Disclaimer: Whenever a reviewer has no idea how to end a review - a more common occurrence than the reader might think - the reviewer is forced to employ the cheapest of literary tricks: the disengage. By taking the reader out of the narrative flow with an aside that is thought to be clever, but in reality is fooling no one and should be taken by the reader for exactly what it is. Dumb. The following is just such a review. Further Disclaimer Whenever a reviewer doesn't have the sac to admit his own inadequacies, he will hide behind the curtain of "all reviewers do this," when in fact, all reviewers do not, and sit, confused, along with the reader saying perhaps aloud, "What the fuck is this moron talking about?" This is just such a review. Black metal doesn't need to be taken seriously. Sometimes it wasn't even taken seriously by the ones making the music. This posturing dates back to the eighties when black metal was in its infancy and Venom was a band to be feared despite not believing a word of the satanic shit they were dishing out. The ruse continues to this day with Cradle … Read more
In this day and age of "indie" bands selling to kids and having number ones left, right, and center, one … Read more
I don't think I've ever heard an album come from this far out in left field and still come together … Read more
Nearly a decade ago Bad Religion's Greg Graffin released his first solo effort, the miscellaneous American Lesion (miscellaneous because you … Read more
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Terror might be the only band that could have had a successful career in music without playing a single show. The band's demo made its way online via their website and created a tidal wave of positive reviews that praised the band as the "saviors of hardcore." After the release of the demo, the band's first set of shows included dates on Hellfest and Hessfest. With their live shows full of vigor, the hype surrounding Terror continued to grow and consume anything in its path. The band's debut full-length, Lowest of the Low, on Bridge 9 only added further fuel to the fire. The album, partnered with their energetic performances alongside likeminded luminaries Hatebreed, The Promise, Madball, and A Death For Every Sin, continued the band on a path for … Read more
How to Survive In/In the Woods isn't the easiest CD to review, because to put it bluntly, it's not the easiest CD to listen to. How to Survive In/In the Woods is thirteen tracks of experimental, lo-fi, noisy folk music distorted and amplified beyond comprehension. The result is both beautiful and frightening, calming and disturbing, and ultimately one of the … Read more
Reviewing albums isn't an especially technical task. Anyone can do it. But, when you are piecing together your thoughts for an album review, there is a lot to be concerned about. Mainly, will the words put down on paper (or in this case, a computer screen) be an adequate representation of the music contained on the album? More times than … Read more
There are few artists from the last few years that I have enjoyed more than John Erik Kaada. Woefully under-informed was I of his band Cloroform that had apparently been rocking the shit out of Norway and other more fortunate countries than ours for years. It was not until the release of his first solo album, Thank You for Giving … Read more
Remember the days when you and your buddies would get together in your mom's basement to play Dungeons & Dragons? You'd clear the table of Radical Software magazines, set your game up and to make everything perfect you'd put on some King Crimson, Yes, or Goblin records. Don't remember those days? Well that is because you are a twenty-something year … Read more
Is every member of mewithoutYou of the Christian faith? Beats me. I know that the lyrics portray the group as a Christian band, but said term manifests nothing of the actual music. So what does Christian music sound like? Jesus harmoniously praying to his Father? Dead Poetic? Christmas carols? Fuck, man. I don't know. mewithoutYou's music has always attracted me … Read more
2006 has seen the release of plenty of outstanding records from melodic hardcore bands, and as the year is coming to a close you might think the best of the best have already graced us with their presence. If so, then think again. Shook Ones' Facetious Folly Feat has defied all expectations and lands at the top of the heap … Read more
Up and at Them are four kids playing hardcore music. No frills, no fashion, no hideous lyrics about suicide or emotions. Just straight-up hardcore; it recalls Sick of it All and Comeback Kid and is delivered with a distinct lack of irony that is strongly welcome in a music world where "irony" is so often used to excuse poor musicianship … Read more
What are your criteria for a good album, a good record, a good song even? For me, the criteria are many; but there is one that really separates the great records from the good records and that is the ability of a piece of music to elicit a significant emotional response. That tiny requirement means a world of difference. It … Read more
I'm not going to lie to you. This review isn't going to be unbiased. It isn't going to be impartial. It isn't going to be neutral in any way, shape, or form in the way that all good reviews are supposed to be. I'm a big Tom Waits fan; so much so that in 1999, I spent over a thousand … Read more
During the late 90's there occurred a revival of the youth crew sound that had dominated the hardcore scene during the mid-80's up through the early 90's. Today, we are witnessing what I consider to be a revival of the mid-90's metallic hardcore scene. A significant number of bands are stating influence from the likes of Earth Crisis, Integrity, Undertow, … Read more
Though I can't speak for my colleagues, I find it isn't unusual for an album to be given a great review or a poor review, only to find that a few months or a year down the road, my thoughts have changed about said album, and I find myself wishing I had reviewed it differently. So when I gave the … Read more
When bands attempt to emulate the punk rock sounds of the late seventies, there are a couple elevators to enter. The first elevator travels in the direction of older bands at a trajectory so similar to them, it's scary. Scary good. If the newer band had released their songs in the past, they would be remembered alongside bands like The … Read more
I want to say, before I get to my actual review, that I give out a lot of high scores in my reviews because I would much rather write about a record that makes me stoked to listen to music than something that I hate after one song. And American Heritage is a band that I am constantly stoked about. … Read more
In 2005, following Warnings / Promises, Idlewild finally decided that they were a rock band all along and that the folk edges that had been working their way in since The Remote Part were just a side track to their rock band credentials. The result of this epiphany was that there was room for Idlewild to do both a rock … Read more
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