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Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

Nightfreak

Nightfreak
Big Neck Records (2024)

Semi-feral punk outfit NightFreak are back with a self-titled LP filled with breakneck riffs and 70s metal bombast. The Chicago group haven’t slowed down since 2022’s Speed Trials but they have filled out. NightFreak the album is lousy with warm back beats and melodic guitars; although, hardcore vocals and tight drums still reign supreme. Album opener “Blackout” is dead serious about two things: a driving, repetitive, but deeply catchy guitar riff and vocals that would shred anyone else’s throat. The force with which the repeated cry of ‘blackout!’ leaves my headphones might be enough to partially deafen me. When these guys say noise they mean it. “Concrete Jungle Warfare” feels like a collision between 80s English metal gods Diamond Head and any Ontario screamo band from 2007 you care to name. The imagery here gets distinctly macabre and the drums get downright frightening in their precision. “Killers” might be the only track that opens with a riff I would describe as groovy? Can I say that here? Is that completely accurate? Well, maybe. The song itself is all gritty vocals and perfectly coordinated drums and guitar racing along at a fever pitch. I wish the bass got more runtime here, … Read more

Death By Unga Bunga

Raw Muscle Power
Jansen Records (2025)

I’m pretty sure I became aware of Mike Krol when The Whiffs posted about playing some shows with him. Krol … Read more

Celebration Summer

A Little Less Numb
Den of Wax (2024)

I get a lot of music here at SPB and, unfortunately, my memory isn’t perfect. But I consider it a … Read more

Gus Baldwin & The Sketch

The Sketch
Permanent Teeth (2025)

When The Sketch opens, I find myself quickly thinking of “Got The Time” by Joe Jackson. For the most part, … Read more

Chat Pile

Cool World
Flenser (2024)

The great American experiment has a wide range of experiences, but it tends to focus on the coasts. There are … Read more

The Anomalys

Down The Hole
Slovenly (2024)

If I have to give the elevator pitch, I’ll call The Anomalys garage rock with an ear for surf and … Read more

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One from the archives

Think I Care

World Asylum
Bridge Nine (2006)

During the Cold War, the specter of Mutually Assured Destruction formed the backdrop against which many musical and literary statements were articulated, but in today's post-9/11 world there are a myriad of new concerns to take the place of the long-standing threat of nuclear annihilation (which still exists but is now usually placed comfortably out of view). Of all possible responses to the evaporation of atomic age terror, Think I Care chose nostalgia. The cover depicts a devastated metropolis and the title track roars with bitterness: "Look at this asylum we live in…Armageddon can't come soon enough." World Asylum is a record about as pleasant and friendly as a toxic waste dump. This is hard, ugly music that's dripping with contempt; an appropriate soundtrack for a public execution or the … Read more

More album reviews

Pinhead Gunpowder

Unt
1-2-3-4 Go! Records (2024)

Pinhead Gunpowder began in 1990, recording a 7” in 1991. The band last released a 7” in 2008… Until late 2024 when the band returned with the 14-song full-length Unt. So congratulations if you had “we get a new Pinhead Gunpowder record before a new D4 record on your bingo card. (These two bands released a split 7” in 2000 … Read more

The Cure

Songs of a Lost World
Capitol, Fiction, Lost Music, Polydor/Universal (2024)

It's been sixteen years since The Cure released their last album. I don't know if anyone really knew what to expect, but it's one of the most influential bands in history so expectations were high. The Verdict? Those expectations were met. It'd be silly to say Songs of a Lost World is a "return to form" as the band and … Read more

City Mouse

So Far Out
Brassneck Records, It's Alive (2024)

There are few bands that hit with the mix of raw emotion and musical talent as a live City Mouse show. There are even fewer bands that can capture that live feeling on a record. It’s been a long 7 years since Get Right, but So Far Out keeps it moving as if no time has passed. Of course, the … Read more

Machine Girl

MG Ultra
Future Classic (2024)

Ideally, I would be a bit more interested in art. In visual art- paintings, sketches, MS Paint monstrosities- whatever. I wish I knew more about the meaning of a brush stroke or even had the desire to know more about the meaning of a brush stroke. I spend a lot of time listening to music and, subsequently, I see a … Read more

Ekko Astral

pink balloons
Topshelf (2024)

Their music is for people “who are struggling, who are at their absolute lowest". That’s a quote from vocalist and guitar player Jael Holzman talking to The Washington Post. Am I struggling? Am I at my absolute lowest? No. Have I had a bit of a rough patch? Sure (it’s not that bad- don’t worry about it mom). Work sucks, … Read more

Build Us Airplanes

All Things Expire
Sell The Heart Records (2024)

Build Us Airplanes covers a lot of ground on this 9 song LP, All Things Expire. It’s melodic punk for the most part, but with distinct elements of emo, post-hardcore and what I’ll call post-screamo, meaning there are somewhat jarring vocal shifts, but minus the blunt aggression. The overall vibe of this record is angry and somewhat somber, while still … Read more

Lustmord

Much Unseen Is Also Here
PELAGIC RECORDS (2024)

Lustmord, the reluctant pioneer of the dark ambient scene has returned with another expansive work of existential dread in Much Unseen Is Also Here. His arsenal of industrial components, field recordings, and sampling are engineered to evoke a true sense of cosmic horror. While many extreme music acts embrace the terrifying aspects of the Lovecraftian literary corpus, few can transmit … Read more

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more

Buñuel

Mansuetude
Overdrive, SKiN GRAFT (2024)

With a stellar line-up featuring vocalist Eugene S. Robinson (ex-Oxbow), guitarist Xabier Iriondo (Afterhours, A Short Apnea), bassist Andrea Lombardini (The Framers) and Franz Valente (Il Teatro Degli Orrori), Buñuel return with their sophomore record, Mansuetude. A true follow-up to Killers Like Us, Mansuetude further exposes Buñuel's dark, twisted noise rock, from the get-go with "Who Missed Me." The dark … Read more

Night Court

$hit Machine
Recess (2024)

Forget all the stereotypes about punk. Night Court are a punk band, but they aren’t nihilistic or aggressive. Instead, they’re scrappy and DIY and -- while they are certainly cynical at times -- they carry an air of positivity. It’s a well-defined sound on the band’s fourth LP, with 17 bouncy songs to singalong to. “Human Torch” is a fitting … Read more

Pharmakon

Maggot Mass
Sacred Bones (2024)

Pharmakon's body of work is a visceral etude on the human condition. Since 2013 with the release of Abandon, Margaret Chardier has explored the darkest sides of the human mind, psyche, and body through the fierce nature of power electronics. This path resulted in the absolute highlight with 2019's Devour, with Chardier perfecting her style. Noise storms raging, abstracted rhythmic … Read more

Mouth Wound

Tallow
Handmade Birds (2024)

Alright! Handmade Birds, easily one of the most important underground extreme/experimental labels of the '10s, is entering a new phase with their Literary Criticism series of releases. The introduction is now upon with Mouth Wound, the project of artist extraordinaire, Trine Paaschburg, who dives head first into the intersection between dark ambient, noise, and industrial. Paaschburg has already been making … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)