It's refreshing to put in a hip-hop disc and not have it bogged down with guest spots featured on every track. In fact, none of the songs on Felt 3: A Tribute to Rosie Perez have any star appearances - besides the rapping duo of Slug (Atmosphere) and Murs, combined with producer, Aesop Roc - as the pair returns with promises of "everything you love about rap in one disc." Aesop Rock definitely makes his presence felt, with more electronic-styled beats than I'm accustomed to with Slug and Murs sharing the mic. To be honest, I was a bit worried that the laid back styles of the rappers wouldn't mesh with Aesop Rock's more schizophrenic style. All that worry was for naught, as the record has a feel somewhere between dancey and aggressive, but with spacey and heavy moments sporadically appearing throughout. Still, it doesn't get bogged down by experimental sounds. Murs shows a lot of range, getting more aggressive when the beat calls for it, and accentuating more diversely than Slug, who mostly rhymes in familiar territory, though both make stylistic adjustments to suit the beats. If you've heard either of the first two Felt records, or the rappers' … Read more
What strikes in a live show doesn't always show evenly on the studio reproduction. My first thoughts on Sound Study's … Read more
Scott Ritcher was one of the masterminds behind the rise of Louisville hardcore in the early 90's. He had some … Read more
During all of high school, Jen dated Zach. Jen was, hands down, the most beautiful girl in our year. Beyond … Read more
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The Bay Area and surrounding areas must have an endless supply of hardcore bands. It seems every week I am discovering a new band from the NorCal scene. Time for Living is the latest band to receive my undivided attention, which they first peaked with their demo. With their Rival Records debut, they are going to garner attention from a lot more people than just myself. After releasing a promising demo in 2002 and a few lineup changes, Time for Living were ready to bring their message to all that would listen. The Cheat is Not Dead opens in typical traditional hardcore fashion as vocalist Donny Shot repeatedly shouts out "time for living." Following the brief intro, Time for Living thrust the listener into a frenzy of face-paced drumming and … Read more
There's a lot to say about this split. First, it features one great name (Mouthbreather) and one lesser one (Environmental Youth Crunch). What strikes me second is the contrast in band styles, though I'll elaborate on this later. And, third, that it's such a solid release with five songs - it's an EP, not a single. First on the record … Read more
After almost five years since their last outing, the Norwegian duo Kings of Convenience have returned with their third full-length, Declaration of Dependence. Erlend Øye and Eirik Glambek Bøe are best known for weaving simple acoustic melodies into lush pop songs akin to a modern day Simon and Garfunkel. Although a return to this musical style is nothing new these … Read more
The demise of Playing Enemy was a tough pill for me to swallow as they were a band that I had followed for a number of years and always thought that they got better and better as their releases stacked up over time. Following the untimely end of that project Demian Johnston and Shane Mehling went on to do a … Read more
Finally a vinyl release for this album is here, and there has been quite a wait since The Lotus Eaters initially released Mind Control for Infants on CD all the way back in 2002 (a seven year lag is pretty impressive). But this record screams to be on vinyl, and thankfully that is now the case. Still, with the lag … Read more
I like to consider myself pretty versed in rock - I listen to a lot of stuff and a good amount of variety. But, every so often, I'll get something that I just can't categorize or explain well. That's not a bad thing at all. In fact, it's a pretty good accomplishment, as long as the wax is listenable. Drunkdriver … Read more
It has indeed been a number of years since we last heard from Bane; their last full-length - The Note - came out in 2005, and with the hectic touring schedule that the band maintains, these seven inches are the first new recording from the band in quite some time (their Ten Year Plus 7" were old recordings that were … Read more
I really wanted to like They Came From the Shadows. I did. And to an extent, I do. There are some very catchy pop-punk songs on this album. But this will definitely not be seen as one of the stronger Teenage Bottlerocket albums in the future. Opening the album is "Skate or Die," which brought me high hopes for this … Read more
Considering how much I've heard about the Naked Raygun reunion, you'd think there would be more buzz regarding The Bomb. Speed is Everything is the Jeff Pezzati led group's first release for No Idea Records. When compared with Pezzati's more renowned group, I was expecting a more contemporary twist. Instead, The Bomb has a strong 80's feel to it, with … Read more
Grindcore is one of those genres where these days you are just as likely to come across an abject piece of music as you are something good. This could be said of all genres but you got to be skilled to provide something original with music where speed is the primary ingredient. The classics brought something new and did it … Read more
Following an impressive debut album (And We Wept the Black Ocean Within) and a nice split and collaborative release (see their record with Nadja called Primitive North), A Storm of Light give their latest album Forgive Us Our Tresspasses to show just how far the band has progressed in the interim. The ten new compositions that Josh Graham (Neurosis, Red … Read more
When was the last time that you experienced an extremely impressive musical project that made your jaw drop to the ground in awe of the scope, execution, and general quality of the complete package (sound, music, record art, record packaging, etc)? Speaking for myself, I know of the last record (or group of records) that I considered exceptionally impressive in … Read more
The Blind Shake are a power-garage trio from Minneapolis. They play highly synchronized, precision rock with guitar, tenor guitar, and drums. Michael Yonkers is a noise-guitar pioneer, having finally gained recognition when Destijl and, consequently, Sub Pop released the 1968 recorded, but never released, Microminiature Love in 2003. The record starts with haunting, dark, and heavy guitars and Yonkers' warbly … Read more
Everlovely Lightningheart was a band (even though championed by Hydra Head for some time) that exists in virtual obscurity. And considering what this collective offers people, aside from a bunch of limited releases (one of which includes an LP that is still only limited to 5 or so copies), the challenging soundscapes on their albums beg to be heard. Sein … Read more
With Hell is Empty Ruiner return with one scathing, vicious, and beautiful album. It was worth the two year wait that fans endured between this Prepare to be Let Down. What Ruiner had developed on Prepare to be Let Down has been greatly expanded upon on Hell is Empty. The songwriting is much more dynamic, and J. Robbins' organic production … Read more
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