Joel Tannenbaum (Plow United, The Rentiers, Ex Friends)
SPB: As a musician, do you find terminology such as “side project” to be relevant to you in any way?
Tannenbaum: In my experience, once a band starts being perceived as a side project, it's pretty much dead. So yeah, I'd say I find the term to be highly relevant!
In a different world, which we think was shortly before COVID and MAGA and all things bad and in ALL CAPS occurred, Scene Point Blank had the idea to write a comprehensive piece about mailorder experiences from the people who dedicate their free time to sending you records, cds, tapes, … Read more
There’s a quiet weight to Spite House that doesn’t rely on volume or spectacle. Their songs sit in the uncomfortable space between anger and reflection, carrying emotional honesty without turning it into a performance. Their growth is shown on Desertion, their most fully realized material to date. Preparing for an … Read more
Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more
Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more
Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting. Read more
After a run from 1992-1998, Plow United reformed in 2011 and they return with new material in the form of Marching Band (Jump Start Records). Plow United hasn’t just re-formed, they’ve written the best 1990s record of the 2010s. Brian McKee’s voice has matured with the years and the songs are tighter and more polished than their early output. Some … Read more
Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more
Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more
Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting. Read more
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