Blog — Page 31 of 281

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

Thus Let Us Drink Beer – Edge Project and Temple

Posted by T • September 26, 2022

Thus Let Us Drink Beer

Edge Project

Edge Project is one of the more worldly breweries in Australia as they not only keep tabs on the latest developments on international terrain, but pro-actively connect with like-minded partners overseas to broaden their horizons and to collaborate with their favourite brewers.

Having started as a gypsy brewery in New Zealand and Australia with hand drawn labels to adorn their liquid emissions, what has become known and well established as Edge Brewing Project has evolved significantly since its inception in 2013, including but not limited to being decorated with international awards as well as restaurants taking note, such as envelope pushing fine-dining powerhouses like Noma, which included Edge Project’s brews on their exclusive menu based on the shared interest in giving native ingredients the centre stage in their recipes. 

While we have covered Edge Project’s focus on small batch lagers, imperial stouts and sours before, I was intrigued when I learned about them having launched an IPA – one that has apparently been years in the making.

Based on a collaboration with New Zealand partner brewery Omnipollo, the IPA occupies an interesting place as it marries West Coast characteristics in terms of  hop-forwardness and approachable malty flavours with the juicy and tropical haziness that East Coast IPAs are known for.

Orangey in appearance, this little number has a subdued bitterness with tropical sweetness on the front end, which fades into a delicate maltiness dancing against a backdrop of stone fruits and citrussy highlights. 

Clocking in at 7% ABV, this proves to be a vibrant companion to complement a boilermaker with a dram of peated goodness and one that should delight anyone remotely into India Pale Ales.

Let’s enter a reference to Talking Heads via Edge Brewing Project’s aptly named Imperial Red Lager, i.e. Psycho Killer. 

Not unlike the aforementioned IPA, we find ourselves again in experimental hybrid territory in that hops from New Zealand, in addition to grains and rice add their idiosyncratic flavours to create something bigger than the mere sum of the individual components would have you think.

On the palate, butterscotch dances with nougat and toffee nuances with a smooth mouthfeel and hardly any astringency. Hoppy overtones are kept on the down low, providing just enough bitterness so that the sweetness is refraining from entering saccharine territory and the aftertaste is softened. 

As the flavour notes suggest, Psycho Killer is something that one would not expect to originate on Australian turf and speaks volumes to Edge Project’s ability to not merely experiment for experimentation’s sake but nailing the flavours of what they have set out to end up with effortlessly.

Temple Brewing

Informed by the credo that beer is more than merely an alcoholic beverage and instead a way of bringing people together, Temple Brewing is engrained in Melbourne’s Brunswick East community with their core range and an ever-changing innovative roster of limited brews, with which their brewers challenge their skills, and push boundaries by playing around with different styles, ingredients and techniques to fuel their passion. 

My first exposure to Temple Brewing was via their Weston St IPA, which, as the telling name suggests, is essentially an ode to everything that is to love about West Coast IPAs.

Upon approach the nostrils are tickled, by aromas of grapefruit and caramel-like malts. On the top of the mouth, a crisp, dry, over-the-top hop bitterness serves as a backdrop for citrussy, resinous, piney, and downright dank flavours to dance on. 

Brewed with a ton of Cascade, Chinook and Simcoe Cryo hops, the intense hoppy, resinous pine flavours are amplified through the concentrated lupulin of whole-leaf hops containing resins and aromatic oils.
 
Clocking in at 7.4% ABV, this immensely crushable West Coast IPA knows to convince with its not at all subtly bitter flavour profile, culminating in delicious biscuit-like malt notes without taking away from the supremely dank flavours that showcase everything hops can bring to a beer.

The finish leaves on lusting for more with bitter pine reverberating.

Things get interesting with Temple Brewing’s X Market Lane Starry Sky: 

Paying homage to Melbourne’s reputation of arguably being at the cutting edge of sourcing, roasting and brewing specialty coffee, the Van Gogh referencing Starry Sky constitutes a collaboration with local roasters Market Lane Coffee, resulting in a big imperial Irish stout made with Brazilian coffee.

Dark brown to black in colour with flavours that are intensely malty, deeply roasted with coffee accents of dark fruit (think raisins and figs) and dark chocolate, the bitterness is low to moderate. 

Starry Sky is a full malty, viscous bad boy with an ABV of 12% and a vibrant melange of hazelnuts, dark cherries and a clean dry finish reminiscent of what you get from traditional Irish Stouts.

