Mogwai is a band that is extremely difficult to like. Though they are one of the cornerstone bands of the post-rock genre, their discography lacks a lot of the consistent strength found with acts such as Explosions in the Sky or Long Distance Calling. Don't misunderstand me; they have released some fine albums (Mogwai Young Team and Ten Rapid in particular). Overall, however, their output is decidedly mediocre. I guess what I'm saying is that expectations were low for their latest effort, Hardcore Will Never Die, But You Will.Unfortunately, Hardcore Will Never Die turned out to be almost exactly as predicted. It has its share of stronger points, sure, but overall the album turned out to be on the weak side. A lot of the pieces are too floaty to really go anywhere, and a lot of them struggle to be anything other than a bore. There are an assortment of enjoyable riffs and motifs amongst the chaff, but Mogwai manages to take them and construct rather aimless pieces. For example, “Mexican Grand Prix” is entirely too repetitive, even for post-rock standards. It has almost no musical or dynamic movement whatsoever, making it an extremely static listen. “Rano Pano” winds … Read more
Taking Back Sunday were once the face of the new alternative underground movement often labeled as “emo” but over the … Read more
When The Riverboat Gamblers released their last full length, Underneath the Owl, many fans were put off by the cleaner … Read more
Before your red flag goes up, we are not talking about the "crab-core" group, Attack Attack. Don't worry; I was … Read more
Few bands have the creative power, material, and time to put out an album annually since its inception. Portugal. The … Read more
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"worker bees can leaveeven drones can fly awaythe queen is their slave"- Chuck Palahniuk, Fight Club When people talk about music (assuming people actually do still talk about music), they'll typically begin by discussing the style or genre they like. If the other person then hasn't begun silently searching for Buzzfeed lists and the conversation continues, it can go in any number of directions - favorite bands, lyrical content, whether or not Dave Grohl has played with them. But the one topic that is rarely discussed - the one bit of criteria often overlooked, is the honesty of the music. I'm not talking honesty in the contrived, manipulative sense. I'm talking about a complete lack of pretension - a warts and all presentation of who the artists are and what … Read more
My money is on the simple fact that it will take you longer to read this than it will to actually listen to Orphan, the latest album from the estimable grind group Gridlink (their pedigree alone is enough to warrant paying attention to the music this outfit is creating now) and that is not a knock on the album at … Read more
Thievery Corporation has always been a bit of a musical Janus: one face obscured in the revolutionary stylings of Subcommandante Marcos, the other the visage of one of the most commercially successful acts in their scene. Their lyrics and album art all call for an end to the economic slavery of the international monetary system. Yet, they’ll still cash a … Read more
Chalk up another one for the misleading band name file—Something Fierce makes me think violent and brutal, which definitely isn’t what this Houston group is after. The walking bassline and jangly guitars of the opening track on Don’t Be So Cruel establish a mood of calculated cool that relies on bounce and rhythm instead of aggression. To borrow from the … Read more
The Duo of Herra Terra seemed to come out of nowhere when their signing was announced by The Mylene Sheath. Seemingly no prior releases could be found and just the usual myspace was available to see online. What was noted early on is that Herra Terra were going to be the odd band out on the label. Known generally for … Read more
Gifts From Enola should be fairly recognizable to anyone into the post rock scene at this point. The Virginia based band have been putting out music and logging road time for the better part of 6 years at this point. The band have worked hard to progress their dynamics-laden post rock sound. So it comes as little surprise that after … Read more
Hands That Pluck is uncompromising. The final album under the Caïna name for (one man) band leader Andy Curtis-Brignell is intense. Vocally, musically, and lyrically. This is an album dealing with the subject of finality - even more so because it will be the last Caïna release - with ideas of religion and will making numerous appearances."Profane Inheritors" gives you … Read more
Admittedly, I was knocked off my seat when I first heard Iroha (their split with Fragment, Bittersweet was an engaging listen) and immediately began awaiting the release of their first LP; but herein lies the problem, there was waiting and waiting and more waiting until I literally forgot about this record coming out at all (which certainly is a shame). … Read more
This album begins with a short acoustic introduction. With tense melodic vocals leading to background screaming. this song lasts for under a minute and does little to really prepare one for the rest of the record. This California band tends to traffic in semi melodic hardcore blasts. This belies their name for certain as most would attribute the band name … Read more
Dream Theater is beginning to stagnate. Queensrÿche has jumped the shark. Nobody even knows what Devin Townsend is on anymore. In fact, it would certainly seem that Symphony X is one of the gracious few progressive metal acts that's actually been getting better as of late. While The Divine Wings of Tragedy or V: The New Mythology Suite will always … Read more
Spraynard hail from Pennsylvania and they play a style of punk that blends the varied melodic subgenres of punk rock (East Bay, beard punk, pop punk) to create their own identity—there’s a familiarity from their influences, but it doesn’t squarely pigeonhole them under a specific label. The band utilizes up-front bass that delivers the melody while the gruff, gruff vocals … Read more
I have long been a fan of the split record format for a few reasons. The simplest one being a matter of attrition—two bands, one record. Sometimes it is seasoned vets paired with upstarts, like Misery and Hellspawn. Other times it’s the covers idea—each band's songs being covers of songs originally performed by the other bands, like the BYO Records … Read more
Do you listen to music that reflects your mood, or do you listen to music to alter just how you are feeling? A simple question really but one that means serious implications for people’s listening habits, it certainly goes back to what Rob Gordon says in High Fidelity, “What came first, the music or the misery? People worry about kids … Read more
After a few years of anticipatory mixtapes, the debut album by Radom Axe has finally seen the light of day. A multiregional supergroup of sorts, Random Axe is comprised of three men who have cut their teeth in the hip-hop underground: Detroit’s Black Milk and Guilty Simpson and NYC’s Sean Price. Individually, these three carry lavish resumes, but as a … Read more
Separation is not a complicated album nor is it very diverse, yet Balance & Composure have managed to create a record that truly sets them apart from their peers. While that in itself is quite an accomplishment, what is astonishing is the fact that this is the bands debut full length. Though the name Balance & Composure may not stir … Read more
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