I’ve had a range of thoughts about this record as I’ve played it on repeat in recent weeks. At first it didn’t really hit me -- it felt too repetitive and didn’t really jump out from the pack. But that changed as I kept coming back. While circle pit hardcore is well established at this point, Sweat’s Gotta Give It Up hits me in new ways. On a really general level, it falls somewhere between the catchiness of Bridge Nine classics and more pummeling, underground hardcore of the late ‘90s. There’s an intangible energy that pulses through this record. It’s infectious, if saying that isn’t in bad taste nowadays. The same hooks that sound too similar on first listen…They take hold, set in in place, and, well, hook you. When it needs a pick-me-up, throw in some gang vocals and then a bridge. It’s not new, nevertheless it’s still refreshing because the band’s heart and message are so clear. The production is also perfect to get that across, with the raw backing vocals giving a live kind of sound. “Hit & Run” is a stomper to start things off, then the tempo increases into the call and response “Machismo.” This … Read more
Rancid’s 1990s catalog is a unique beast. It’s Clash-influenced street punk. On paper it sounds highly derivative, but its heart … Read more
Bulletproof started out as a band in 2017, playing the underground bar scene in their native Argentina. After a while … Read more
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Surrealistic imagery, lyrical lunacy, and musical fanaticism will always be the staples of Tool. Floating vocals amongst flares of guitars and some of the best drumming this side of Keith Moon's infamous demise. Tool albums all have the inescapable fact that they are Tool albums; they don't sound the same, but that they all sound like Tool. That Tool's brand of intelligent metal and the compulsion of perfection that has been the backbone of everything they've ever created has always carried through and above the vicissitudes and progressions in the many years that pass between each release. And, true to form, 10,000 Days is a Tool album that is, unmistakably, a Tool album, but just doesn't sound like any other Tool album. The song constructs, even the vocal tones and … Read more
1966 saw the first incarnation of Velvet Underground serenaded by the deep alto wails of Nico and resulting in more of a performative shock value prank than a musical act. From the get go it was clear that what Nico brought to the table fundamentally altered the DNA of Velvet Underground and added an idiosyncratic melange of melancholy, gloomy glamour … Read more
I remember discovering Persefone, and their, then, newest album, Spiritual Migration. It was an insanely hot summer day in the shitty college dorms I was staying in. I was digging for progressive metal around on Metal Archives and YouTube. Out of nowhere this video for Spiritual Migration pops in the recommendations. It all seemed alluring so I went for it. … Read more
It’s a tough to summarize Forever Unclean in a neat little genre-name. It’s punk rock, but with elements of ‘90s alt rock, screamo and more. It’s short and concise, energetic and uplifting, yet unpredictable and far more complex than your average 3-chord beentheredonethat. The music is driving but varied: guitar-driven with sing-shouted vocals and lots of surprising-but-not-jarring shifts along the … Read more
There is no question that Burial is one of the pivotal artists of the current era. The electronic musician from London has taken on a transformative journey through the landscape of post-dance music. Techno beats, garage sensibilities, early dubstep notions and far out ambient leanings are melted together through a unique kaleidoscopic vision. It is an evolution that has occurred … Read more
I doubted about reviewing this, but decided to do so anyway. I doubted about it as this is a re-release and I don’t want to make a habit out of reviewing those. This leads to an interesting time-line: this album is recorded in 2017, released on vinyl in 2019 and re-released on tape in 2021. And in 2022 I finally … Read more
I only paid any attention to the news that there’s a new band called Kataan, coming with a self-titled debut EP only because of their connection to Astronoid. Kataan is a duo comprised of Brett Boland (Astronoid vocalist and rhythm guitarist) and Nicholas Thornbury (former vocalist and guitarist for Vattnet). Having a lot of love for Astronoid I decided to … Read more
I don’t get to say this every day, but one of my favorite indie artists dropped new material after basically seven years of radio silence. My entire body lit up with excitement when I saw in my inbox that Theo Young is releasing a new album. Shadowplay, his debut EP, was something I had on heavy rotation a few years … Read more
It seems like genre definitions change based on the era. I swear people were calling Sonic Youth post-punk for a while, but nowadays the tag seems to apply to a dystopian style with distant-emotionless vocals. Of course, genre is a tricky beast. It’s often useful for description and concept, but some artists fall into the trap a little too deep. … Read more
The Carvels NYC still exist! And from what I heard it is only thanks to perseverance from their side. Like so many others the band saw plans fall apart due to Covid. They gave that a positive twist with Live At The Cutting Room. Unfortunately more disappointments followed. I can only admire a band that isn’t willing to throw in … Read more
Wolfgang Amadeus Mozart is widely portrayed as a self-contained musical genius, a prodigy that effortlessly managed to pump out an endless array of masterworks. What makes Patrick Mackie’s book on Mozart an intriguing piece of the literary canon of Mozart is that it offers insight on his worldly dealings, his writing process, the rehearsals, negotiations, travels, et cetera. Mozart in … Read more
Finnish melodic metal quintet Sonata Arctica started out in the mid 90s as hard rock band Tricky Beans releasing 3 demos under that guise before changing their name to Tricky Means a year later and going down a more power metal route than before taking influence from bands such as Stratovarius. Their first demo as Tricky Means, Full Moon, was … Read more
It’s been so long since The Copyrights put out an album that I kind of forgot they’re still active: seven years, according to the press release. But they’ve had a lot going on in that time (haven’t we all), dealing with personal and family issues and such. They returned last year with a big new record though, titled Alone In … Read more
My first contact with Soup was somewhere in late 2020 towards early 2021, so it hasn’t been long since I’ve been following the band. I was really taken with Remedies, falling in love with the epic post rock passages and the sweet and easy-going delivery of the rest of the elements. Not long ago we got a follow up to … Read more
The Carvels NYC released a little single for the holiday season. I know that the season is already over, but this single still deserves to get a little attention from you. So pay attention! On the A-side of this single we find “I Want You Around”. The name might sound familiar. This is a cover of one of their influences: … Read more
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