Blog — Page 32 of 282

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

Thus Let Us Drink Beer – Edge Project and Temple

Posted by T • September 26, 2022

Thus Let Us Drink Beer

Edge Project

Edge Project is one of the more worldly breweries in Australia as they not only keep tabs on the latest developments on international terrain, but pro-actively connect with like-minded partners overseas to broaden their horizons and to collaborate with their favourite brewers.

Having started as a gypsy brewery in New Zealand and Australia with hand drawn labels to adorn their liquid emissions, what has become known and well established as Edge Brewing Project has evolved significantly since its inception in 2013, including but not limited to being decorated with international awards as well as restaurants taking note, such as envelope pushing fine-dining powerhouses like Noma, which included Edge Project’s brews on their exclusive menu based on the shared interest in giving native ingredients the centre stage in their recipes. 

While we have covered Edge Project’s focus on small batch lagers, imperial stouts and sours before, I was intrigued when I learned about them having launched an IPA – one that has apparently been years in the making.

Based on a collaboration with New Zealand partner brewery Omnipollo, the IPA occupies an interesting place as it marries West Coast characteristics in terms of  hop-forwardness and approachable malty flavours with the juicy and tropical haziness that East Coast IPAs are known for.

Orangey in appearance, this little number has a subdued bitterness with tropical sweetness on the front end, which fades into a delicate maltiness dancing against a backdrop of stone fruits and citrussy highlights. 

Clocking in at 7% ABV, this proves to be a vibrant companion to complement a boilermaker with a dram of peated goodness and one that should delight anyone remotely into India Pale Ales.

Let’s enter a reference to Talking Heads via Edge Brewing Project’s aptly named Imperial Red Lager, i.e. Psycho Killer. 

Not unlike the aforementioned IPA, we find ourselves again in experimental hybrid territory in that hops from New Zealand, in addition to grains and rice add their idiosyncratic flavours to create something bigger than the mere sum of the individual components would have you think.

On the palate, butterscotch dances with nougat and toffee nuances with a smooth mouthfeel and hardly any astringency. Hoppy overtones are kept on the down low, providing just enough bitterness so that the sweetness is refraining from entering saccharine territory and the aftertaste is softened. 

As the flavour notes suggest, Psycho Killer is something that one would not expect to originate on Australian turf and speaks volumes to Edge Project’s ability to not merely experiment for experimentation’s sake but nailing the flavours of what they have set out to end up with effortlessly.

Temple Brewing

Informed by the credo that beer is more than merely an alcoholic beverage and instead a way of bringing people together, Temple Brewing is engrained in Melbourne’s Brunswick East community with their core range and an ever-changing innovative roster of limited brews, with which their brewers challenge their skills, and push boundaries by playing around with different styles, ingredients and techniques to fuel their passion. 

My first exposure to Temple Brewing was via their Weston St IPA, which, as the telling name suggests, is essentially an ode to everything that is to love about West Coast IPAs.

Upon approach the nostrils are tickled, by aromas of grapefruit and caramel-like malts. On the top of the mouth, a crisp, dry, over-the-top hop bitterness serves as a backdrop for citrussy, resinous, piney, and downright dank flavours to dance on. 

Brewed with a ton of Cascade, Chinook and Simcoe Cryo hops, the intense hoppy, resinous pine flavours are amplified through the concentrated lupulin of whole-leaf hops containing resins and aromatic oils.
 
Clocking in at 7.4% ABV, this immensely crushable West Coast IPA knows to convince with its not at all subtly bitter flavour profile, culminating in delicious biscuit-like malt notes without taking away from the supremely dank flavours that showcase everything hops can bring to a beer.

The finish leaves on lusting for more with bitter pine reverberating.

Things get interesting with Temple Brewing’s X Market Lane Starry Sky: 

Paying homage to Melbourne’s reputation of arguably being at the cutting edge of sourcing, roasting and brewing specialty coffee, the Van Gogh referencing Starry Sky constitutes a collaboration with local roasters Market Lane Coffee, resulting in a big imperial Irish stout made with Brazilian coffee.

Dark brown to black in colour with flavours that are intensely malty, deeply roasted with coffee accents of dark fruit (think raisins and figs) and dark chocolate, the bitterness is low to moderate. 

