Features / Series: What's That Noise?

One-question interviews with artists where we find out about the gear and equipment they use to achieve their sound.

Browse all 126 features in this category

Faulty Cognitions

One Question Interviews / What's That Noise? • April 1, 2024

Chris Mason (Faulty Cognitions) SPB: Was the mic’ing of your kit for the recording of Somehow, Here We Are fairly straight forward, or were there some techniques or experiments used to capture the sound?  Mason: We didn't do anything too fancy. I do remember that we didn't mic the toms though -- we just captured them via the overheads after a conversation about how some of our favorite vintage drum recordings are probably just done with a couple of condenser mics placed in a room. This decision created some small issues in the mixing process, but Jesse Gander, who mixed the record, did some wizard shit and corrected the issue. There are also a few parts of the record (in "Sun Sun Go Away" and "Crisis of Faith") where we made the drums sound super spacey and far away, which is probably the most "experimental" I've gotten with drums on any recording I have been a part of. But I've been listening to a ton of dub lately, so who knows what's in store for the next album :)  Read more

Stephen Hamm Theremin Man

One Question Interviews / What's That Noise? • March 4, 2024

Stephen Hamm Theremin Man shows off his theremin magic. Read more

Middle-Aged Queers

One Question Interviews / What's That Noise? • January 31, 2024

Josh Levine (Middle-Aged Queers) SPB: Tell us about the day you bought your current (primary) bass and why you chose it. Levine: I bought my current primary bass in the … Read more

Stress Positions

One Question Interviews / What's That Noise? • January 2, 2024

Jono Giralt (Stress Positions – drums) SPB: Walk us through your drum kit and how you arrived at your sizes, etc. Giralt: I play on a Tama Starrclassic. All Bubinga … Read more

Autogramm

One Question Interviews / What's That Noise? • November 24, 2023

Josh (Autogramm – drums) SPB: Walk us through some of the recording equipment used in the making of Autogramm’s new album, Music That Humans Can Play. Josh: Read more

Features / Series: What's That Noise?: browse all

Browse all 126 features in this category

Our series

We post a variety of features in recurring series – click below to browse them.

  • Against Orthodoxy

    A regular series by Robert F.

  • Beyond Casual Observation

    A wide-ranging guest column written by BJ from Ancient Shores, mainly covering film but extending into philosophy and aesthetics too. Check out BJ's work on the A389 podcast.

  • Don't Quit Your Day Job

    How an artist spends their time by day will influence the creative process at night. In Don’t Quit Your Day Job, Scene Point Blank looks at how musicians split their time, and how their careers influence their music.

  • era vulgaris

    Guest column by T of Vegas

  • Feast with the Famine

    A cookery column by Nick, vocalist with metal band The Famine. Veggie/vegan friendly!

  • Fest 11

    A roundup of coverage of the annual punk rock festival held in Gainesville, Florida

  • Fest 12

    Our annual roundup from Gainesville, FL's famous Fest.

  • Fest 13

    SPB's coverage of the annual festival in Gainesville, Florida.

  • Fest 16

    Our coverage of the annual Fest extravaganza.

  • Fest 19

    Our coverage of the 19th edition of the Fest – an independent multi-day, multiple-venue music festival held annually in Gainesville, Florida.

  • Fest 20

    All our coverage from the long-running music festival

  • Fest 21

    Articles about the Fest 21

  • History 101

    We dive into the back catalog of a record label and ask them to nominate their most memorable releases from their label's history–with a few suggestions of our own.

  • Jukebox Jury

    An interview format where we ask a band to rate and review a bunch of music

  • On The Air

    A radio DJ profile series created by Christopher D & Matt Hutchison.

  • Only Death Is Real

    There’s so much music released, whether physically or digitally, that keeping up with what’s going on becomes almost like a full time job. With Only Death Is Real, the aim is to bring you something new.

  • Remember that one time...?

    A life lived and lessons learned by Eddie Spaghetti of Supersuckers.

  • Running on Nothing

    Welcome to Running on Nothing, the latest addition to our stable of columns at Scene Point Blank. Running on Nothing offers a look at the world through the eyes of Kole, bassist of The Lippies, guitarist of The Bloody Lips, and gigposter artist.

  • Scatenato Ma Non Troppo

    We survey some of the other music releases out there.  Results may vary...may get weird, but hopefully something covered here piques your interest.

  • Scene Point Local

    A semi-regular column where we choose a specific area and give a local scene report.

  • Table Talk

    Discussing the state of the music business at the kitchen table

  • The Greatest Story Ever Told

    A brief but englightening chat with an artist who reveals an interesting or unexpected story from their career

  • The Set List

    A collection of items grouped by topic, eg. "Top 5 Worst Beatles Songs" or "Top 10 best '77 punk releases".

  • What's That Noise?

    One-question interviews with artists where we find out about the gear and equipment they use to achieve their sound.

  • Year End 2012

    A collection of coverage rounding up the year 2012, covering our favorite albums, shows, bands, and more, as well as asking record labels and bands about their past twelve months in music

  • Year End 2013

    It's the end of 2013, so here's our best-of roundup for the last twelve months.

  • Year End 2014

    Our annual round-up of the best music of the year 2014.

  • Year End 2015

    Our annual round-up of the best music of the year 2015.

  • Year End 2016

    Our annual round-up of the best music of the year 2016.

  • Year End 2017

    Our annual round-up of the best music of the year 2017.  

  • Year End 2018

    Our summary of the best music (and more) of 2018.

  • Year End 2019

    Our wrap-up of the best music and more from 2019

  • Year End 2020

    Our wrap-up of the best music and more for the year we'll all want to otherwise forget, 2020.