Let’s get La Vey-ian: 

“Woe to you, oh earth and sea, for the Devil sends the beast with wrath because he knows the time is short. Let him who hath understanding reckon the number of the beast, for it is a human number…”

Temple Brewing finds itself on the altar of the Church of Satan with its 666 expression: 
Being the brewery’s 666th batch of beer, with 6.66% ABV and a bitterness of 66.6 IBU, this Red IPA is so much more than the mere novelty in terms of metrics would suggest.

Hoppy, bitter, and moderately strong not unlike an American IPA, the complex flavour profile is dominated by caramel, toffee and a dark fruit malt character. 

Retaining the dryish finish and lean body that makes IPAs so drinkable, what I love about this fiery red little number is that amongst the malty overtones, piney and resinous nuances shine through in equal measure along with a well-calibrated bitterness.

Devilishly delicious.

T • September 26, 2022

The Formative Years – Anti-System

Posted by T • September 22, 2022

The Formative Years – Anti-System

As far as early and raging UK anarcho punk is concerned, there are few releases that are as perfect as Anti-System’s “No Laughing Matter”. 

It feels like every riff is the epitome of how raw, infectious, relentless and unpolished pissed off hardcore punk should sound like.

When I first came across Anti-System, I could not believe that the unique melange of driving drumming, high energy riffing and energetic vocal delivery channelling brutal straight forward anger was recorded as early as 1985, especially given how clear and well-produced it sounds.

Given the blast of pure energy, thrashy components and concisely delivered anger paired with the thoughtful lyrics, it makes it a timeless, unicorn release that still sounds great. 

An album jam packed full of intense thrashers  and one that set the foundation for what was to eventually emerge as crossover. 

If you’d like to find out where bands like Onslaught sources their inspiration from, listen to this.

T • September 22, 2022

The Chats @ Enmore Theatre

Posted by T • September 21, 2022

The Chats
Enmore Theatre
15 September 2022
Sydney, Australia

It must have been in 2017 that I first came across The Chats via their hit viral video “Smoko”, which instantaneously not merely won them over a myriad of fans, but also exposed ocker vernacular and their trademark depiction of annoying mundane occurrences to a worldwide audience.

With their recently released album Get Fucked, The Chats have fine-tuned their idiosyncratic melange of agitated, crass, fast punk rock and deliberate absurd posturing, which not only seems to be inspired by but subverts street punk and classic 70s pub rock in equal measure, resulting in their own brand of endearing shed rock that anyone remotely into joyous garage punk would find difficult not to fall in love with.

In a live environment, The Chats incarnate not unlike they do on their charming recordings: 
Stripped down to a trio, vocalist Eamon Sandwith is the focal point as the band conjures an intense surge of a tight set, spiked with back-to-back bangers and given their well-oiled improved tightness of their rapid-fire delivery, they never run danger of outstaying their welcome.

A furious, life-affirming and cathartic evening with middle fingers firmly erected and community spirit intact. The only thing that leaves a bit to be desired is banter and audience engagements, which sure will organically evolve with time.

You want to make sure to make an effort to get to experience The Chats within the confines of smaller venues as long as you can, as frenetically celebrated tours in Europe and the US along with celebrity endorsements and a support slot for the upcoming Guns ‘N Roses tour on terra australis indicate where the journey is headed.

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photo by T

T • September 21, 2022

Water of Life - Fleurieu Distillery

Posted by T • September 20, 2022

Water of Life - Fleurieu Distillery

South of South Australia’s state capital of Adelaide, the Fleurieu Peninsula covers quite a bit of diverse territory ranging from the tempestuous weathers of the Southern Ocean to the windswept clifftops of the cape and to top it all off, it is home to one of the more interesting distilleries on terra australis.

Capitalising on the spicy sea-air aromas and having accumulated both a wide array of accolades (inter-)nationally and praise from aficionados, Fleurieu Distillery has been on my radar for the longest time, and I have been looking forward to experiencing first-hand what they have to offer.

Only having started to release their expressions in 2017, I was astonished as to how owners Gareth and Angela Andrews have perfectioned their approach to channelling their alchemy in the creation of quality drops.

My first exposure to Fleurieu was continuous release aptly named after a wandering storm bird, i.e., Albatross, which is an example par excellence for marrying the maritime context of the peninsula with maple and warm vanilla oak overtones, nutty flavours and sweet caramel. The nose is informed by Biscoff Spread and yeasted dough, while the lingering finish rounds things out with cereal and sweet, tangy sultana flavours. 

Paying homage to French explorer Nicholas Baudin and signifying a temporary rest point in Fleurieu’s distilling journey before launching into a new campaign, Bivouac is a vatting of second fill Tawny barrels along with Apera and PX casks, resulting in a delightful whisky with a combination of the best French and American oak barrels have to offer.  

