The Gateway District’s debut, Some Days You Get the Thunder hooked me immediately yet, to this day, I can’t single out a standout track or identify just what about it grabs me. I just like the record. The whole thing, not an iTunes cut here and there, as is wont these days. It’s with similar feelings I find myself listening to its follow-up.The band’s resume is an impressive collection of Minneapolis pop punk and their substance revolves around bouncy chords and a steady, peppy beat, with the dual vocals of Maren Macosko and Carrie Bleser serving as the primary melodic vehicle (especially in Macosko’s voice that, at times, recalls her Soviettes past). The energy that comes forth through the songs is incredibly positive despite the lyrics treading on downer subjects, starting out with the record’s opening line, “Ain’t that the sun setting on your lie?” Generally, this involves reminiscing on past experiences: soured relationships and ill-begotten associates, all colorfully described with lyrics about personal experiences, layered with imagery about walking through city streets and an occasional river reference, that makes the personal material more accessible.So what does the record sound like? Well, it’s more focused than their debut—gone are the … Read more
The title of Twin Cities trio Condominium’s latest is quite misleading. Warm Home is not the record you put on … Read more
In the past two years there has been some speculation about the Gallagher brothers. Even during their career as Oasis … Read more
Did you ever just get constantly impressed with the evolution that an artist or group of artists make through the … Read more
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When listening to the debut album of Primitive Man, Scorn, back in 2013, one thing became perfectly clear about them: they are fucking serious about their music. The blackened sludge band from Denver does not exhibit the signs of their friendlier counterparts within the subgenre. Their dystopic vision back in their independent first release was overwhelming and all-consuming, and it has continued to manifest itself in that way in everything the band produced afterwards. The split albums with acts such as Hessian (make sure to check out their album Manegarmr), Xaphan, Hexis and Festir followed the release of Scorn, with Primitive Man also signing with Relapse Records, through which they unleash their newest EP, Home Is Where The Hatred Is.The core of the band stands within sludge, offering some rotten … Read more
It's pretty easy to get inside Steven Wilson's head. It's abundantly clear from his works with Porcupine Tree that the man has a fetish for 1970s era progressive rock à la Pink Floyd, Yes and King Crimson. Sure, Porcupine Tree has also picked up influences from modern extreme metal, but nobody can deny that the roots of Steven Wilson's pet … Read more
Jimmy Cliff sounds pretty spry for a 63 year-old. The reggae legend is a Rock and Roll Hall of Famer (whatever that means) and holds England’s esteemed Order of Merit in addition to releasing several notable albums. Cliff hasn’t released a record since 2004’s Black Magic, but this teaser EP for a forthcoming 2012 LP raises the bar. The CD … Read more
Well, that was a short album. At only thirty-five minutes long, doom/sludge metal group Giant Squid have almost halved the runtime of their previous album, The Ichthyologist, for the release of their third studio album, Cenotes.But what does brevity matter, when the music is top quality? This album is every bit as weighty as the giant squi--er, creatures on the … Read more
Junius and Rosetta are two odd bands to select for a split. It's hard to imagine the sonic distortion of the band behind The Galilean Satellites matching up with a band as mellow (in comparison, anyway) as Junius.Their contribution, “A Dark Day With Night,” sounds eerily ethereal; the sweet nature of the writing feels almost at odds with the sorrowful … Read more
Following the release of Beacons in 2010, musician Ben Sharp began releasing a series of short, acoustic instrumental loops on his blog. At the time, they were nothing more than a set of enjoyable curios. They sounded like some of the earlier post-rock material he had released as B. M. Sharp before starting Cloudkicker in earnest, and they were far … Read more
I was actually quite excited when I heard the trio Brainkiller's new album, The Inflitration, described as a mix between jazz, prog, and psychedelic music. I listen to a fair amount of all of those genres, so I thought it shouldn't be a half-bad listen at all. I retrospect, I suppose I should have thought it over a bit more: … Read more
It's hard to describe the nature of Between the Buried and Me's new project, The Parallax. It is kind of like a double album, except not quite. It's divided into two releases, an EP and a future full-length album, that together tell a story about...well, honestly, I'm not quite certain. It's written pretty obtusely. But that certainly won't stop me … Read more
Beware Of Safety are a Post-Rock band. Sounds simple and plain enough. As they do reside in a genre known for aping their forefathers in a near religious way does little for any band that chooses this route. Many of these bands rely on what the first 3 Mogwai albums taught them. Start calm, build with some heavy parts, climax … Read more
I have immense respect for Björk. She combines all of the showmanship and bombast of pop artists like Lady Gaga with the complex and intricate composition skills of electronic artists like Aphex Twin. She's one of the few pop artists that continue to push their own creativity with every release, and it is more than clear on her eighth studio … Read more
Going in to this album blind seems like a fun proposition for me (Handmade Birds has introduced me to a plethora of new bands this year) because discovering exciting new bands is one of my favorite activities, and let me tell you, Crooked Necks were another huge surprise that thankfully did not fly under my radar for me to regret … Read more
When I first heard the NY band Timeshares, I knew they were going to be a punk band to lookout for. After excessively playing the few songs they had and their split with Captain, We’re Sinking, the guys finally released their first LP Bearable. I have to admit—it was definitely worth the wait. Each song off of Bearable varies in … Read more
After being slowly consumed by the subtle graces of In Fades (the debut cassette from this project), the longing for another recording from Greys similarly began as a slow ache until thinking about it became a weird tic (ask certain people that I will not name and they can corroborate my incessant pestering over the next Greys project); and then … Read more
Bayonet is a Jersey super group or sorts. taking members from such bands as Senses Fail, The Banner among others. In any situation like this it is hard to tell if the project is really a band in itself or merely something spat out for fun. One can hardly assume what this will sound like as each members prior (or … Read more
In the long-honored tradition of solo records from Guns N’ Roses members, Tommy Stinson delivers One Man Mutiny. Of course, Stinson has an intriguing back story—he joined the legendary Replacements at age 13, playing with them and even getting manager Peter Jesperson to sign off as a legal guardian for touring’s sake. But that was thirty years ago. The purpose … Read more
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