NOFX haven’t mixed it up a whole lot over the years. In twelve albums they’ve remained consistently inconsistent, with a few records that have risen above the rest. Generally, they have a few real standouts on each release, paired with a few stinkers. After skipping Coaster completely, Self Entitled seemed like it was time to check back in to see what the band is doing.The band mixes it up a little this time around, mostly by putting the worst song on the record first instead of last. “72 Hookers” starts with a mildly amusing concept and runs through its material quickly—far quicker than the 3:36 it takes for the song to play out. While there are several questionable lines, it loses me personally at the background whooping noises. If the record had started with “I Believe in Goddess,” instead, things would be off to a far more energetic pace. It’s classic NOFX, covering religion and punk rock while fast punk rock. A couple more Epitaph-style skate punk jams continue the highlights with both “She Didn’t Lose Her Baby” and “Secret Society,” each of which have a Bad Religion vibe to them. The former is a favorite on the record, taking … Read more
I’ve listened to a pretty solid variety of new records this year, but it’s always nice to come back to … Read more
Minneapolis’ scene veterans WAR//PLAGUE have finally released their debut full-length LP On A Darker Dawn on Profane Existence Records. The … Read more
The news that Pig Destroyer were to release a new record this year was met with much celebration, a lot … Read more
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During the 80s and the rise of darkwave, Dead Can Dance was one of the visionary acts that begun experimenting with the darker sound of gothic rock. Built around two magnificent vocalists, Brendan Perry and Lisa Gerrard, the project evolved from its darkwave roots into something much more potent and unique. In their first phase, Dead Can Dance took on neo-classical elements, presenting grand arrangements that created the band’s epic manifestations. Seminal works like Spleen and Ideal, Within the Realm of a Dying Sun, The Serpent’s Egg, and Aion all revelled in that mode of operation, but after that Dead Can Dance started to mutate. In their second phase, the band started to incorporate more diverse elements, from a plethora of different musical traditions. It is best described as a … Read more
Following 2011s “precursor” style EP, The Parallax: Hypersleep Dialogues, Between the Buried and Me (hereafter known as BTBAM because it’s way easier to type) continue their foray into ever increasing curiosity. Whilst personally I’ve never been a hugely into this band - they always seemed to err just on the wrong side of pretentious wanker territory - The Parallax II: … Read more
I'm not quite certain what the cover art for Ancestors's new release In Dreams and Time is supposed to represent, but one thing is for certain: it doesn't prime you for what the album actually sounds like. Depending on your artistic interpretation, that may actually be a good thing—but let me actually tell you about this odd album.In Dreams and … Read more
Much could be said about Turbonegro from the Turbojugend (Their self appointed fan club), Their lyrics that tend to make not so vague references to partying fucking up and homosexuality, and their overall sleaziness. Well coming back from what had seemed like their final break up with their last vocalist Hank Von Helvete leaving to be in an industrial rock … Read more
So this is the immediate follow-up to the debut album The Dissent Of Man for Vestiges, sharing a split record with Ghaust (whom I had never heard of until this slab of vinyl came up to be ordered), and I distinctly recall being rather excited to hear this record based on how much I enjoyed the debut from Vestiges; but … Read more
It is roughly 5:30 AM at the time of my finally getting down to writing this and the sun is just breaking over the horizon outside my window, and the Jodis song “Red Bough” from their album Black Curtain is just starting to hit its stride providing an apt soundtrack to my bleary eyed state (I have been up all … Read more
Hidden Hospitals, based in Chicago, IL, have released their new EP titled simply EP02 and it is an amazing release full of emotion, hooks, and harmonies. Nashville’s J. Hall handled the producing duties on this one as well as their earlier first release EP01. Being familiar with the group, he knows how to bring the best out of their sound. … Read more
There was definitely a time a few years back (or ten if you are keeping score) where I followed (along with my wife) The Casket Lottery around the middle Atlantic states like some people followed (or even still do I guess) The Grateful Dead; during that time, we devoured every note that the three piece outfit saw fit to release … Read more
Murder by Death are back with their sixth studio album, and it's their moodiest album yet. It's a stark contrast to their last record, Good Morning, Magpie--returning to, while exploring, more layers of atmospheric tones. With each album(excluding Red of Tooth...), I always found myself needing to give them multiple rounds to fully appreciate what I was listening to--Bitter Drink, … Read more
Sutcliffe Jugend started as an offshoot of British power electronics specialists Whitehouse, using this project to reveal the outer reaches of the human psyche—both sexually and otherwise—more so than their counterparts. Most times, in the past, the music had managed to match the questionable content. The question is: how does one react when a band that is so reactionary responds … Read more
A while back I caught Oiltanker in the midst of the second day of Midwest Hell Fest—a one-off weekend crust punk festival that was happening in, of all places, a sports bar in Kimberly, Wisconsin. I was thoroughly enthralled by the outpouring of anger emanating from the stage while they were up there, yet I was simultaneously battling the inevitable … Read more
Lymbyc Systym's third studio-album was released September 18th via Western Vinyl. This effort comes three years after the band's Shutter Release (Mush Records) and their split Field Studies with This Will Destroy You on Magic Bullet Records. So what were the Bell brothers up to during this three-year span? Traveling, living on separate continents, studying, and adding personnel to their … Read more
Alberta-based four-piece Fist City continue to make a name for themselves with the genre-blending It’s 1983 Grow Up!, their second full-length record. The album marks the band’s first release since being signed to Black Tent Press and is reflective of their signature sound while presenting more cohesively as a whole than their previous effort (2010’s Hunting You). Producer Paul Lawton … Read more
Fire & Ice is a groove infused hardcore band out of Richmond, Virginia. Their newest release, Not of This Earth has been put out on Reaper Records. Opening for legendary acts and touring consistently with some of the best in the game, these guys are quickly going to the top of everyone’s lists as far as newer hardcore bands go. … Read more
This is not a review but more a lament, and I am not sure exactly who or what this lament is meant because there is a definite sense of utter confusion while listening to the latest album, All We Love We Leave Behind, from the almighty Converge on my part; let us get this out of the way since I … Read more
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