Bright copper in appearance, the nostrils are tickled by citrus scents and stovetop potpourri, which seamlessly transitions to the palate where caramel meets the richness of butter, counterpointed by a salty piquancy. The elongated finish brings it all together and leaves one lusting for another dram.

As the telling name suggests, Never A Dull Moment is a lively expression that derives its characteristics from the quintessence that Sherry casks from the Jerez region of Spain imbue.

Clocking in at 47.6% ABV, Never A Dull Moment proves to be a borderline ideal postprandial dessert dram with a flavour profile dominated by coconut, vanilla and toasted marshmallows with hints of fresh milk, all of which dance closely against a backdrop of salty, dark chocolate notes. 

Delicious.

Let’s step things up a notch and move to Lost Paraguayos, which is Fleurieu Distillery’s cask strength expression, again based on a combination of Apera cask with just a dash of PX cask thrown in for good measure.

With 59.2% ABV, the rich copper coloured Lost Paraguayos expression packs quite a punch both in the alcohol as well as the flavour departments. 

With a nose dominated by dried fruits, dark chocolate and a melange of spices, an avalanche of vanilla is framed by oaky malt notes on the top of the mouth. A sheer endless finish brings it all together with an elegant mouthfeel that most cask strength expressions lack.

So far, so good.

I am glad that I saved the following two expressions for the end and simultaneously sad because they are gone now:

Country to Coast #3 is a collaboration between the much fabled about Black Gate Distillery and Fleurieu. If you remotely follow this series, it would not have gone unnoticed that I love peat and smoke, especially of the Islay variety.

What we have here took me by surprise as I am not usually taken as much by Australian distilleries dabbling with peat: With new make components sourced from each distillery, each of which have enjoyed maturation in second fill Apera casks, this blend is truly exceptional. 

Aromas of peat smoke reel me in, backed by stone fruity and vanilla scents, to then unleash a wonderfully multilayered complex flavour profile comprised in equal parts of the very best peat and  Apera barrel characters have to offer, counterpointed by an incredibly balanced finished that manages to integrate briny coastal iodine in a way that is reminiscent of what I love about Laphroaig 10. 

What a stunner.

The Lewis Carroll poetry / John Lennon referencing I am the Walrus expression signifies the newest peated Fleurieu whisky.  

Again, second fill Apera Casks serve as the foundation for subtle peat nuances that are artfully enveloped in sweet malty overtones. 

Given the quality of Fleurieu Distillery’s portfolio and how effortlessly they seem to hit the high notes of the claviature of flavour nuances, this is one to watch out for, especially given the limited nature of their bottlings.

T • September 20, 2022

Sydney Contemporary 2022

Posted by T • September 19, 2022

Sydney Contemporary 2022
Carriageworks
Sydney, Australia
08-10 September 2022

In the realm kärchering the grime of daily life off our souls, one of the highlights each year is Australasia’s Premier Art Fair and festival for the senses that is Sydney Contemporary where within the confines of multi-arts precinct Carriageworks, one is presented with the chance to see and buy works from close to five hundred aboriginal, local and international artists all in one spot. 

Having evolved to become a veritable celebration of the art community, including talks, performances and massive installations, both well established as well as young galleries get the chance to not only showcase their work to serious art collectors and institutional curators. In addition, Sydney Contemporary offers a chance to thousands of members of the public to experience artworks in all their glory in the third dimension across a myriad of media from paintings, photography to sculptures.

Framed by talks about debating points and hyped phenomena prevalent  in the day and age of mass digital consumption like e.g. the buzz around NFTs and an engaging, interactive program, Sydney Contemporary caters to the hands-on tangible end of the spectrum by having a dedicated section focussing on showcasing paper based art centred around drawings, watercolour, limited-edition prints, artists books and zines. 

Needless to say, the presentations are contextualised by hands-on workshops e.g. pertaining to Century Japanese woodblock techniques, letterpress printing and a series of workshops by live and experimental printmaking performance collectives.

A feast for the eyes are Sydney Contemporary’s large scale installations that are featured under the moniker Amplify, e.g. a fur forest greeting visitors adjacent to the entrance, a paper mâché representation of the moon’s surface or photographic series being projected on the exterior façade of Carriageworks. Performance art by artistes Rakini Devi, Salote Tawale and WeiZen Ho and an exquisitely curated array of beautiful pop-up bars proffering curated sustenance round out an experience that offers surprises in every nook and cranny of the largest and most significant contemporary multi-arts centre of its kind in Australia, i.e. Carriageworks. 

The 2022 incarnation has once proved that Sydney Contemporary ( https://sydneycontemporary.com.au ) is one of the most influential and enjoyable fairs in Oceania and positioned Sydney as an international hub for the arts.

T • September 19, 2022

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