Alberta-based four-piece Fist City continue to make a name for themselves with the genre-blending It’s 1983 Grow Up!, their second full-length record. The album marks the band’s first release since being signed to Black Tent Press and is reflective of their signature sound while presenting more cohesively as a whole than their previous effort (2010’s Hunting You). Producer Paul Lawton of the formerly Lethbridge-based Mammoth Cave machine has worked his magic and conjured up a winning formula – a full, atmospheric sound punctuated by noise blasts, bad-ass guitar lines, and the occasional anthemic chant-along chorus. It is noisy, but it’s beautiful, and manages to capture the frenetic energy of Fist City’s live shows.There’s a little something for everyone here – from the circus fun house riffs of spaced-out dance party “The Creeps” to the irresistible shoe gaze/surf grab bag “Endless Summer." Don’t even bother trying to stop yourself from shimmying along; resistance is futile. All tracks are driven skilfully by Ryan Grieve’s Go-Go caveman drumming and the straightforward but dexterous bass lines of Brittany Griffiths. The rhythm and lead guitar interplay is just plain good fun – Evan Van Reekum displays his trademark style, which comprises riffs that are understated … Read more
Fire & Ice is a groove infused hardcore band out of Richmond, Virginia. Their newest release, Not of This Earth … Read more
This French band may have one of the longer band names in recent memory. Let us gloss over this even … Read more
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Nadja has certainly outdone themselves on this one; Autopergamene is an absolute artistic triumph in every way imaginable (the deluxe CD version of the release is in any case, and at the time of this little expose there is no vinyl version available) from the breathtaking packaging to the sheer volume of visual artwork to the beatific sounds laid to tape (the Deluxe version has 4 total CDs). This might be over aggrandizing this release, but Autopergamene is, if nothing else, a visual tour de force and an astounding artistic triumph that raises the bar for other artists to attempt to match or, at the very least, from which to gain some inspiration. Knowing full well that instrumental music can be a difficult sell to most “pop” oriented music fans, … Read more
8MM has been around for a while now and their sound is maturing with every release from their first EP 2004's Opener to the new album Between The Devil and Two Black Hearts they just keep getting better. Lead by multi-instrumentalist / producer Sean Beavan (Nine Inch Nails, Marilyn Manson, No Doubt) the band was able to raise $40K via … Read more
Masters of the Dark Arts marks the return of La Coka Nostra, a rap supergroup who were last heard from in ’09 on their then long-awaited debut album A Brand You Can Trust. LCN had originally assembled sometime in ’05 as a much larger entity than they are today. With a large contingent of Caucasian members in tow, the original … Read more
So, here we have Split Cranium an interesting project band formed by some of the people behind the acclaimed Circle with the addition of Aaron Turner (of Old Man Gloom, House Of Low Culture, Mamiffer, Jodis and formerly of Isis amongst others); and this band is nothing like anything else that these gentlemen are all known for churning out in … Read more
Oh Behexen....what the hell (pun intended) happened? It was all going so well. My Soul for His Glory was a definite career high....those classic Finnish riffs, the evil sound, demonic undertones and the sense of something quite frightening occurring. Skip forward four years and we have Nightside Emanations – a record so mediocre that even the cover art looks second … Read more
With a name like Ace High Cutthroats, it doesn’t take a lot of imagination to determine what the band is about. On their debut Black Fire, the group delivers rollicking rock with big guitars and a lot of swagger—keeping their rock’n’roll lifestyle close at heart underneath their black leather jackets. The band includes members of Nightgaun and Prosthetics, and the … Read more
I don't really know where to begin with this EP. Its groovy rock sensibilities throw back to 70's glam rock, but without the theatrics and clever satire. I don't think I get it. Part of me thinks it's intentionally a joke, while the other half of me believes it's to be taken seriously. I'm inclined to lean towards the former … Read more
I really wish I had the chance to review more classical music. While I don't consider myself an expert on the genre, I always find that listening to classical gives me musical experiences I truly could not get anywhere else, and when you've been listening to metal all day long, you can find it to be a welcome reprieve. That's … Read more
Joe Jackson’s love of Jazz is no secret; with his new album being a tribute to the Jazz king Edward Kennedy “Duke” Ellington simply titled The Duke. Joe has been on the scene now for over thirty years putting out hits like his early pop work “Is She Really Going Out With Him” and “Sunday Papers” from the album Look … Read more
I remember distinctly the first time I was introduced to Horseback. It was by their 2012 album Half Blood, and I'm told that my experiences were pretty standard. For the uninitiated, your first few seconds of listening to Horseback will inevitably go something like this:"Hm. This is some pretty interesting post-rocky stuff. Oh, hold on, something's messed up with this … Read more
It's not hard to figure that Vision Of Disorder were one of two Long Island Hardcore bands (along with Glassjaw) that have managed to influence a ridiculous number of current bands while remaining relatively dismissed outside of their scene during their original time as a band. The first 2 Vision of Disorder records had a sound all their own at … Read more
Planet Destroyer, the debut EP from Toronto-based post-rock band Inspire Influence, is unhinged in execution, rising and falling like an endless wave of hopeless determination. Creating an atmosphere of desolation from the initial static of introductory track “Repairing,” the 5-song EP reads like a cohesive tale of intergalactic exploration through repetition, slow build-ups, and eventual climatic bursts of distorted frustration. … Read more
You may never suspect it, but listening to the catalogue of Canadian musician Devin Townsend will cause you to run the gamut of extreme metal, new age, arena rock, ambient, and somehow even more. His last four albums, released under the Devin Townsend Project moniker, were supposed to be an exploration of the vastness of his artistic abilities, and they … Read more
Mr. Ellis has already accomplished a great deal in his musical “career” (I say it this way because somehow I doubt Nathan Ellis is rolling deep in the dough from his various musical endeavors) that has carved a unique and impressive path amongst his myriad of projects which have included being one of the bassists in the ground breaking hardcore … Read more
Australia’s Lunaire first released a well-received demo in 2010 which was followed up by a lauded split with the American cross-coast project Airs. Now Lunaire offer their first EP, With the Same Smile as Those Days, which continues the quartet’s dreamy post-rock from earlier releases and steps forward as a band to watch out for. The four track EP combines … Read more
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