It scares me to think that some people reading this were still in grade school when Coalesce put out their last album 0:12 Revolution in Just Listening; the idea that a band that I found so aggressively destructive almost a decade ago can release something new and have those new songs be equally challenging and passionate is just as frightening or possibly worrisome that they might tarnish the good name that they originally forged. Still as Salt and Passage was announced and then subsequently is now available, I do find myself just as excited as when their last album was first released; I mean, this is Coalesce. When the needle hits the one side of Salt and Passage, the initial reaction is that the sounds pouring from the 7" on my turntable is not what I have come to expect of Coalesce this last decade plus; the initial drumbeat (provided now by Nathan Richardson of Casket Lottery and Appleseed Cast) is less the off kilter pounding of past recordings, and with the affect of the bass guitar, more like a beat that make the track sound like some weird circus song. The back up vocals seem out of place at … Read more
In their twelve or so years as a band, Foo Fighters have had a more than respectable career. This is … Read more
With the imminent release of Control the bio-pic of frontman Ian Curtis, the death of Tony Wilson, and former members … Read more
Alright, let's look at the stats: Name: Death Breath. A truly ridiculous name for a band of any genre Albums: … Read more
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It seems like Worriers nailed down their sound on day one, when they rose from the ashes of The Measure S.A.. The Lauren Denitzio-fronted group plays a melodic and quirky style of indie-poppish-punk. On Survival Pop, that sound takes a stronger pop turn, with ear-pleasing hooks paired to politically-charged and empowering lyricism. In many ways, this record is a call of solidarity for those trying to find their voice, something akin to Transgender Dysphoria Blues .Worriers has their own clear identity throughout, from sing-along “The Possibility” to standout “Future Me,” always looking forward and sharing positive vibes amid personal turmoil. Survival Pop rings with shades of Against Me! more than once on this album, though, as mentioned earlier. “Not Your Type” reminds me of “Paralytic States,” (off Transgender Dysphoria Blues) … Read more
Last year I declared this release from Living Hell as one of the top demos that got upgraded to an actual release. After seeing a release via Rock Vegas Records on CD and A389 Records on vinyl format last year, the album has been re-released as a 7" again, this time by the good people at Lockin' Out. If you're … Read more
The Cancer Kids call Massachusetts home. But unlike many of the artists from the state, they don't play tough-guy hardcore of Death Before Dishonor or over-the-top melodic hardcore of Have Heart. Instead The Cancer Kids opt for fast-paced hardcore punk with hints of technical flare and grindcore. If you put Infest, The Dillinger Escape Plan's first EP, and Black Flag … Read more
Music from foreign countries is something that I always find interesting, especially when they sing in their native language. La Piovra takes its name from a series on Italian TV about the Mafia - essentially the original version of The Soprano's. The band hails from Italy and play fast-paced hardcore punk. This one-side 12" is made up of six songs. … Read more
Tennessee natives Sadville without a doubt could be the biggest misnomer for a group. These dudes don't play sad bastard emo at all. Instead they play stoner metal with elements of doom and hardcore punk. You can only imagine the relief when I heard the music after looking at their name. Make Ready the Cross is seven tracks long, but … Read more
Brainworms hail from Richmond, VA, a city with a rich hardcore/punk history. So it's not a surprise that the members of Brainworms have made waves with several other bands. Which is Worse combines up the band's original demo and cassette only release Is it Weird? Musically, Brainworms is teetering on the line between hardcore and indie rock, so I guess … Read more
Boston-based hardcore outfit Rampage unleash thirteen tracks of thrash influenced hardcore on Limit of Destruction. Some of the cuts here take on a definite New York hardcore vibe, while others incorporate a more tharshy and early crossover sound of D.R.I. The title-track was definitely my favorite song on this 12", it had a good groove and nice 90's styled breakdown. … Read more
Looking at the cover art to this 7" I was anticipating one of two things: stoner metal or art-metal akin to the Hydra Head roster. What I got was not too far off. Texas natives Four Days to Burn churn out two cuts of stoner metal with flairs of southern rock and metalcore. On side A we're treated to "Lieutenant." … Read more
Rome Plow Records serves up another offering of under the radar music on this split 7". This time around we've got two bands that draw influence from the post-punk scene of the 90's. Kids Explode hail from Germany and offer up one song, "A Romance in Alcohol." The music sounds like a mixture of guitar-driven indie rock like Minus the … Read more
The Mall plays post-hardcore with aspects of screamo and indie rock. But the most identifiable characteristic of their music is the use of keys. The have an 8-bit feel at times, and definitely dominate the musical landscape of the songs. Without the use of keys I would say that there is really nothing about these songs that stand out. I … Read more
Two artists from California team up for a split 7". Iamb is the work on single individual - Ross Major - with the help of several friends. On this 7" he offers two songs. The first, "Three Years," is a mixture of indie rock and folk, not unlike the artists of Saddle Creek Records. "One Afternoon," on the other hand … Read more
Los Angeles-based label Oedipus Records is an independent label run out of an apartment. As an individual doing the same thing with my label, I have admiration for the people of Oedipus. The latest release from the label is a split 7" from two folk/indie artists: Foot Foot and Casiotone for the Painfully Alone. Casiotone for the Painfully Alone lead … Read more
Everything I get in for review goes through the same process. The first thing I do after I greedily rip into the manila envelope like a kid on Christmas is check out the layout. You can tell a lot just from a cover of a CD. Usually if the cover depicts a scene of armored knights upon horseback fending off … Read more
Our recent Scene Point Blank reader's poll told us at least two things about you, the reader: (1) you want to see less reviews of "generic hardcore", and (2) hardcore is your favorite genre. (If this doesn't apply to you, sorry; you should've chipped in!) So you love hardcore, but also hold high standards for it; maybe you're sick of … Read more
For The World is Bright and Lonely, New Idea Society's Mike Law walks a fine line between poetry and prose. The lyrical structures are simple and for the most part unchanging, and there is a more simple pattern within it all, almost every line the start of a new thought or idea. But herein lies the genius and creativity that … Read more
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