Trevor Dunn (Tomahawk, Melvins Lite, Fantomas, and formerly of Mr. Bungle)
SPB: What part of your live show is the hardest on sound engineers?
Dunn: I wouldn't know because 1) I stand in front of my 8x10 so that I have the best possible sound in the entire place and that's all I care about and 2) we bring our own sound guy. We not only pay him to make us sound good but also to keep his mouth shut and not whine. I wish I was a millionaire so I could pay more people for that in particular.
In a different world, which we think was shortly before COVID and MAGA and all things bad and in ALL CAPS occurred, Scene Point Blank had the idea to write a comprehensive piece about mailorder experiences from the people who dedicate their free time to sending you records, cds, tapes, … Read more
There’s a quiet weight to Spite House that doesn’t rely on volume or spectacle. Their songs sit in the uncomfortable space between anger and reflection, carrying emotional honesty without turning it into a performance. Their growth is shown on Desertion, their most fully realized material to date. Preparing for an … Read more
Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more
Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more
Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting. Read more
Simon and Garfunkel.Seals and Crofts.Hall and Oates.Captain and Tennille.Some artists just go together. Sure, they might make music on their own. But once they find their “other”, their “person” - you never want to hear them with anyone else.Such is the case the case with Buzz Osbourne and Trevor Dunn. So long Melvins and Fantômas. So long Mr. Bungle and … Read more
Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more
Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more
Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting. Read more
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