I’m a sucker for punk/pop bands, but not just any crap. They have to have it all: great tunes, catchy hooks, and plenty of attitude. The Biters are just that kind of band, with a mix of power pop and punk with a dose of glam thrown in for good measure (think T-Rex). This is the third EP from the band and they stick with what they know and do best: cranking tunes with attitude and that classic feel. You can hear the influences in all of the songs on this new EP, anything from the aforementioned T-Rex to Thin Lizzy and Cheap Trick. This EP has been getting good press and for good reason, it is a well-crafted mix of tunes that have a sound that is missing in the music being pushed around nowadays. The first cut on the album, “Born To Cry,” is a flash back to the 70s with the twin guitar attack and a nice beefy drum beat. It has a great pop melody and a catchy chorus (“If the boys wanna fight you better let ‘em”) that reminds me of some of the better bands that were putting out single during the 70s Boston … Read more
All right, it's time for me to flash my hipster / indie cred. I was totally into sleepmakeswaves while they … Read more
Low Places have done much in a short time. Coming out of California with a style that is unlikeable to … Read more
Bad Sports made a smart sequencing decision by opening Kings of the Weekend with “Off Switch.” The punk burner has … Read more
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Cleveland-based Salt the Wound has been festering in the depths of the metal world since their formation in 2001. With the release of their debut full-length, Carnal Repercussions, the band will finally come to the attention of headbangers around the world. Carnal Repercussions is a twelve-track foray into the world of melodic death metal, thrash, grindcore, and modern metalcore. The five-piece outfit delivers a well-balanced mixture of these sounds with the death metal and grindcore taking the driver's seat. A good comparison would be a sound falling between The Black Dahlia Murder and Lamb of God, but supplanted with some of those Florida death metal riffs. Salt the Wound do what they do well, but after a while this kind of music starts to all sound the same. While I … Read more
Boris' sound is defined by their insistence on rocking the fuck out. Their earliest works, like the classic albums Heavy Rocks and Pink, revolve around taking heavy metal and, to borrow from Sp?n?al Tap, taking it up to eleven. These albums have an absolutely huge, dirty quality to them that leaves Boris' peers in the dust. So Boris released their … Read more
I absolutely love Boris' work ethic. Four new albums of fresh material in one year is more than anyone should be able to ask of any artist whose name is not either Buckethead or Senmuth, and their dedication to stylistic diversity is a commendable trait that's generally unheard of in modern music. What's more, Boris have a history of significantly … Read more
All hail the Cult of the Seven Crowns! Witch-Lord is one of a number of destructive musical forces that is just one head of the hydra meant to smash the world into oblivion, and the difference between those other groups (Gehenna, Gravehill, and others) is massive and due in no small part to the monolithic doom purveyed on display on … Read more
I went into this review fully intending to give this band the middle finger. I can't exactly explain my thoughts behind this, but I can say that it started with how the album was introduced to me:“This self-titled, debut double-LP from Dead To A Dying World is for those who truly appreciate the aesthetic value of deluxe packaging and heavyweight … Read more
So far, 2011 is proving to be a great year for music, and a great year for Indie-Rock. Des Ark's second full length, Don't Rock the Boat, Sink the Fucker, is surely doing its part to earn the genre's such high acclaim. It's an album that took 3 years to record, but the time spent on it paid off. Aimee … Read more
Over the past year or so A389 Records has put out a staggering amount of releases that sit just barely within the confines of metal and hardcore. For every label that insists on putting out breakdown heavy, mosh exercises there are much fewer that choose to stay outside of the simplicity of that. Full Of Hell are one of the … Read more
Before we get into this, there is always the question that you have to ask yourself; and, with Gehenna, it is a wholly legitimate question that will in a very real sense determine your take on bands or music such as this because, truthfully, this is some of the dirtiest smack of reality and desperation that you probably would ever … Read more
Small Pleasures is the first proper full-length from Cornwall, England trio Bangers. To shortcut straight to the point, it’s fitting that this record is released in the US on Kiss of Death, as it fits in well with artists such as New Bruises and Mayflower. They bring straight forward, mid-tempo punk to the forefront, with a focus on melodic gang … Read more
Sutekh Hexen, the name alone has an undeniable air of mystery and darkness that while you may not know exactly what they sound like at this minute but whatever that sound is, you feel in the darkest recesses of your subconscious something telling you to stay away from it; and that little voice in your head might be a smart … Read more
Clinging To The Tress Of A Forest Fire (hereafter referred to as CTTTOAFF for ease) hail from Denver, Colorado and deal in heavy as hell grind in all it's misanthropic glory. Coming to my attention only recently (sorry, I completely missed the boat on this band initially), they just released this split with French group Nesseria on Throatruiner Records. About … Read more
Diarrhea Planet are a garage punk band simple as that. The band make a raucous noise that fits neatly into that basic genre with hints of pop in its structures. Everything is overdriven and sounds like it is on the verge of falling apart any second. The guitars are catchy but nowhere close to clean sounding. The vocals are snotty … Read more
Answer Key Records, the new record label formed by Bridge & Tunnel's, Jeff Cunningham, chose How Do We Jump This High's, Funny/Not Funny, for the label's first release--a quartet comprised of members of the short lived Get Bent and Frame. Together, they blend their sound into one melodic-punk explosion. Funny/Not Funny picks up where the band's first EP, Deep Stationary, … Read more
Evil can come in many forms. Everyone can explain the evil in any number of things man can perceive. More rare than that is a true embodiment of evil within a musical context. Many times this gets narrowed to various types of metal. While bands like Slayer seem evil on the outside a look below the surface makes it clear … Read more
The hype had been building for Night Birds’ debut. They’ve released three 7”s and the band, feature ex-members of The Ergs!, Hunchback, and Psyched to Die, and put on a great show at Fest 9 in Gainesville. When that much hype builds, often it comes tumbling back to earth when the actual product is released. Not so for The Other … Read more
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