Dark Days is a discography release that compiles the San Diego-based hardcore outfits previous material into one neat package. The CD opens with "The Bridge," one of three new cuts. The song is fast-paced hardcore song that is centered on individuals that travel to The Golden Gate Bridge only to commit suicide. "Holy Hands" and "Fun in Funeral" follow in similar fashion more gritty hardcore punk that demonstrates hints of rock-n-roll influence from San Diego scene. The next six tracks are from the band's 7" released on Eating Rats Records. Musically, they follow the same stylized sound: fast hardcore deeply rooted with a late Black Flag sound. Of the songs here, "Apple Eyes" is the standout cut - the chunky riffs and breakdown/lyrical combo at the end kills it. The final four songs are culled from the band's demo. One can definitely hear the band's growth since recording them two years ago. They're decent songs, but definitely pail to their newer material. Dark Days is an excellent starting point for anyone unfamiliar with this SoCal outfit. If you're into fast and thrashy hardcore punk with hints of rock-n-roll, this is a band for you. Read more
Hailing from Italy, One Starving Day are a four-piece band that, at times, sounds more like ten or fifteen people … Read more
Municipal Waste likes to party. How do I know this? Well, there's the album title. Couple that with songs like … Read more
Winnipeg's Under Pressure is a dirty 80's sounding hardcore band with a dude singing like he's trying to hold in … Read more
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Despite a confrontational name, Versus You are every bit positive punx with songs praising friendship, relationships, and the like. It’s not that they play bubbly music countered with cynical lyrics, but they place peppy rock that’s further emphasized by sunny reflections over a gritty pop punk sound. The band is also pretty guilty of abusing the RIYL tag on a onesheet, but I’ll spare my readers that gripe. Ultimately, Versus You are a pop punk band from Luxembourg that play Banner Pilot inspired punk, taking pop structures but fleshing them out with less focus on the chorus, instead telling a 2-3 minute story in a semi-raspy sung delivery. Unlike Banner Pilot, though, Versus You, don’t really flesh out those stories with detail and nuance but instead hit that repetition hard.The … Read more
God bless Matthew William Kohnle. Kohnle is The Swede. While I'm not sure if the name is a reference to his nationality (or if he is in fact a root vegetable), this project is solely his. With the exception of some bass clarinet by Todd Knapp and some vocals by Mrs. Kohnle, all songs are written, performed, and even recorded … Read more
The Colour and the Shape was the Foo Fighters second full-length release, though it was the first album in which Grohl enlisted a full band to back him in the writing and recording of the album. Grohl gathered an ensemble of musicians to surround him for what would become the band's breakthrough album: bassist Nate Mendel of Sunny Day Real … Read more
As our global society is brought closer and closer as a result of the Internet and other lightning fast communicative technologies, the influx and exposure of foreign bands and musicians continues to increase in frequency at an unprecedented rate; one label that has fully embraced this global mixing is Crucial Blast who bring the United States the domestic release of … Read more
This review is dedicated to Anthony H. Wilson. Fuck Keith and Mick, Fuck the Toxic Twins of Aerosmith, and fuck Britney Spears. The greatest rock and roll survivor of all time is one Shaun William Ryder. Here is a man that hasn't made a penny since he was sued by his former managers, a man that helped introduce ecstasy into … Read more
When John Zorn released his Kristallnacht album, it contained one track of sheer horror, anger, and sorrow all rolled into one. Entitled "Never Again," Zorn did his utmost to convey his interpretation of the "Night of Broken Glass." The track is essentially just that: over eleven minutes of the unbearable sound of glass shattering. Zorn even went so far, though … Read more
Oh J Church how I love you and your noisy simple pop-punk brilliance. And thank-you for doing a good cover of The Car's "Just What I Need." Flamingo 50, you on the other hand and side, are completely new to me and are apparently from the UK. You remind of a Screeching Weasel mixed with early Discount for a decent … Read more
This split 7" features two of the most exciting hardcore bands that have been hitting the fest circuit this Summer. Soul Control sounds like 108 mixed with Quicksand and it's all awesome. "Focus" is one of my favorite songs of 2007. This song just fucking jams in all its noisy post-hardcore brilliance. I Rise also play melodic post hardcore with … Read more
More of The Ergs for you. More pop-punk. More songs about girls and this time a rather decent cover of the 90's rock staple "Hey Jealousy." Lemuria are on the poppy side but a tad inclined to the indie rock thing with male and female vocals. Both bands give that "Aw shucks" feeling when you listen to them and that's … Read more
When I think of Iceland I don't think of hardcore bands. Actually, I don't think I ever thought about Iceland for anything musically besides Björk and The Sugarcubes. I Adapt sounds nothing like that schizophrenic ageless midget but they do sound like The Hope Conspiracy and other Deathwish Inc. type hardcore bands. It's an emotional outpouring over pounding rhythms and … Read more
Turn into Stone is a new three-song platter from the upstate New York hardcore band. "Turn into Stone" has decent Supertouch type intro that busts into a manic throbbing piece of melodic hardcore gristle to gnaw on for a couple of minutes. "Somebody Up There Likes Me" is a rocking little tune with a huge skate rock riff, which seems … Read more
Seasick play fast pissed off political hardcore with plenty of twists and turns to keep me interested. There are some nice little breakdowns and some Integrity-like guitar solos. It reminds me a little bit of the stuff that Ebullition was hawking in the mid 90's but a lot more fun and catchy. I could see kids that use their dogs … Read more
"Peger" is transliterated Hebrew for "corpse" or "carcass," so you know what you're getting into here. But Barbara, a bass/drum duo, compares themselves to everybody from Lightning Bolt to Today is the Day, and I'll confess that the idea of an Israeli Today is the Day had me curious. Peger is a bizarre record, alternating between blizzards of distortion and … Read more
I got interested in Fast Metabolism after seeing it billed as "fast, loud and weird" punk rock from Detroit - three adjectives close to my own heart. Oddly enough, Tyvek isn't all that fast, loud, or weird, but they kick up a surprisingly enjoyable and inspired racket nonetheless. Tyvek play a simple, unaffected kind of garage punk, drawing comparisons to … Read more
Chicago's Reptoids, signed to RRRecords, play a female brand of grunge/punk rock. This six-track EP, clocking in at sixteen minutes, shows a fairly wide-ranging sound, taking in early Nirvana, through to a more rock and roll/punk sound reminiscent of 70s acts mixed with grunge vocals. Singer Kay Oh often reminds me of Courtney Love, but musically the band provides a … Read more
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