It’s no secret Seattle’s Minus The Bear is at the forefront of the complex indie-pop movement. With their fourth full-length, Omni, the band continues their stay at the top, but in a different way than before. On this new album, the band turns up the pop factor more, with the inclusion of more organ parts and straightforward pop-rock songs. “Summer Angel” is a great example of this, as it has the feel of something you would hear on the radio in the middle of summer (imagine that) and would want to blare full blast with every window down. The auditory sensuality Minus The Bear captured on each album is prevalent on Omni, with each song possessing the sassy nature we all know and love. Songs like “Hold Me Down” and “Fooled By The Night” are perfect for late night shenanigans between lovers underneath moonlight and comforters. The lyrical content of Omni is not unlike any other Minus The Bear offering, covering your basic Minus The Bear topics: drugs, love lost, lust had, parties, etc. While I enjoy the lyrics on each of the band’s releases, I would like to hear about more than some guy blowing coke and sleeping with … Read more
First record of new material of Roky's since 1994's All That May Do My Rhyme finds the singer in a … Read more
Ugly and violent. Pissed Jeans don't mess around, starting 2009's King of Jeans with "False Jesii, Part Two," and never … Read more
Early releases from The Riot Before have had an undeniable feeling that the band was primarily Brett Adams’ project. Although … Read more
The Sugar Stems know what sound they’re after, and that’s pretty clear from their name alone. The Sweet Sounds of … Read more
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The sound of Black Spirituals is an amalgamation of various disciplines, lineages and motifs. The duo featuring percussionist/drummer extraordinaire Marshall Trammell and sonic explorer Zachary James Watkins has displayed from day one their tendency to investigate the far edges of the music spectrum. Channelling the improvisational corners of rock, the spirit of free jazz, the modularity of drone music and the processional, ritualistic element of world music, with an African perspective playing a pivotal role, the band has unleashed a series of great releases.The band's debut record Of Deconstruction first displayed their tendency of mixing these elements to create a sound that is immersive and appears to boundless, something that carried on until this day with the release of their latest record Black Access/Black Axes. This is a pivotal record … Read more
Well, all that I can say as this record sits in my hands is that this has certainly been a long, long time coming for Three Mile Pilot; I mean, the simple fact that another album from this group has been a rumor ever since they started practicing for their appearance at Touch and Go’s twenty-fifth anniversary, and now it … Read more
Are late passes allowed in the internet age where people get to hear the latest music from musicians as soon as 2 minutes (give or take due to their proficiency with certain computer skills) and almost always before the record is released anymore? Leaving sat in an envelope in my house for several months (while I feverishly searched for the … Read more
Upon the dissolution of Cursed, many people (including myself) let out a proverbial “NOOOOOOOOOOO!” when we saw that it actually had happened and right on the heels of releasing such a great album (if you have yet to experience any Cursed, you are missing out); but I knew deep down that breaking up one band would not hold the members … Read more
Terrible things are like an early 2000’s super group of sorts. As much as I hate relying on ex member notations for new records this one seems apt. This is a band made up or former members of Hot Rod Circuit and Taking Back Sunday. Please keep in mind that this is not the second coming of either of these … Read more
Paper + Plastick seem to release new albums by fairly new bands at a pretty regular clip. Blacklist Royals are just the newest in that line. The band plays what has become a very popular style of punk rock at this point. Punk bands playing rock and roll is definitely not a new thing. Gaslight Anthem has shown that it … Read more
It’s been said that the second album is always a tough one. Following on from an album that you have been creating for all your life with record label deadlines, baying fans and the increase in expectations often leads to a critical mauling and a mass wave of indifference. Mayhem; the second album by Irish Rockabilly come Jazz singer Imelda … Read more
There are albums that you listen to with headphones to catch every subtle detail in its production. Then there are albums you blast from whatever speakers you have available to you for no reason other than to break the walls and sing along. Iron Chic’s Not Like This is the latter kind of album! After two years, a demo, and … Read more
One of the beautiful things about making music and sonic art, is that the artists and bands can take their work to interesting places at the drop of a hat if they so choose or are somehow led (by emotions, life changing events, calculated maneuvers, etc) to make such a sonic shift (through songwriting changes, production changes, personnel changes, etc); … Read more
This has been one the more highly anticipated records within the punk and hardcore scene in this year. How does a band overcome scene hype and shit talk to make a true album. The question is how does a band that has released to strong EPs parlay that into a complete full length. Many bands tend to fall short by … Read more
A good split record now and then is a great concept by two collaborating outfits, and even though people might be more familiar with one of the artists or groups more so than the other, such records could (and often does) introduce people to new artists and sounds that hitherto had gone unnoticed; in the case of this split album, … Read more
This three-way split features the New Jersey trio Fight Amp, Philadelphia’s Ladder Devils (former members of The Minor Times), and San Francisco’s sludgy Kowloon Walled City. While the three bands play three different styles of aggressive music, the sound of the split as a whole is entirely cohesive. Lose Lose Lose collectively is a great album from the three bands. … Read more
Cephalic Carnage have been around the block. For nearly twenty years they’ve been playing their unique blend of grindcore and technical death metal. When it comes to metal, these guys know what the fuck is up. Their previous album Xenosapien is one of my favorites from any genre to have been released in the past few years. That record was … Read more
Ausserwelt is the sophomore album from Year Of No Light following up their excellent debut, Nord; and while this outfit took a bit of time in between the two records, evidently some turmoil aided in the birthing of the four pieces to be heard on Ausserwelt; the band cleared these issues and underwent some lineup shuffling before finally laying this … Read more
Three long years after New Brains for Everyone rallied cynical drunks everywhere, the Brokedowns have returned with another full-length, this time for Chicago’s Red Scare Industries. From a stomping wooly mammoth adorning the cover to the shout-a-long climactic ending, Species Bender is a record that both celebrates and lampoons a civilization that bears more in common with its caveman founders … Read more
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