The first time that I saw Mastodon was at Hellfest 2001, the same year of Earth Crisis' last show. Some friends of mine told me that this would be one of my favorite bands after I saw them. So, I eagerly anticipated their appearance like nothing else. Their set was intense and completely blew me away. They were so intense it hurt, even with the technical difficulties that prevented them from using most of the samples that would later appear on their first EP Lifesblood. I quickly procured their demo from them before that quickly got out of dodge that day. Not long after the Lifesblood record surfaced, I found a 7" of theirs that had some of the songs from the demo and a couple others that I had not yet heard. I went and saw the band whenever they played because of that first show and these few audio documents of their existence. Now Mastodon is one of the biggest names in metal. With Blood Mountain being their soon to be released major label debut (for Warner Bros.) coming on the heels of their great album Leviathan, the band is poised to take a place in today's music … Read more
Discography CD's are certainly a weird bunch. Bands nowadays don't generally record three or four records like many bands of … Read more
A Million Microphones is undoubtedly one of the biggest surprises of the year. Supersystem, minus the drummer, was formerly known … Read more
I realize that we are more than halfway through 2006. I realize that Jena Berlin recently began recording their follow-up … Read more
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I've heard that people who review music are failed musicians. This is not the case with Capillary Action, whose composer/music maker/sometime music critic Jonathan Pfeffer is known to masturbate frequently while listening to The Fucking Champs, Pinback, Thelonious Monk and The Red Light Sting. Pfeffer's ejaculation from these sessions created Fragments, a ten song affair between jazz, metal, ambience, rock, and other forms of experimentation. It'd be hard to find someone who couldn't enjoy at least one song on Fragments. The only downfall to that is Fragments covers so many bases that it's almost too much all over the place without a congruent theme to hold everything together. But for those who are sick of all the hype bands like Arcade Fire and Franz Ferdinand getting the spotlight when they … Read more
Razzle Dazzle, better known as RZL DZL on this side of the computer screen, is Detroit's latest hardcore export, and yet another Lockin Out exclusive. The appropriately titled Both features their 5" release, 555, as well as their Demo Revisited 7", offering a more accessible way to listen to RZL DZL than hunting down two out-of-print records. RZL DZL plays … Read more
Johnny Cash might as well be an American institution. Many revere him and his recent death following the passing of his beloved wife, June Carter, was marked by much hoopla and circumstance. It was a shame, but by no means a shock. The triumphant and bleak sounding record, American IV: When the Man Comes Around, was a disturbing and wonderful … Read more
It seems almost an old story now. Ailing musician hooks up with a contemporary producer and covers a mixture of contemporary songs. Tom Jones tried it. Rod Stewart tried it. It's an old story that so often ends up looking pathetic. A contrived attempt to mine the last fragments of dying fame, more often than it is a serious artistic … Read more
I like Between the Buried and Me, a lot. But The Anatomy of is a perfect example of a covers album gone bad. I really like the idea of paying homage to the bands that inspired you to play in the first place, but there is a productive way to go about doing that and there is also a filler-creating … Read more
I fear it may happen one day; someone will slip up, let the cat out of the bag, and give the game away. Someone may, one day, tell Erase Errata that it isn't 1981 any longer. Basquiat is dead, Sonic Youth isn't so youthful anymore and John Hinckley Jr. was a rubbish shot. Step forward, Ladies, 2006 has much to … Read more
When Radio 4 released Gotham, it instantly became one of my favorite albums of all time. It was packed full of great songs that were great to dance to and also contained a message. But the band faltered with the distinctly average Stealing of a Nation. It wasn't so much that Stealing of a Nation was a bad album, it … Read more
Scott Walker - to those who know and love his music - is one of those towering figures of American culture that is as much the stuff of legend as an actual person, like Roky Erickson or Thomas Pynchon. Walker spent the late '60s recording four astonishing LPs of lush, overwrought continental melodrama, entitled Scott through Scott 4. These are … Read more
There's not a whole lot you can say about Angel Eyes that hasn't already been said about Isis. If Isis were an actual person, Angel Eyes would be its impressionable, suppler younger brother. The latter always gazing starry-eyed at the former with a love and devotion to rival the strongest of bonds. Ok, that's a stretch, but they really do … Read more
The members of Baltimore based Slumlords have been around the proverbial block a few times and know their niche. On their previous releases the band wrote street punk influenced hardcore songs. The songs tackled both serious topics as well as everyday topics that could be joked about. On the Stremph!, is comprised of, you guessed it, a combination of street … Read more
There are three things that make me like this band. One, they have a ton of Star Wars references in their music. Actually, besides having a song named with a semi-obscure line from the original movie, there is an entire song about Darth Vader - shame on you if you are so culturally unaware as to who that is. Two, … Read more
When a friend of mine first introduced me to The Zutons back in early 2004 I was not hugely impressed. To me, Who Killedââ¬Â¦ The Zutons? sounded a little too much like their labelmates The Coral's Magic and Medicine and I went so far as to brazenly call The Zutons "a poor mans Coral." With the release of their second … Read more
It's never really a good sign when the first thing that pops into my head when I listen to To Hell with Motives is "ugh." The CD starts off earnestly enough with a noise-laden track that actually had me hoping Deadguy Part Deux. Sadly that never happened as the end of the intro ends with some kid (I believe his … Read more
Before we can even dive into this review we must address the issue of the cataloging this style of music. When I first got into the genre I was told it was called "trip-hop." To me this sent the message that I wasn't allowed to experience it unless I was on some mind-altering substance. Next I heard it referred to … Read more
Fuck fuck fuck fuck fuck. Fuck! Fuck! No, I'm not quoting Ceremony, but instead referring to the blistering pain in my pinky toe. What could have caused my toe to go numb and bleed all over my trusty vans shoes? I blame Future Primitive, and their debut release Expression Sessions. Hailing from the traffic jammed freeways of Southern California, Future … Read more
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