Starry Sky is a full malty, viscous bad boy with an ABV of 12% and a vibrant melange of hazelnuts, dark cherries and a clean dry finish reminiscent of what you get from traditional Irish Stouts.

Let’s get La Vey-ian: 

“Woe to you, oh earth and sea, for the Devil sends the beast with wrath because he knows the time is short. Let him who hath understanding reckon the number of the beast, for it is a human number…”

Temple Brewing finds itself on the altar of the Church of Satan with its 666 expression: 
Being the brewery’s 666th batch of beer, with 6.66% ABV and a bitterness of 66.6 IBU, this Red IPA is so much more than the mere novelty in terms of metrics would suggest.

Hoppy, bitter, and moderately strong not unlike an American IPA, the complex flavour profile is dominated by caramel, toffee and a dark fruit malt character. 

Retaining the dryish finish and lean body that makes IPAs so drinkable, what I love about this fiery red little number is that amongst the malty overtones, piney and resinous nuances shine through in equal measure along with a well-calibrated bitterness.

Devilishly delicious.

T • September 26, 2022

The Formative Years – Anti-System

Posted by T • September 22, 2022

The Formative Years – Anti-System

As far as early and raging UK anarcho punk is concerned, there are few releases that are as perfect as Anti-System’s “No Laughing Matter”. 

It feels like every riff is the epitome of how raw, infectious, relentless and unpolished pissed off hardcore punk should sound like.

When I first came across Anti-System, I could not believe that the unique melange of driving drumming, high energy riffing and energetic vocal delivery channelling brutal straight forward anger was recorded as early as 1985, especially given how clear and well-produced it sounds.

Given the blast of pure energy, thrashy components and concisely delivered anger paired with the thoughtful lyrics, it makes it a timeless, unicorn release that still sounds great. 

An album jam packed full of intense thrashers  and one that set the foundation for what was to eventually emerge as crossover. 

If you’d like to find out where bands like Onslaught sources their inspiration from, listen to this.

T • September 22, 2022

The Chats @ Enmore Theatre

Posted by T • September 21, 2022

The Chats
Enmore Theatre
15 September 2022
Sydney, Australia

It must have been in 2017 that I first came across The Chats via their hit viral video “Smoko”, which instantaneously not merely won them over a myriad of fans, but also exposed ocker vernacular and their trademark depiction of annoying mundane occurrences to a worldwide audience.

With their recently released album Get Fucked, The Chats have fine-tuned their idiosyncratic melange of agitated, crass, fast punk rock and deliberate absurd posturing, which not only seems to be inspired by but subverts street punk and classic 70s pub rock in equal measure, resulting in their own brand of endearing shed rock that anyone remotely into joyous garage punk would find difficult not to fall in love with.

In a live environment, The Chats incarnate not unlike they do on their charming recordings: 
Stripped down to a trio, vocalist Eamon Sandwith is the focal point as the band conjures an intense surge of a tight set, spiked with back-to-back bangers and given their well-oiled improved tightness of their rapid-fire delivery, they never run danger of outstaying their welcome.

A furious, life-affirming and cathartic evening with middle fingers firmly erected and community spirit intact. The only thing that leaves a bit to be desired is banter and audience engagements, which sure will organically evolve with time.

You want to make sure to make an effort to get to experience The Chats within the confines of smaller venues as long as you can, as frenetically celebrated tours in Europe and the US along with celebrity endorsements and a support slot for the upcoming Guns ‘N Roses tour on terra australis indicate where the journey is headed.

---
photo by T

T • September 21, 2022

Water of Life - Fleurieu Distillery

Posted by T • September 20, 2022

Water of Life - Fleurieu Distillery

South of South Australia’s state capital of Adelaide, the Fleurieu Peninsula covers quite a bit of diverse territory ranging from the tempestuous weathers of the Southern Ocean to the windswept clifftops of the cape and to top it all off, it is home to one of the more interesting distilleries on terra australis.

Capitalising on the spicy sea-air aromas and having accumulated both a wide array of accolades (inter-)nationally and praise from aficionados, Fleurieu Distillery has been on my radar for the longest time, and I have been looking forward to experiencing first-hand what they have to offer.

