A wide-ranging guest column written by BJ from Ancient Shores, mainly covering film but extending into philosophy and aesthetics too. Check out BJ's work on the A389 podcast.
In this installment of Beyond Casual Observation the moving picture becomes a partner with technological advancements and forges an enduring storytelling medium. Filmmaking is a conversation. A conversation between the viewer and the filmmaker. A conversation between characters. Among the elements that a filmmaker uses to communicate information with the viewer might be detail in the physical set, control of the physical space, or sound within or outside of the frame. The convergence of many storytelling elements delivered via film or tv hopefully creates a deep singular experience. Beyond Casual Observation isolates sound, looks at work for its sound elements (scores, songs lists, sound design), and talks to professionals about their creative process in the aural sphere. Artists and innovators ...
In the previous installment of Beyond Casual Observation, we visited with three films to briefly illustrate the pleasant entanglement of music and storytelling in cinema ...
Thanks to insight from professionals in the field, and the freedom to explore the use of sound in film, Beyond Casual Observation has featured a ...
Quite literally, a one question interview. Also known as 1QIs, we post these first to our social media on a near-daily basis, with the archival piece here. Check 'em out.
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An in-depth discussion with a band or artist, generally in the form of a straight Q&A – no editorializing.
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Album streams, our Set List "top five..." features, our year-end "best of" lists and other music-related miscellany.
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Contributions on a range of topics from a range of industry figures: musicians, filmmakers, editors and more.
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A melting pot of mixed content: movie, book and even video game reviews. Updated sporadically, but eclectically.
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A semi-regular column exploring new and rising local bands and artists deserving of attention.
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Jason Alberts is an audio engineer with an extensive career in post-production, along with location sound. His recent work includes mixing on Paralytic, Dead Body, and Soaked in Bleach (film review here). Jason is an engineer at Sumosound in Seattle, WA and was generous in answering a few questions for us before he embarks on his next production. BJ Rochinich: How has it benefitted you to work on both the field recording end as well as the post-production processes? Jason Alberts: Having experience on both sides of the audio workflow has been a huge benefit. On the production side, it ...
Nora Kroll-Rosenbaum is a Grammy Award-winning and Juilliard-trained composer. She was born in New York City. She grew up listening ...
Jeffrey Roy is busy. Check the link for his credits and you will see a vast list of projects. In ...
For this edition of Beyond Casual Observation, Ashley Lynch, owner of Burnaby, BC-based Gingerbreadgirl Post—a versatile post-production studio that ...
For this installment of "Beyond Casual Observation" Claudio Marino of Artax Film and Swedish band Tid took some time to ...
Jason Alberts is an audio engineer with an extensive career in post-production, along with location sound. His recent work includes ...
As young as 14, Jeff King was drumming in bands and in years after would continue writing music and touring ...
We post a variety of features in recurring series – click below to browse them.
One-question interviews with artists where we find out about the gear and equipment they use to achieve their sound. Browse 21 features
A collection of items grouped by topic, eg. "Top 5 Worst Beatles Songs" or "Top 10 best '77 punk releases". Browse 20 features
A wide-ranging guest column written by BJ from Ancient Shores, mainly covering film but extending into philosophy and aesthetics too. Check out BJ's work on the A389 podcast. Browse 15 features
Guest column by T of Vegas Browse 13 features
A roundup of coverage of the annual punk rock festival held in Gainesville, Florida Browse 4 features
A life lived and lessons learned by Eddie Spaghetti of Supersuckers. Browse 4 features
Our annual roundup from Gainesville, FL's famous Fest. Browse 4 features
It's the end of 2013, so here's our best-of roundup for the last twelve months. Browse 4 features
SPB's coverage of the annual festival in Gainesville, Florida. Browse 4 features
Our annual round-up of the best music of the year 2014. Browse 4 features
A brief but englightening chat with an artist who reveals an interesting or unexpected story from their career Browse 4 features
Our annual round-up of the best music of the year 2015. Browse 4 features
Our annual round-up of the best music of the year 2016. Browse 4 features
There’s so much music released, whether physically or digitally, that keeping up with what’s going on becomes almost like a full time job. With Only Death Is Real, the aim is to bring you something new. Browse 4 features
Our summary of the best music (and more) of 2018. Browse 3 features
Our wrap-up of the best music and more from 2019 Browse 3 features
A collection of coverage rounding up the year 2012, covering our favorite albums, shows, bands, and more, as well as asking record labels and bands about their past twelve months in music Browse 3 features
A cookery column by Nick, vocalist with metal band The Famine. Veggie/vegan friendly! Browse 3 features
Our annual round-up of the best music of the year 2017. Browse 2 features
A regular series by Robert F. Browse 2 features
A semi-regular column where we choose a specific area and give a local scene report. Browse 1 features
Our coverage of the annual Fest extravaganza. Browse 1 features
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