thousands of spectacular outfits, accessories, beauty looks and set designs, each instalment zeroes in on either fashion house or a specific designer.

Favourites of the Catwalk series include e.g. Vivienne Westwood’s Complete Collections, which captures the inimitable creations imagined by the lady that effectively brought punk and new wave fashions to infiltrate into mainstream culture. 

From shedding light on her first runway show in 1981 to her evolution on international terrain, the tome also captures the creations designed by her husband and long-time artistic partner in crime, Andreas Kronthaler.

Catwalk’s ode to Louis Vuitton eases the reader into proceedings with an introductory chapter on the history of the French luxury fashion house to then move on to profiling its first creative director Marc Jacobs and Nicolas Ghesquière, who is at the helm of LV today, before canvassing the extraordinary collections en detail.

Another favourite series in the realm of Thames & Hudson’s coffee table books are the never not inspiring are the emissions from Monocle magazine. 

Ever since Monocle was launched in 2007 with what has become its trademark unique, refreshing and overly well curated content, it has become an integral briefing on global affairs, business, culture, design and everything in between aimed at a globally minded readership.

On the publishing side, Monocle has established a book series available via Thames & Hudson, each release of which does not merely lend itself exceptionally well as a coffee table book, but is full of inspiring content, be it with The Monocle Book of Entrepreneurs’ stimulating elaborations and ideas, resulting in a handbook centred around making your vocation your job or vice versa. 

As far as coffee table books and interior design is concerned, it does hardly get more to the point than The Monocle Book of Homes, with its telling name it is essentially a guide to exceptional residences framed by a tour of delving into community-driven twenty inspiring properties from a converted cottage on an Australian island to a contemporary boltholes. 

The Formative Years – Angry Samoans 

Few bands have left their imprint on the first wave of US punk like the Angry Samoans. Incepted in 1978 by former music critics with a knack for irony, satire, self-loathing and causing controversy at any cost, their brand of short punk ditties is some of the catchiest, snottiest and outrageous of the era.

The Angry Samoans were essentially a dark joke band that set out to be deliberately offensive / distasteful in a bid to make people feel uncomfortable. The difference to acts like GG Allin was that they were musically appealing.

Seemingly inspired by bands like the Dictators, the gems of 60s garage rock and sped up metallized chord progressions, they formed the foundation on which bands like the Beastie Boys could blossom later on. 

Angry Samoans took the short song approach from bands like Wire and the Meatmen and refined it further.

Being musically much tighter than bands like the Circle Jerks and armed with an eloquence that was lacking in the scene which informed their sardonic lyricism, their shit steering antics got them banned from the Los Angeles live circuit, which resulted in e.g. not being part of the Decline Of Western Civilization documentary, thereby effectively self-sabotaging their ascent into the olymp of bands like Fear, X, Black Flag and the Germs.