Only having started to release their expressions in 2017, I was astonished as to how owners Gareth and Angela Andrews have perfectioned their approach to channelling their alchemy in the creation of quality drops.

My first exposure to Fleurieu was continuous release aptly named after a wandering storm bird, i.e., Albatross, which is an example par excellence for marrying the maritime context of the peninsula with maple and warm vanilla oak overtones, nutty flavours and sweet caramel. The nose is informed by Biscoff Spread and yeasted dough, while the lingering finish rounds things out with cereal and sweet, tangy sultana flavours. 

Paying homage to French explorer Nicholas Baudin and signifying a temporary rest point in Fleurieu’s distilling journey before launching into a new campaign, Bivouac is a vatting of second fill Tawny barrels along with Apera and PX casks, resulting in a delightful whisky with a combination of the best French and American oak barrels have to offer.  

Bright copper in appearance, the nostrils are tickled by citrus scents and stovetop potpourri, which seamlessly transitions to the palate where caramel meets the richness of butter, counterpointed by a salty piquancy. The elongated finish brings it all together and leaves one lusting for another dram.

As the telling name suggests, Never A Dull Moment is a lively expression that derives its characteristics from the quintessence that Sherry casks from the Jerez region of Spain imbue.

Clocking in at 47.6% ABV, Never A Dull Moment proves to be a borderline ideal postprandial dessert dram with a flavour profile dominated by coconut, vanilla and toasted marshmallows with hints of fresh milk, all of which dance closely against a backdrop of salty, dark chocolate notes. 

Delicious.

Let’s step things up a notch and move to Lost Paraguayos, which is Fleurieu Distillery’s cask strength expression, again based on a combination of Apera cask with just a dash of PX cask thrown in for good measure.

With 59.2% ABV, the rich copper coloured Lost Paraguayos expression packs quite a punch both in the alcohol as well as the flavour departments. 

With a nose dominated by dried fruits, dark chocolate and a melange of spices, an avalanche of vanilla is framed by oaky malt notes on the top of the mouth. A sheer endless finish brings it all together with an elegant mouthfeel that most cask strength expressions lack.

So far, so good.

I am glad that I saved the following two expressions for the end and simultaneously sad because they are gone now:

Country to Coast #3 is a collaboration between the much fabled about Black Gate Distillery and Fleurieu. If you remotely follow this series, it would not have gone unnoticed that I love peat and smoke, especially of the Islay variety.

What we have here took me by surprise as I am not usually taken as much by Australian distilleries dabbling with peat: With new make components sourced from each distillery, each of which have enjoyed maturation in second fill Apera casks, this blend is truly exceptional. 

Aromas of peat smoke reel me in, backed by stone fruity and vanilla scents, to then unleash a wonderfully multilayered complex flavour profile comprised in equal parts of the very best peat and  Apera barrel characters have to offer, counterpointed by an incredibly balanced finished that manages to integrate briny coastal iodine in a way that is reminiscent of what I love about Laphroaig 10. 

What a stunner.

The Lewis Carroll poetry / John Lennon referencing I am the Walrus expression signifies the newest peated Fleurieu whisky.  

Again, second fill Apera Casks serve as the foundation for subtle peat nuances that are artfully enveloped in sweet malty overtones. 

Given the quality of Fleurieu Distillery’s portfolio and how effortlessly they seem to hit the high notes of the claviature of flavour nuances, this is one to watch out for, especially given the limited nature of their bottlings.

T • September 20, 2022

Sydney Contemporary 2022

Posted by T • September 19, 2022

Sydney Contemporary 2022
Carriageworks
Sydney, Australia
08-10 September 2022

In the realm kärchering the grime of daily life off our souls, one of the highlights each year is Australasia’s Premier Art Fair and festival for the senses that is Sydney Contemporary where within the confines of multi-arts precinct Carriageworks, one is presented with the chance to see and buy works from close to five hundred aboriginal, local and international artists all in one spot. 

Having evolved to become a veritable celebration of the art community, including talks, performances and massive installations, both well established as well as young galleries get the chance to not only showcase their work to serious art collectors and institutional curators. In addition, Sydney Contemporary offers a chance to thousands of members of the public to experience artworks in all their glory in the third dimension across a myriad of media from paintings, photography to sculptures.

