Punk has always been international. When public intellectuals like Thomas L. Friedman began to trumpet the interconnectedness of a globalized world, American punks had already been booking tours, trading records, and making friends with their international brethren for years. It's a shining example of how the right cultural formation can dissolve political borders with ease - just as earlier rock and roll provided a source of solidarity for '60s radicals, along with well-thumbed Herbert Marcuse paperbacks. This split, from Sheffield-based Dead & Gone Records, presents a cross-channel alliance between England and Norway, as Liverpudlians the Down and Outs team up with Oslo's Death is Not Glamorous. The allied forces take flight over seven inches of pee-yellow (or purple, depending on consumer preference) wax terrain, dealing out three songs apiece (one cover on the Down and Outs side). The Down and Outs are the revelation on this record. Their punk is classicist, in the mold of decorated partisans like Cock Sparrer and The Clash, but with a noticeable jolt of post-Thatcher melancholy - think Leatherface out on the pitch instead of propping up the bar. "Chris Song" is a straight kiss-off, and whoever Chris is, he must've fucked up big time … Read more
Despite the abrasive nature of U.K. garage, Dizzee Rascal has performed the extraordinary task of achieving eminence in various circles … Read more
Jason Schwartzman was first known for being the drummer of the alternative rock band Phantom Planet. But Schwartzman left the … Read more
I've been hoodwinked. Hornswaggled, if you will. Lied to for years. About what, you ask? Well, I'll tell you, you … Read more
Like the Bible's steadfast conviction in the second coming of Christ, I knew this day would someday come. And goddamnit, … Read more
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After relocating from Cleveland to Philadelphia, singer/songwriter Matthew Scheuermann put together a self-titled three-song EP released on Valentine’s Day 2015 under the name of Roses. Working alongside crisp acoustic guitar strumming, Scheuermann’s voice reminds me a bit of Band of Horses vocalist Ben Bridwell or maybe even Jeff Mangum since he has a tendency to sing in a higher register, finding gorgeous melodies when working within the tenor range. Though evident throughout the EP, the singer’s ability to craft a flowing, story-like narrative particularly shines through on second track “Preacher. Having a semi-tragic sort of feel to it, an especially resonant accompanying guitar provides a strong base that the almost plaintive vocals can soar on top of. Meanwhile, album opener “Boys” features glowing piano and a bit of fuzzy background … Read more
Split CDs are never a good idea because you usually don't have any clue what's going on, especially when you have two bands that sound alike. At least with vinyl, you have to make a conscious effort and turn the piece of wax over. Maybe the first GNP Split Series will be the split CD that changes everything for me. … Read more
Complain all you want about the state of modern music. Yes, we have to deal with fake soul like Maroon 5, fake screamo like The Used, and fake men like Panic! At the Disco. But it's still a remarkable thing that heavy music with abrasive screaming has become at least partially mainstream. You won't usually hear it on radio, sometimes … Read more
When I first heard Sonic Youth, I didn't know about their formidable New York hipster cachet: Glenn Branca confederates, initially hated by Village Voice snob Bob Christgau, ex-No New York alumni (at least before Steve Shelley got behind the skins), etc. I had no idea that this was the band that bridged hardcore and the downtown gallery scene - how … Read more
With the over saturation of the industry, technology making the ability to record a feasible option for anyone who has ever picked up an instrument, and the Internet spreading music like the plague, what's often lost is authenticity. Currently, there are waves upon waves of like sounding bands making it easy to get flustered and discouraged in a search for … Read more
I'm having real trouble introducing this band. How could I set up a band that's been covered by Isaac Brock and is still humbly putting out albums like they want to? I kind of feel weak for trying. In an almost too basic description, Six Parts Seven are an epically beautiful down-tempo instrumental group. I know you're thinking, "Another instrumental … Read more
Black metal and obscene, blasphemous imagery are like peanut butter and jelly"¦they were essentially made to go together. Of course in a sea of peanut butter as huge as the black metal scene is, it's usually hard for one band to spread on enough jelly to really stand out amongst the crowd. In 1991 Sweden's Marduk took this into account … Read more
Surely by now, almost everyone within the underground music community has heard of Napalm Death. If you have not yet (what rock have you been living under?), check out Albert Mudrian's Choosing Death: The Improbable History of Death Metal and Grindcore for a bit of a history lesson. This book gives an excellent synopsis of the early history of Napalm … Read more
Back in 2006, a small post-punk quartet from Newmarket, Ontario hit the club scene and blew people away with their brilliant live shows. They then released their first album to critical acclaim and became a major Internet buzz band. Tokyo Police Club has returned in 2007 with a short but sweet three song EP that is the follow up to … Read more
First things first, where the bloody hell is the Roman numeral? This is Tiger Army IV: Music from Regions Beyond, not just Music from Regions Beyond. I feel a little lost and confused with a Tiger Army album title like this. And only eleven tracks? Who is in charge here? I demand they get back in the studio and give … Read more
It has been a long time since I've heard a pretty singer-songwriter record reminiscent of Bruce Springsteen and Van Morrison's less folk-based records. Behind these legends there lies a giant gap of singer-songwriters varying from reasonably known to cult artists. Jesse Malin's third solo record, Glitter in the Gutter, is a good record for all who like this kind of … Read more
For the most part, the state of music - underground or major label - is stale and nothing more than a regurgitation of what has been previously done. But there are those rare gems, those bands that do something that is just a little bit different, that exist and make you excited about music. It's been quite a while since … Read more
Sometimes a record comes along that just floors me and it's hard to find words to put to paper. I've had a couple of records do this to me lately and Dead Hearts most recent effort, Bitter Verses, is one of them. If I had to choose three words, and three words only, to describe this release, they would be … Read more
The Ergs are self-proclaimed dorks. The great thing is that they are dorks that can write some great hooks. Upstairs/Downstairs is simply The Ergs latest example to demonstrate their ability to write infectious songs about girls and other pop-punk staple subjects. Upstairs/Downstairs delivers where their debut full length, dorkrockcockrod, set the stage for and where last year's EP, Jersey's Best … Read more
The Underground is a Dying Breed is a surprising comeback for Hot Rod Circuit. It appeared that even diehard fans were left disappointed with 2004's Reality's Coming Through. The album's blandness was an especially hard blow considering that their 2002 Vagrant Records debut, Sorry About Tomorrow, was on par with their much-loved Triple Crown Records material. Hot Rod Circuit had … Read more
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