  • Year End 2021

    Our roundup of the best music from the worst year (since the previous one, anyway).

  • Year End 2022

    Our favorite music and more from the year 2022

  • Year End 2023

    Our roundup of the best music of the year 2023

More recent features — Series: What's That Noise?

Phuture Memoriez

One Question Interviews / What's That Noise? • November 22, 2023

Marc Blaquiere (Phuture Memoriez) SPB: Walk us through your setup that led to what we hear on Play Cobra? Blaquiere:  Read more

Church Girls

One Question Interviews / What's That Noise? • October 18, 2023

Mitchell Layton (Church Girls – guitar) SPB: What type of guitar do you play and what’s its “origin story”? Layton: My main guitar has changed a lot over the years depending on what style I’m playing and what I’m using it for, but for most of the Church Girls touring and studio recording I’ve used my Revered Double Agent. It’s … Read more

BEDTIMEMAGIC

One Question Interviews / What's That Noise? • August 22, 2023

Morgan (MEDTIMEMAGIC – drums/organ) SPB: What nonstandard tweaks have you made to your kit setup to ease playing organ at the same time? (Feel free to walk us through your whole setup and include pics and/or videos.) Morgan: If only I could find a way to make playing the organ and the drums at the same time easy! I play the … Read more

The Holy Circle

One Question Interviews / What's That Noise? • August 14, 2023

Erica (The Holy Circle – synth/vocals) SPB: What elements of your current keyboard, to you, are essential to “The Holy Circle” sound? (And what is the make/model you play?) Erica: I play a Micro Korg and Moog Little Phatty through a Holy Grail reverb, Death-by-Audio MicroDream, and a Electro-Harmonix 720 to make loops. I think the combination of the icy Korg … Read more

The Tunnel

One Question Interviews / What's That Noise? • May 2, 2023

Sam Black (The Tunnel - bass) "What's That Noise?" is a series about gear. Show us some of your key pieces. Read more

Body Stuff

One Question Interviews / What's That Noise? • April 17, 2023

Curran Reynolds (Body Stuff) Tell us what piece of gear “makes the Body Stuff sound,” in your opinion. Read more

Vacation

One Question Interviews / What's That Noise? • March 6, 2023

John Hoffman (Vacation, The Mimes) SPB: From when you were starting out to now, what parts of your setup in studio have help to voice your sound as it stands today? Hoffman: I'd have to say it's my Tascam 122 cassette deck. It's a two-track cassette desk that can monitor the recording of the cassette's audio in real time and allows … Read more

Grizzlor

One Question Interviews / What's That Noise? • January 26, 2023

Victor Dowgiallo (Grizzlor) SPB: You just released a collection of b-sides and rarities. Did you use any specific techniques in mixing to get a steady sound when merging different recording sessions? Dowgiallo: No, I didn't use any special techniques, I just basically went into the old mixes and touched them up in a way with some things I had learned … Read more

Painted Light

One Question Interviews / What's That Noise? • January 25, 2023

Jake (Painted Light – guitar) SPB: What type of guitar do you play (and how did you land on this one)?  Jake: Fender 1972 Thinline Telecaster!  I love it because the tone is warm, not too bright -- but the highs come through well, and the pickups are hot enough to really project the tapping parts into tbe next level. … Read more

Fairweather

One Question Interviews / What's That Noise? • January 10, 2023

Ben Green (Fairweather-keyboards/vocals) SPB: Did you experiment with different sounds in the studio for Deluge, or did you enter knowing exactly what equipment you wanted to capture it? (Do you have any examples of equipment that helped to define this EP?) Green: Lots of different guitar sounds went into the recording of this record. I think my guitar parts were … Read more

Bend

One Question Interviews / What's That Noise? • July 28, 2022

Ben Wixson (Bend – bass) SPB: What model of bass do you play and how did you choose it? Wixson: For the past 20 years or so I have sworn by the Music Man Stingray bass, which has been made by Ernie Ball for decades. The first time I ever heard one of these basses live was watching Anti-Flag at … Read more

Dead Waves

One Question Interviews / What's That Noise? • July 27, 2022

Teddy Panopoulos (Dead Waves) SPB: Tell us about how you captured the sound on Abandoned Children. Teddy: Like usual, we wanted to use everything we own on this new Dead Waves release and brought back some acoustic drums and percussion which our last release didn't have. For the first picture, I have my Ancient Lyre - I got this in Greece … Read more

Conan Neutron & the Secret Friends

One Question Interviews / What's That Noise? • July 12, 2022

Tony Ash (Conan Neutron & the Secret Friends – bass) SPB: Tell us about your bass tone and how you set things up for your work in Conan Neutron & the Secret Friends? Ash: I want to preface this by saying, this is the moment I've been practicing for throughout the entire existence of Conan Neutron and the Secret Friends. … Read more

TEKE::TEKE

One Question Interviews / What's That Noise? • May 11, 2022

Serge Nakauchi Pelletier (TEKE::TEKE – guitar) SPB: You use a variety of instruments. Were there any mic challenges or unique studio setups to require the sounds you achieved on Shirushi last year? Nakauchi Pelletier: I don't recall any “challenges” per se in terms of set ups or even choices of microphones. Obviously, you want the best option for each instrument … Read more

Real Numbers

One Question Interviews / What's That Noise? • April 13, 2022

Eli Hansen (Real Numbers) SPB: What type of guitar are you playing with Real Numbers and how did you choose it? Hansen: I play a 1965 Hagstrom I. Many years ago I was guitar shopping in Milwaukee with my Dad (also a musician and guitar collector) and stumbled across one at Rockhaus Guitars. It was so cool and unusual and … Read more