Framed by talks about debating points and hyped phenomena prevalent  in the day and age of mass digital consumption like e.g. the buzz around NFTs and an engaging, interactive program, Sydney Contemporary caters to the hands-on tangible end of the spectrum by having a dedicated section focussing on showcasing paper based art centred around drawings, watercolour, limited-edition prints, artists books and zines. 

Needless to say, the presentations are contextualised by hands-on workshops e.g. pertaining to Century Japanese woodblock techniques, letterpress printing and a series of workshops by live and experimental printmaking performance collectives.

A feast for the eyes are Sydney Contemporary’s large scale installations that are featured under the moniker Amplify, e.g. a fur forest greeting visitors adjacent to the entrance, a paper mâché representation of the moon’s surface or photographic series being projected on the exterior façade of Carriageworks. Performance art by artistes Rakini Devi, Salote Tawale and WeiZen Ho and an exquisitely curated array of beautiful pop-up bars proffering curated sustenance round out an experience that offers surprises in every nook and cranny of the largest and most significant contemporary multi-arts centre of its kind in Australia, i.e. Carriageworks. 

The 2022 incarnation has once proved that Sydney Contemporary ( https://sydneycontemporary.com.au ) is one of the most influential and enjoyable fairs in Oceania and positioned Sydney as an international hub for the arts.

T • September 19, 2022

Latest news stories

SPB featured stream: Drakulas - Midnight City

Posted in Records on April 30, 2026

It's our pleasure to share Midnight City, the third album from Austin, TX based Drakulas. The band features members of some well-known bands, namely Riverboat Gamblers and Rise Against, but this project takes a new turn with protopunk meets early new wave that describes a dark underbelly of a world … Read more

Truck Violence with a new single

Posted in Bands on May 20, 2026

Truck Violence just shared the new single “Your name, It's walking," coming from the band's The weathervane is my body, out on June 26 via The Flenser. It's the second full-length album form the Canadian noise rock/post hardcore band. Read more Truck Violence live: Jun 27 Manchester, UK — Outbreak … Read more

Experience Dark Days with The Feeders

Posted in Records on May 19, 2026

Chicago trio The Feeders will release their second full-length album in July, announcing the new Dark Days today, out on July 24. The band released their debut in 2021, Kerchoo (Eccentric Pop Records). In the meantime, original bassist Eli Caterer has been replaced by Alex Rackow. Read more Here's a … Read more

Deathwish Inc snags Snag

Posted in Labels on May 19, 2026

Milwaukee, WI trio Snag just joined Deathwish Inc., pairing the news with a new single ("Debilitated") and a new LP, All The Cages Holding Us Will One Day Turn To Dust, due on July 10. All The Cages... is the third album from the band. Read more All The Cages … Read more

UltraBomb in person

Posted in Tours on May 19, 2026

Punky trio UltraBomb has a West Coast tour coming up at the end of the month. The band, which just released The Bridges That We Burn (DC-Jam), consists of Greg Norton (Hüsker Dü), Derek O’Brien (Social Distortion, Agent Orange, Adolescents), and Ryan Smith (Soul Asylum) and play catchy, no-holds-barred alt-punk. … Read more

Triple Lutz debut LP

Posted in Records on May 17, 2026

Triple Lutz is preparing to release their debut album, In the Hands of an Angry Mob, out June 26 on SBÄM Records. The punkk band formed in 2017 and describe themselves as "half queer, half femme, and half bald." The video/single below described them arguably more accurately in just under … Read more

A Mr. Dinkles ditty

Posted in Records on May 16, 2026

Mr. Dinkles' debuted “Socialism Ditty” yesterday, a new single form the upcoming R.I.P.T. EP, which releases on June 5 on Futureless. The Los Angeles//Seattle duo play indie-punk with power-pop tones. Read more R.I.P.T. Track Listing Socialism Ditty Eat Chips and Talk Shit Letter to Elon Grinding My Teeth IDRW Upcoming … Read more

New from We Are Horror

Posted in Labels on May 16, 2026

We Are Horror Records has two new May releases: First, the label released Santa Carla by Hellbound Heist on the first. Second comes The Operating Table by Toria and the Terror, released yesterday, May 15. Read more Read more

