In 2005, following Warnings / Promises, Idlewild finally decided that they were a rock band all along and that the folk edges that had been working their way in since The Remote Part were just a side track to their rock band credentials. The result of this epiphany was that there was room for Idlewild to do both a rock record and a folk record. Rather than fall into the excess of a rock 'n' roll double album, Idlewild decided to remain purely a rock band and that the folk album would be released, separately, under Roddy Woomble's moniker. Co-written with Idlewild cohort Rod Jones, as well as folk legend John McCusker, My Secret is My Silence is the first installment of the resulting duo - a folk album that isn't strictly a folk album and a solo album that isn't strictly a solo album. Opening quietly with "I Came in from the Mountain", the eclectic first half of My Secret is My Silence is already defined as it moves into the surprisingly abrasive, uillean pipes driven "As Still as I Watch Your Face." "Every Line Of A Long Moment," augmented by a wurlitzer and some violins, is about as … Read more
If you're not familiar with the name Jeremy Enigk, I have only one conclusion: you've been living under a rock … Read more
Raise your hands if you've ever spent time as a teenager, on the brink of stepping out into the world … Read more
When Pretty Girls Make Graves released their 2003 album The New Romance, I didn't think there was any way for … Read more
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The band is named Okie Dokie. The artwork is simple and to the point. In other words, Okie Dokie doesn't hide the fact that they're a dirty rock band, blending balls to the wall sleaze rock with fast, sloppy surf garage at its heart. The record is only eight songs, and whatever vinyl format it's on (I received a promo CD), is likely longer than they needed. On further research, it's a 10", which seems a fitting choice. From the first few seconds of "Bad Luck," it's clear by the choppy power chords and Mike Ray-Von's slightly snotty, but mostly aggressive vocals, that the band is all about short, fast, and loud. Loud guitars rule this record, with distorted bass, and little variation between songs. "The Monad" has a hint … Read more
First off, the packaging on this limited release is top notch. It's a screen-printed, foil stamped, cardboard "case" that is all folded like a bit of origami (not really, but it is cool nonetheless). It is a tour CD (you might be able to get from the Auxiliary web store) that served as a teaser for the Young Widows' full-length … Read more
Though I'm sure none of you indie elite need to be reminded, but allow me to assert that Paris Hilton is a piece of shit. It's an obvious statement, sure, but one that is central to wrapping your head around this omnipresent, miasmic phenomenon in our media and celebrity-centric culture. Too often, the question we thinking people - anyone with … Read more
In 1955, photographer Robert Frank received a grant from the John Simon Guggenheim Memorial Foundation to travel the country photographing the American people in all their multiplicity and uniqueness. He was unable to find an American publisher for the resulting book, The Americans, and had to have it published first in France - the reason being that his pictures portrayed … Read more
Calling All Creeps! is the debut EP from The Neon Hookers. Okay, so the band's choice in name isn't the greatest, but 1) most band names suck and 2) haven't you ever heard the phrase "Don't judge a book by its cover?" On their debut, this five-piece outfit from the hardcore factory of Massachusetts serves up seven tracks of rock-influenced … Read more
According to guitarist Adam Fischer, "The Always Open Mouth is the person in the crowd who, when you say something, they yell out 'Fuck you, play another song'." With this in mind, it's not hard to imagine what to expect from Fear Before the March of Flame's third album. Raw and scathing, this is an all-out attack on the ignorant … Read more
Very few bands, after putting out two records that made me cringe, put out a record that moves me. Not very few, make that zero bands, except for Fear Before the March of Flames. Odd How People Shake and Art Damage were both unappetizing attempts to reach some sort of plateau where they could rain down shit on everyone around … Read more
A quick warning before you read this review: This will be the most biased review I've written for Scene Point Blank. Remove from the equation the fact that I have business relations with one band. Remove from the equation the fact that both bands I consider to be some of the best friends I've ever made in the hardcore "scene." … Read more
The vast majority of hardcore that's described as "heartfelt" comes off sounding "cheesy," "uninspired," and "contrived." The "emotive" vocals as "whiny." You get the idea. Southern California and Northern California's respective Final Fight and Life Long Tragedy are two vital exceptions, pioneering their own brand of modern hardcore. With their debut full-lengths in 2005, Under Attack and Destined for Anything, … Read more
When the Big River Floods sounds like Circles recorded it in a basement while drunk. Rough and ragged, the influences that are melted together to form the seven song mini-album slur their way along through confused drum-rhythms, low mix horns and a hell of a lot of rock, country, folk, and jazz. But not in a way that's ever really … Read more
I have been following Hammock's short career so far and have enjoyed everything that they have put out. Their 2004 effort Kenotic and the 2005 release of Stranded Under Endless Sky were enjoyable listens that found their way into my rotation once every couple months or so. With their signing to Darla, Raising Your Voice...Trying to Stop an Echo is … Read more
Premise: An album comprised of five tracks. -Five tracks, man? Pffft, how long could it be? -Like, you know... longer than that Locust joint. -No way? Which Locust joint? -Any of them, and yeah way. -Kayo Dot's on Robotic Empire. So, this album's a combination of spazzy drumbeats, everywhere guitar parts, and harsh vocals - that I love, of course … Read more
A few months ago in Scene Point Blank's Mid Year feature I mentioned that Paramnesia Records had been the record label of the year up to that point, and that I was looking forward to their next release by In First Person. That release is now here, and with it comes the solidification of my belief that Paramnesia is the … Read more
I don't know about anyone else but when I get a new album I don't listen to it right away at first. I usually check out the song the titles, then I look at the thank-you list, and then read over some lyrics just I can get a feel for the band before I actually listen to the music. Sometimes … Read more
Born from Pain's fourth full-length, War, is the next logical step for the Dutch masters of hardcore. The music still draws heavily from the 90's New York hardcore scene as well as hints of late 80's thrash metal. But in addition to what you'd expect from Born from Pain, the band has thrown in a few surprises to spice up … Read more
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