If there is any definitive point to life, certainly it must involve leaving something behind that has a positive impact that is discernible well after you are gone. While most of us will ultimately fail to have that kind of effect, we all have the great privilege of being the affected. Inter Arma are a band that have obviously been affected by rock n’ roll. Sky Burial is prominently driven by elements of doom, sludge and black metal, but also affectionately embraces psychedelic and classic rock. This sixty-eight minute coalescence of influences accomplishes something that few albums can manage. It reminds me of how great it is to be one of the affected.With such an expansive arsenal, it would be easy to assume that the resulting sound would be disjointed and chaotic. Sky Burial is the absolute opposite. The album is an exercise in tempered aggression. Inter Arma handle each component like a newborn child, cautiously releasing it into their vast, caliginous dominion. They effortlessly blur so many lines that one could be inclined to classify their sound as prog-metal. But even that label seems too limiting and evokes a sense of deliberate experimentation that is just not present here. … Read more
I'll admit, I was intrigued by the idea of Scottish Pagan Metal. Even with the full understanding of Pagan Metal … Read more
The new release from Drivin’ N Cryin’ is the third EP of an anticipated four, each dedicated to a different … Read more
There's soundtracks to the apocalypse and then there's soundtracks to everything afterward. Ensemble Pearl provides the latter. The din and … Read more
It's genuinely hard for me to get excited about supergroups in general--they're almost never as good as the sum of … Read more
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M(us)ic equals "us in music." Playful guitar lines and broken time signatures characterize Buffalo, New York's Damiera. Imagine a mélange of The Fall of Troy and Circa Survive. This comparison (to bands also on Equal Vision Records) was the first thing I thought of when listening to Damiera. Each track is respectively catchy and melodically technical, proving the musicians know how to play and write well. The vocals can be overbearing at times, but definitely fit the band's musical style. As a random note, the guitar work on the seventh track, "Departure," sounds a lot like the now deceased Ghosts and Vodka (which is damn cool, I might add). M(us)ic presents many different song structures, but the riffs become too familiar after the first couple of tracks. Chances are, if … Read more
Beautiful Death Machine is the eighth studio album by the Vancouver, British Columbia rap group, Swollen Members. I must admit, up until recently I hadn’t paid much attention to the group since their 1999 debut, Balance. It was one of my favorite underground hip-hop albums from that year, but in the 14-year interim I’ve missed a lot of material. Needless … Read more
Upon initial listen, this came across as the kind of sloppy folk punk that I’d likely be annoyed by if there was a male singer. Call me sexist if you will but the fact that a female is doing the vocals makes this totally pleasurable, whereas I’d normally dismiss such stuff after one listen as gimmicky coffee shop music that … Read more
Having began life as a one-man project borne from the mind of Chris Grigg, Woe’s motive was one of total aggression and pure hate and signified a time when American black metal was only just starting to find its feet within the darker realms of the musical sphere. With A Spell for the Death of Man Grigg stepped forward and … Read more
I unfairly judged Nai Harvest at first glance. Band name: wacky. Album title: hip self-awareness masquerading an average sounding record. Genre: Emo. Oh emo, we meet again old foe. A style birthed by ex-punks, killed by its own apathy, briefly reanimated by fringed goths, then killed and mounted by Tumblr. Why me? Can't Lew go back to Grazes and we … Read more
In the intervening years between her debut Own Side Now and this sophomore record, there has been very little sign of Caitlin Rose apart from a great cover of Alex Turner’s “Piledriver Waltz.” So as she returns, it is immediately apparent that this interval has been used for growing up: gone is the indie aesthetic in favour of cover art … Read more
Kenosha, Wisonsin's Jungle Rot have been peddling their form of death metal since 1994. The band have managed to release a nearly insane amount of records in that time and create a fanbase that allowed them to get signed by Victory records. The band have remained committed to their original thought process, to be brutal and heavy. Where as most … Read more
Though they all claim lineage to the great acts of the 1970s, no modern progressive band can claim that they sound even remotely similar to them. Bands in the modern progressive rock genre (see Transatlantic, Spock's Beard, Coheed and Cambria) tend to sound closer akin to brightly-polished half-metal than the rock of the 70s, with a loudness and clarity that … Read more
Dirty, spacey punk rawk—in a nutshell, that’s what The Spits are bringing. We could talk costumes, we could talks subgenres, and we could talk recording quality (and we will), but The Spits are a concept best described in those few words. Sound-wise, it’s largely Ramonescore run through a fuzzy filter, so much so that it sounds like half of the … Read more
I first became aware of Maynard James Keenan's solo work through his latest studio album, Conditions of My Parole, which immediately sold me with its incredibly pleasant meanderings through light-rock post-industrial soundscapes (with a fair amount of his trademarked humour mixed in). So, of course, I scooped up his new EP, Donkey Punch the Night, as soon as I saw … Read more
Protestant have around since 2007, yet it feels like longer. Mind you this isn't a put down as much as it is a reflection upon their multitude of releases. In the last 6 years the band has managed to cobble together a discography that reaches into the double digits. Throughout said discography the band has managed to broaden their original … Read more
So this is what happens when you gather up some of the best musicians around the Boston scene and then front the band with one of the top saxophone players going these days. Deric Dyer has played saxophone for the likes of Tina Turner and Joe Cocker even guesting on the Ric Ocasek - Beatitude album. Deric has been carefully … Read more
Nashville based Sol Cat independently released their first full length album on bandcamp in mid February. The indie and rock scene in Nashville is a well kept secret thanks to the city’s reputation for country music and being home of so many major labels, but you won’t find any country influences here. The nine track self-titled release is all chilled … Read more
As a critic there are certain things I’m supposed to keep up with. Fact of the matter is that’s not always possible and, once you get behind, just where do you catch up? Thee Oh Sees are a band I’ve heard peripherally for the past couple of years but never got jumping in on a full-length. Compound that with their … Read more
Despite their age and influence, Shai Hulud have rarely been the focal point of underground music. Sure, they've toured internationally, had some notable members during their time and have been released by some well-regarded labels; they've also had a permanently fluctuating lineup, periods of inactivity and a troubled relationship with the genre their guitarist, Matt Fox, coined- metalcore. However, they've … Read more
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