There are few bands that had as much of an impact on my youth as Celtic Frost. Rising from the ashes of Hellhammer, Thomas Gabriel Fischer and Martin Eric Ain released the seminal album Morbid Tales. The year was 1984 and to say this album fascinated me was an understatement. Even though I had been listening to the heavier side of music for a few years, this was far and away the strongest, most brutal thing my soft, supple 14-year-old ears had ever heard. To this date, I defy anyone with a penchant for the metal to listen to that album and not be knocked on his or her ass. I played it night and day. Dethroned Emperor, Return To The Eve, Into The Crypts Of Rays, they all became the lullabies as I laid my weary, angst-addled head on my pillow each night. Their next two releases, To Mega Therion and Into the Pandemonium brought the band to a whole new level of both brilliance and tension. As Tom Fischer stated in his highly informative book Are You Morbid? "We toy with frequent notions about just giving up the whole nonsense of being in the rock biz". The relationship … Read more
When no one's chomping at the bit, hardcore can easily turn into comfort food. Sing-alongs, breakdowns and carefully placed "go!"s … Read more
The cover of Last Minute Fix's debut effort, Revenge of the Syringe, depicts a bald eagle sitting in an alley … Read more
It's always nice when a band that exhibited incredible promise coming up through indie labels continues to show evolution without … Read more
The opening of My Republic could easily be mistaken for the opening to just about any guitar based album from … Read more
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There are side-projects and then there are supergroups. A side-project is something that a band member fiddles with when they are bored. But a supergroup is a project that no matter how hard it is kept under wraps won't be held back. Kid Kilowatt is a supergroup, a supergroup comprised of members of Cave In (Stephen Brodsky and Adam McGrath), Converge (Kurt Ballou), and Piebald (Aaron Stuart). Guitar Method, the ultimate living witness of Kid Kilowatt has been a long time coming, a really long time coming. This once lost, but never forgotten album features songs that were written over a span of four years and recorded post-mortem. Kid Kilowatt originated as an outlet for its members to play a style outside their everyday norm. This isn't to say that … Read more
Honestly, Tragedy has to be considered one of the best punk bands going right now. Their music is super tight and just awesome. Their lyrics are poignant. The vocals are down right devastating to hear (coming from both of the vocalists). A few weeks ago, I was commenting how it had been too long of a gap between their last … Read more
In 2004, Defiance, Ohio released Share What Ya' Got. While I really enjoyed the record, I often found that the production quality was very weak and it definitely hampered the appeal of the record for many more potential fans. Two years later, the bands' latest effort and second full-length, The Great Depression, seems to have erased the slight complaints I … Read more
This is a pleasant surprise. This is a hardcore record, a good hardcore record. The vocals are just the right fit for the music. I heard these guys before on the Generations record that Revelation released semi recently. These guys have a good hardcore sound with dashes of melody that makes Disconnecting so distinct. "Give Up" leads off Disconnecting with … Read more
The Northwest hardcore scene recently lost an undeniable force with the breakup of fan favorite Champion. Fortunately there is a wake of other amazing bands ready to claim their crown as the kings of hardcore from that region. One of the more promising of those bands is Sinking Ships, a five-piece outfit from the Seattle area. And with Disconnecting, their … Read more
Mass Movement of the Moth is a band doing it the right way. Playing together for years and making a name for themselves in the DC hardcore scene and to some extent the whole Northeast, the band's first official release came just last year. Once the releases started, they didn't stop, and the hardcore world as a whole was introduced … Read more
Brett Gurewitz clearly smells money like band mate Greg Graffin smells fat teen pussy from Wisconsin, and it gets him just as hard. By his own admission Gurewitz has never "come across a new group with more potential to be huge" than Escape the Fate. The dollar signs must be spinning in his eyes as the Myspace friend requests grow … Read more
The idea of releasing a "Greatest Hits" package for a band like Men's Recovery Project seems laughable on the surface. Emerging out of the scorched carcass of Born Against, Men's Recovery Project left an embarrassing stain on the face of mid-'90s hardcore, offering messy, aberrant punk fueled by primitive, farting electronics and a defiant sense of weirdness. This isn't the … Read more
If there is one hardcore band in Chicago that truly defines the conventions of "Chicago Hardcore," it is The Killer. The various musical backgrounds of each member leads to an interesting fusion of the heavier metalcore bands as well as Southern Rock, and even a bit of doom metal. Everything about this album is solid from the production to the … Read more
If Myspace, YouTube, and various messegeboards have shown me anything in 2006, it is that kids love to mosh. From videos of kids moshing in their bedroom, living rooms, classrooms, and even in the middle of the street, kids across America love throwing the fuck down. The problem is that the soundtrack they are wind-milling and spin-kicking to is complete … Read more
In late 2004, The Futureheads punctured the mope-heavy indie rock bubble with the delivery of their hyperactive post-punk debut album. The harmony laden, adrenaline fueled romp immediately caught my attention and remained in my CD player well into the next year. Now, it appears that the cycle has started anew with the release of the bands sophomore effort, News and … Read more
The lead off track on Crime In Stereo's The Troubled Stateside is titled "Everything Changes/Nothing Is Ever Truly Lost." This title could be used as a fitting description for the band themselves. Crime In Stereo began to receive recognition when they released their Blackout Records debut, Explosives, And The Will To Use Them, in 2004. The record was a raw, … Read more
I had been listening to this record for almost three weeks trying to place the sounds and get some kind of footing for writing about Crucifire. After completing some minor bit of research, I was shocked to learn that this album is the product of members of Yaphet Kotto, Bread and Circuits, and others. Saviours do not sound anything like … Read more
The preamble about Hard-Fi is something about DIY, self-financing, self-promotion and the dole. There's something about the middle-English wastelands in which the band live. Something else about inner city tower blocks adds weight to the working class credentials about which, no doubt, Virginia Woolf would have something or other to say. Some quasi-pretentious blurb about wanting to sell records in … Read more
According to Playboy.com, Neko Case is the "Sexiest Babe of Indie Rock." Fortunately for the listening public, such a lofty title hasn't gone to Miss Case's head. "I'm not out to become Faith Hill," she says. "I never want to play an arena, and I never want to be on the MTV Video Music Awards, much less make a video … Read more
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