What is there to say about Legend? The band released an album titled Valediction last year. That album was another entry into the deathcore fan grab. The album while proficient in playing down tuned "riffs" and breakdowns added little to a simple formula already having been in practice by what may now be a million other bands. Generally bands tour for a year or so between releases and come out with full lengths every two years or so. Apparently no one told Legend this as here is another album nearly a year after their first. How does this stack up you ask? Not particularly well to put it simply. While Legend is very clearly capable of playing their instruments they do little to write actual songs. In the records' 30 minute running time i found myself checking time and time again what song i was listening to. This isn't due to impatience as much as up until a brief intro to "Obey" there is little to differentiate these songs. Even then once the song kicks in it sounds much like the rest. The songs exist on a plane of existence that only favors mid tempo mosh with only the occasional … Read more
Ohio prog-metal artist Ben Sharp, moniker Cloudkicker, has been in the forefront of the Internet-based free music community since the … Read more
Deadverse Massive is a group of sorts headed by the duo of Dalek and Oktopus, who also make up the … Read more
There have been a number of bands that have tried to raise the banner of eras part. Whether it be … Read more
Bar none, I have never heard a more wondrous take on the violence of Power Electronics than the Untitled (which … Read more
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So many punk albums start strong and lose their energy by the end. This self-titled debut does the opposite, intentionally starting slow and building up tension with an instrumental and then gaining momentum all the way through. It seems the Santiago, Chile-based band released this demo last year and it’s made the rounds, now getting a USA cassette release via Iron Lung. Google tells me the name translates to something akin to “Gaslight,” and that should point you at its tone a little bit. Luz de Gas is pissed off, raw and primal punk. It’s angry, but with contrarily positive energy on a more-or-less live-sounding recording with evenly mixed rumbling bass, pounding drums, and power chord guitar that pairs with the vocals for melodic direction. The word “demo” is apt … Read more
I wasn't even aware Yes was still together at this point, let alone technically the same band. I guess as long as Chris Squire is playing bass somewhere on the album, it instantly becomes a Yes project. The again, Steve Howe and Alan White are also in the studio for this album, so with 3/5ths of the optimal Yes lineup … Read more
It would be hard for Emily’s Army to disassociate from their bloodlines: Don’t Be a Dick is produced by Billie Joe Armstrong, shares a similarity in layout, art, and font to Green Day and the record itself is on Adeline. Yes, this is the debut from the California band featuring Joey Armstrong on drums (son of the Green Day frontman). … Read more
Lake Of Blood hail from southern California, yet are producing the kind of metal you'd more than likely associate with a scene much further north than that; Cascadian black metal is a genre full of atmosphere, full of passion for nature and the preservation of the world we live in. Full of aggression. And Lake Of Blood have taken all … Read more
Flippant is a word that popped up on the of Bandname's press sheet. Take their moniker into account and add the heavy slackerism that permeates everything they touch on their debut full-length, Breakfast, and that seems an appropriate description. The Philadelphia three-piece play pop punk that's run through an organ grinder with 90s alternarock, distortion-heavy garage and, more or less, … Read more
This is like a new school thrash of the titans album. Both bands have made their names being basically thrash metal bands each with their own slight twist. So you know the basics of what you're getting yourself in for. Heavy drums screaming solos and nasty beer soaked vocals. Both bands bring their best to the table and see what … Read more
The fact that this album is self-titled is really surprising. A self-titled album usually represents and displays everything the artist embodies. Their most predominant musical characteristics, if you will. For Justin Vernon, Bon Iver is not his standard modus operandi. It’s way better than that.The album starts off with “Perth,” a really powerful introduction to the journey you will be … Read more
So here it is, the final album in the highly awaited Devin Townsend Project tetralogy. Three other releases have led up to this album, the culmination of years and years of work! Sure, a lot of the material released up to this point has been lacklustre, but that doesn't matter! This is the finale, the topping on the cake, and … Read more
There should have been no way to fuck this up.So imagine you've set out to write a progressive metal album, and your aim is to create a really light, jocular atmosphere while keeping the music heavy as all get out. Naturally, Devin Townsend is the number one choice for such a creation. Now imagine that you have a guest list … Read more
Although the Indie-Emo genre has been getting over-saturated with new artists lately, there are a few that wear the title suitably; By Surprise are one of them. They take the sound and mend it into something that’s a little more adventurous, anthemic, and sometimes even quirky. By Surprise’s debut full-length, Mountain Smashers, gives us a bird’s eye view of a … Read more
Seabuckthorn is the one-man solo acoustic project of UK guitarist Andy Cartwright. He's listed as similar to artists like Grails, John Fahey and James Blackshaw, but I hear him almost as an instrumental version of Splinterskin. Even though his debut album In Nightfall is only slightly over twenty minutes long, there is an unexpected amount of maturity to the material.Cartwright … Read more
After 10 years since their last release, Grey Area returns with 2 new songs. They’ve brought along Go Rydell—the melodic-hardcore up-and-comers who are fresh off their well received debut album. Together they deliver a powerhouse, 5-track split.Grey Area’s half has the band blistering through two melodic-hardcore, blended into pop-punk, tracks reminiscent of The Bouncing Souls mixed with Lifetime. The first … Read more
Much has been said about this project - spanning a vast ocean, two continents and many genres in between - so I don't feel the need to get into too many specifics about them. The two behind the band are Heinali, based in the Ukraine, and a composer of ambient soundscapes and electronic drone-like beauty, and Matt Finney, an American … Read more
This two person project that spans continents has gotten a bit more attention in the past year or so. Having released a couple of EPs online (with a small number of physical pressings) along with a few covers and a soundtrack for an art installation. All of these things give insight into this project the covers including Joy Division and … Read more
Mogwai is a band that is extremely difficult to like. Though they are one of the cornerstone bands of the post-rock genre, their discography lacks a lot of the consistent strength found with acts such as Explosions in the Sky or Long Distance Calling. Don't misunderstand me; they have released some fine albums (Mogwai Young Team and Ten Rapid in … Read more
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