Lake Of Blood hail from southern California, yet are producing the kind of metal you'd more than likely associate with a scene much further north than that; Cascadian black metal is a genre full of atmosphere, full of passion for nature and the preservation of the world we live in. Full of aggression. And Lake Of Blood have taken all that, and completely made it their own. My first taste of this band came when I stumbled upon a split they put out with Panopticon. Having an EP and that split under their belts, some time was spent in the studio and As Time And Tide Erodes Stone was the end result. This may be a two track album, with a thirty minute or so running time, but it takes you in so many different directions that multiple listens are key.The first track introduces itself with the sounds of waves crashing against the shore. "Proxigean Arcanum" is a seventeen minute behemoth that never fails to hold your attention; the pulsating drums, incredibly intricate guitar work and vocals dredged from the bowels of despair capture you from the first second they are heard. You want to know where this story is … Read more
This is like a new school thrash of the titans album. Both bands have made their names being basically thrash … Read more
So here it is, the final album in the highly awaited Devin Townsend Project tetralogy. Three other releases have led … Read more
There should have been no way to fuck this up.So imagine you've set out to write a progressive metal album, … Read more
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There is a caustic, angry, and somewhat aimless feel permeating Swear to Me that convinces me that Brainworms is a good name for the band. They remind me of a lot of 80s punk where the band does one dissonant thing while the singer goes off into his own world. Every so often the two different styles converge, bringing a powerful nexus as a result, but in the meantime what you hear is a meandering wall of anger. The record generally utilizes this approach in every song, but Brainworms keeps from redundancy with an instrumental track in the middle and "Whatever, That's How You Get Famous," in which singer Butler begins the song with a spoken word delivery that falls between Jello Biafra and Lee Raback of Warsawpack, continually speeding … Read more
Although the Indie-Emo genre has been getting over-saturated with new artists lately, there are a few that wear the title suitably; By Surprise are one of them. They take the sound and mend it into something that’s a little more adventurous, anthemic, and sometimes even quirky. By Surprise’s debut full-length, Mountain Smashers, gives us a bird’s eye view of a … Read more
Seabuckthorn is the one-man solo acoustic project of UK guitarist Andy Cartwright. He's listed as similar to artists like Grails, John Fahey and James Blackshaw, but I hear him almost as an instrumental version of Splinterskin. Even though his debut album In Nightfall is only slightly over twenty minutes long, there is an unexpected amount of maturity to the material.Cartwright … Read more
After 10 years since their last release, Grey Area returns with 2 new songs. They’ve brought along Go Rydell—the melodic-hardcore up-and-comers who are fresh off their well received debut album. Together they deliver a powerhouse, 5-track split.Grey Area’s half has the band blistering through two melodic-hardcore, blended into pop-punk, tracks reminiscent of The Bouncing Souls mixed with Lifetime. The first … Read more
Much has been said about this project - spanning a vast ocean, two continents and many genres in between - so I don't feel the need to get into too many specifics about them. The two behind the band are Heinali, based in the Ukraine, and a composer of ambient soundscapes and electronic drone-like beauty, and Matt Finney, an American … Read more
This two person project that spans continents has gotten a bit more attention in the past year or so. Having released a couple of EPs online (with a small number of physical pressings) along with a few covers and a soundtrack for an art installation. All of these things give insight into this project the covers including Joy Division and … Read more
Mogwai is a band that is extremely difficult to like. Though they are one of the cornerstone bands of the post-rock genre, their discography lacks a lot of the consistent strength found with acts such as Explosions in the Sky or Long Distance Calling. Don't misunderstand me; they have released some fine albums (Mogwai Young Team and Ten Rapid in … Read more
Taking Back Sunday were once the face of the new alternative underground movement often labeled as “emo” but over the last few years they seemed to have lost their footing. After losing pivotal member in Fred Mascherino and releasing the uninspired New Again, an album that met a negative critical reception, many fans including myself gave up on the band … Read more
Jesuit is the kind of band that your older brother (I would say sister, but women should hate this band now just like they did back then… for more information get a physical copy of this and read the ridiculously humorous liner notes) shows you when he catches you listening to some terrible pop or even the latest trend of … Read more
When The Riverboat Gamblers released their last full length, Underneath the Owl, many fans were put off by the cleaner production and poppier approach. Their newest EP, Smash/Grab, was a return to the raw sound and more aggressive song writing, but offers something different by blending in a bit of Garage-Rock.The first of the 4-song EP is arguably the weakest … Read more
Before your red flag goes up, we are not talking about the "crab-core" group, Attack Attack. Don't worry; I was wary of the same thing. No, Attica! Attica! is the complete opposite. It's the moniker undertaken by De La Hoya and Marathon vocalist, Aaron Scott, for his solo folk-punk project. In September of 2009, he released his second full length, … Read more
Few bands have the creative power, material, and time to put out an album annually since its inception. Portugal. The Man do just this, having released their sixth full length album since their 2006 debut, Waiter: “You Vultures!” For such little time between each release, lack of evolvement is of no concern. P.TM have gradually developed from early rockers with … Read more
My money is on the simple fact that it will take you longer to read this than it will to actually listen to Orphan, the latest album from the estimable grind group Gridlink (their pedigree alone is enough to warrant paying attention to the music this outfit is creating now) and that is not a knock on the album at … Read more
Thievery Corporation has always been a bit of a musical Janus: one face obscured in the revolutionary stylings of Subcommandante Marcos, the other the visage of one of the most commercially successful acts in their scene. Their lyrics and album art all call for an end to the economic slavery of the international monetary system. Yet, they’ll still cash a … Read more
Chalk up another one for the misleading band name file—Something Fierce makes me think violent and brutal, which definitely isn’t what this Houston group is after. The walking bassline and jangly guitars of the opening track on Don’t Be So Cruel establish a mood of calculated cool that relies on bounce and rhythm instead of aggression. To borrow from the … Read more
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