New Morality, Bleached Cross

Posted in Records on May 16, 2026

Formed remotely between Chicago, IL and San Diego, CA, as a duo and growing into a full band based in Chicago, darkwave/post-punk Bleach Cross has just announced a new album called Wrath, which the band will bring down upon on us July 24 this year, courtesy of New Morality Zine … Read more

Ritual Bronze: Ohio post-hardcore

Posted in Records on May 16, 2026

Ritual Bronze has announced their self-titled debut album, out June 12 on Steadfast Records/Sweet Cheetah Records. The post-hardcore grou pcomes from Cleveland, OH, often building on quiet/loud dynamics for emotional effect. Read more Read more

Anthrax iz back

Posted in Records on May 15, 2026

It's hard to believe, but Anthrax is 45 years into their career -- and they keep going. The band, featuring Scott Ian (guitar), Charlie Benante (drums), Frank Bello (bass), Joey Belladonna (vocals), and Jonathan Donais (guitar) just announced Cursum Perficio, their twelfth studio album, coming out Sept. 18 on Megaforce … Read more

Trash Sound Conglomerate, est. 2021

Posted in Records on May 15, 2026

Sophomore Slump will release in early September, a new album from Seattle, WA based Trash Sound Conglomerate, coming via Moodkiller Records -- sharing the news alongside a new single called "Skinless in Seattle. Formed in 2021, the band has released two singles, two EPs and, as of this fall, two … Read more

The Ultimate...And Justice For Art: Stories About Heavy Metal Album Covers:

Posted in Music News on May 15, 2026

Meet ...And Justice For Art: Stories About Heavy Metal Album Covers, a new hardcover book featuring interviews about iconic metal album covers. In total the 372-page book contains700 graphics and 120+ interviews including features on Black Sabbath, Slayer, Iron Maiden, Metallica, Neurosis, and many more. Originally published in 2015 and … Read more

A double EP by Resurrectionists

Posted in Records on May 14, 2026

Resurrections of Milwaukee, WI, has a new double EP on the way -- a re-release of their Anytime You Make A Place For Them (2025) EP, combined with the brand new Ok, Let’s Play King EP -- out June 19 via Seismic Wave. “I joke sometimes that this is where … Read more

Vaux Records rises

Posted in Labels on May 14, 2026

Rise Records' founder Craig Ericson has launced a new label, Vaux Records, which has signed Cuntrol (Los Angeles, CA) and J Noire (Nashville, TN) to the roster to begin. The label will partner with Many Hats for distribution and MerchNow for merchandise/online store. Ericson was with Rise from 1991- 2015, … Read more

SPB premiere: "Kink" by Upset Boy and the Queens

Posted in Bands on May 14, 2026

Nashville, TN based rock ‘n’ rollers Upset Boy and the Queens have announced the upcoming release of a new EP, Hissy Fit of Destruction. The 6-song EP comes out on June 12 via Sweet Cheetah Records, but we have a new single for you now, "Kink." “I originally wrote ‘Kink’ … Read more

Rad Skulls and 5 labels team up for debut

Posted in Records on May 14, 2026

Rad Skulls will be releasing a full-length album -- their debut -- later this summer, See You in Hell. The record follows a demo and 7", and will release via a plethora of independent, international labels: Engineer (UK), Scene Police (Ger), Sell The Heart (US), Waterslide (Jap), and High End … Read more

Get set for Lights & Motion

Posted in Records on May 14, 2026

Instrumental group Lights & Motion just announced plans for Bloom II, a six song collection out on May 29 via Deep Elm Records. The band exits hiatus with a follow-up to their 2018 release, Bloom, as explained by Christoffer Franzen" This EP was the first thing I wrote when I … Read more

Ink Bomb explodes with "Rome Is Burning (again)"

Posted in Bands on May 14, 2026

Dutch punk band Ink Bomb shared a new single today, "Rome Is Burning (again)" b/w "Rerun", kickng off a trilogy of planned 2026 double singles. The band last released Saudade in 2024. Read more Read more

The Mountain Goats' Days

Posted in Records on May 13, 2026

2026 will bring us album #24 from The Mountain Goats, featuring a lineup of John Darnielle, Matt Douglas, and Jon Wurster on the new Days, out August 7 on Cadmean Dawn Records. “This album began life as Grunges, a sequel to Goths, after I made a joke on social media … Read more