I’m not biased. Not really. I just don’t like it. It, being pop-punk. I’m just young enough that the initial wave of melodic, palm-muted, nasal voiced rock revival passed by while I was listening to Hannah Montana on my parent’s five disk stereo. However, I’m just old enough that I don’t find the modern-day nostalgic rehash all that impressive. There are exceptions, of course; Meet Me @ The Altar being the main one. Generally speaking, though, I’m not a fan. I’m not penning hate mail to Waterparks or anything quite so nefarious; I just avoid the genre when I can. I change the radio station. I don’t click on Warped Tour YouTube videos. I steer clear of Travis Barker collaborations. So, then, what am I doing here? Here, being Origami Angel’s Spotify page (go ahead, lambaste me for using Spotify). Origami Angel are a duo hailing from Washington, D.C.. Their third album, The Brightest Days, was released June 16th on Counter Intuitive Records. While different from past releases in some ways (the most notable being its 8 song track list versus past album, Gami Gang’s, 20 songs) their core sound is the same. It’s an energy that sounds Gatorade fuelled … Read more
Take equal parts The Gaslight Anthem, Menzingers and blue-collar arena rock like Tom Petty or Springsteen, with a dash of … Read more
It’s probably been 30 years since I heard my first tribute album and I’m not sure my opinion has changed. … Read more
Bloodletter are a four piece thrash metal outfit from Chicago, Illinois and are here to assault your ears in the … Read more
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Following the vinyl issue of Rise of the Great Machine (their first full-length album), Supermachiner finally offers more music with Rust. This two CD collection combines a remastered version of their first full-length as well as a second CD that collects more material from the group. As exciting on a personal level as this release is, there remain quite a few questions as to how the new material will stand up to the course of time as most of this was recorded more than a decade ago. Even though this is more or less a collection of demos, there are times when Rust feels like it works as a whole as "Slow is the Place of Burden" contains similar motifs as "Diamond Bullet" and "Memoriale Rituum"; and all three kind … Read more
Other write-ups I see of Tomorrow Never Comes are basically calling this Rancid V, Part 2. The cover art looks a bit like the back of that album, actually. And while there is some merit to the comparison, I think that description is misleading. This record absolutely shares that style of short, repetitive, and angry punk songs but it has … Read more
This four track EP is a collaboration of New Jersey's finest as seasoned punk/metal artistes Voice Of Doom and youngblood Robby Bloodshed battle it out to cover classic Misfits songs and then each others songs. Let the horrorpunk battle of the year so far, commence!! Starting off with a sample from the 1938 radio adaptation of H.G Wells's War Of … Read more
“Long is the way and hard, that out of Hell leads up to light.” Since the decayed hands of time turned the page into a promising new decade, a whole lot has happened in this world. It’s been a harder road traveled for some of us than others. There’s been love and loss. Sickness and wellness. Dark and light. Like … Read more
I won’t condescend. I won’t explain to you what ugly means. You know what ugly means. The sale rack at Marshall’s, usually. The concrete apartment complex built in 1992 and never updated. The cake your seven-year-old niece decorated for you. Okay, that one might’ve been a little mean, but the point still stands. Ugly, ugly, ugly. You don’t need it … Read more
This self-titled record is the debut by miniaturized. While it’s their first record, the musicians have also played with the likes of Pinback, Rocket From the Crypt, No Knife, and more. You’ll pick up on hints and patterns from some of those groups here, but this record is an exploration of new styles and territories. While the band formed for … Read more
Atmosphere has always felt like rapper Slug pouring his soul into the mic. It feels authentic and refreshing to hear his humble self-reflection. But after a few albums, it also kind of feels like overload. There’s such a thing as too much emotion and strife. That’s not a knock on Atmosphere’s art, but Atmosphere took a break from each other. … Read more
Divine Punishment was originally released in 1986.. Throughout her storied career, she has pushed boundaries, stayed true to her vision and accomplished an output of never replicated and truly original artistic beauty. Her vocal styling can be something of an acquired taste but once you understand and accept the unique styling you begin to understand how powerful her emotive wailing … Read more
Atlanta, Georgia three piece horrorbilly rocksters The Tomb Tones released their debut album "Pumpkin Guts" in 2020 and are now following up with this brand new spooky foodie fable Ghost of Toast! This album tells the gruesome tale of Bill Higgins, a mill worker for the Miracle Bread Company back in the 60s. It was reported that Bill fell into … Read more
From the first taster of Phantomime... a cover of "Jesus He Knows Me", released in early May, I had a feeling that good things were to come with this new covers EP! This five track EP was released a few weeks after the Genesis cover on May 19th and follows after last years Impera as a between album aperitif which … Read more
When we talk about pop-punk I, and I suspect you do this too, think about bands like Green Day and may drift off to Sum 41 and more bands like that had their prime in the late nineties and the early noughties. Spanish band Lisasinson play something that can only be described as pop-punk, but their sound has little in … Read more
What’s the difference between overabundance and starvation? Between drowning and dehydration? Between far too much and not enough? What’s the difference, then, between everyone else and Night Court? A lo-fi punk trio out of Vancouver, Night Court released their third album, Humans!, June 9th on Snappy Little Numbers and Debt Offensive Records. While their sound may have slightly changed since … Read more
Brand Managers of the Mid-Atlantic is a lot to digest. And not just because of its lengthy title. The album itself has 23 tracks and was recorded over many years (2015-2022). The final six tracks are covers, and it’s more a discography feel than a standalone album, at least to me. The main sound of the record is post-hardcore with … Read more
Ardent Nova is the brainchild of Mike Pardi (Empty Throne). Originally formed as Pagan Thunder about 22 years ago, it was after a dream that Pardi decided to change the bands name to Ardent Nova and by asking in the odd guest solo and backing vocals here and there, Mike wrote and composed this eight track self titled debut album … Read more
It’s something new if you’ve never heard something old before- in the best way possible. Despite the general overcrowding of the UK post-punk scene, Opus Kink cut their own silhouette with My Eyes, Brother!. Opus Kink are a UK based sextet, who released their debut EP, ‘Til The Stream Runs Dry, in June 2022 to critical acclaim. Four singles from … Read more
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