In late 2004, The Futureheads punctured the mope-heavy indie rock bubble with the delivery of their hyperactive post-punk debut album. The harmony laden, adrenaline fueled romp immediately caught my attention and remained in my CD player well into the next year. Now, it appears that the cycle has started anew with the release of the bands sophomore effort, News and Tributes. This time around, The Futureheads have decided to slow things down a bit. The frantic speed and brevity of the first record have been replaced by a more seasoned and mature direction. The band confidently holds back and the music is allowed some much needed breathing room. The result is a collection of songs in which the biggest departures are actually the most pleasing. The title track is the greatest example of how the slower tempo accentuates the band's already top-notch vocal harmonies. In fact, the vocal work on "Thursday" is so rich that someone could have easily convinced me that it was an unreleased track from the heyday of The Beach Boys. Of course, there are still some tracks that are reminiscent of the sound that I initially fell in love with. "Cope" and "Favors for Favors", both … Read more
The lead off track on Crime In Stereo's The Troubled Stateside is titled "Everything Changes/Nothing Is Ever Truly Lost." This … Read more
According to Playboy.com, Neko Case is the "Sexiest Babe of Indie Rock." Fortunately for the listening public, such a lofty … Read more
Weak. Shallow. Lame. Insipid. All of these words have been used at some point (by me) to describe country music. … Read more
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I don’t know much about Billy Liar, but Red Scare has rarely turned out a bad release so I picked Some Legacy out of the pile with some hope -- and it delivers. Liar is a Scottish musician who has been playing under the moniker since 2006. Sometimes he tours solo, sometimes with a band.On Some Legacy there are shades of solo musicians like Billy Bragg or Frank Turner (perhaps I just think that way because of the solo, sociopolitical bent along with a UK accent) but on this record Billy Liar is a full band with a variety of tempos. It’s not strictly folk music, as listening reminds me of groups such as The Smith Street Band and labelmates Sincere Engineer as well. When Liar slows it down I … Read more
It's been a quite wait for Slayer fans, who are as rabid as music fans come. We last heard new music from the metal masters on 2001's God Hates Us All. Well here in 2006 we have been graced - an ironic choice of words I know - with Eternal Pyre featuring a brand new Slayer song, "Cult." On "Cult" … Read more
I love unsolicited review materials, especially when it's a band I've never heard before, and even more so when said band turns out to be surprisingly good. Aoria is a four-piece outfit from Sweden that plays rock music with the electro-pop influence of The Cure. The songs of this three-song EP are strongly written and the intricate composition of the … Read more
A lot of bands claim influence from early hardcore favorites like Black Flag and Minor Threat. Nine times out of ten it is complete bullshit and nothing more than a marketing ploy - "We blend the intensity of Minor Threat with the brutality of Slayer and the social awareness of Catharsis." Actually that band sounds kind of sweet, but you … Read more
Lost in Focus is the debut release from a Southern California five-piece know as Apiary. I listen to a lot of music, and have jaded fucking ears that just don't prick up the way they used to. It takes a good shot of aural Viagra to get my attention. My attention was grabbed not long into "Pain Is The Reason" … Read more
Despite featuring ex-members of Combatwoundedveteran and Reversal of Man, Guiltmaker is distinctly less heavy than you might initially assume they would be. In fact the band does a fairly catchy take on the mid 90s emo rock/ post hardcore sound. Reminiscent of both bands like Rival Schools, Jets to Brazil and Jawbreaker, as well as uber popular present day acts … Read more
Initially released late last year on Japanese label Diwphalanx, Pink now finds a worldwide release through Southern Lord. It also see's the band at their scuzzy rock best. Similar in sound in many ways to their 2005 Southern Lord release, Akuma No Uta, but upping the ante considerably with tighter more memorable songs. Tracks like "Regardless it is not Separable" … Read more
Genghis Tron is something of an anomaly in the world of music. On their Myspace site they list themselves as Grind/Electro/Metal, which is a pretty disconcerting declaration to some. It sounds a bit off-putting, like a botched crossbreeding that has yielded mentally handicapped offspring in the form of songs that should have never been written. That's the way it usually … Read more
My initial experience with Casiotone for the Painfully Alone (henceforth referred to as simply 'tones, to save me a fair bit of typing) was not an audio one. Rather, for sometime the only working knowledge that I had of the band was their lyrics which I read through after Soulseek dropped the ball and returned no search results. This, granted, … Read more
Prog-rock is quite an unstable ground to tread upon. One uneven step can send you hurtling into the abyss of ridiculous pretentiousness. As Silence of Another Kind begins, Paatos is already dangerously close to losing their footing. "Shame", while aptly named, does nothing more than give the impression of a rather uninspired band that is simply going through the motions. … Read more
Hate is a tough thing to grasp for many people. They say they hate, but I'm not sure I believe it because the term "hate" is like love. It's thrown about haphazardly and used in offhand comments and that makes it lose it's true, immensely dark and angry feeling. So when a band aims to go for hatred as the … Read more
My buddy Dave said it best: "This shit makes me want to punch a whale." Ridiculous? Perhaps. But Ceremony's first full-length, Violence Violence is completely ridiculous. And I mean that as a compliment in every way. They released their Ruined 7" not too long ago and the hardcore hype train started a-chuggin'. You'd see kids in Ceremony hoodies and tees … Read more
Almost ten years ago the California hardcore band Chain of Strength asked, "Has the edge gone dull?" The edge hasn't lost any of it's sharpness but has transformed from a simple song written by teenagers in Washington D.C. in the early 80's to a positive filled jock rock by the end of the decade. The 90's itself was a scary … Read more
Al Jourgensen doesn't wear his heart on his sleeve; he rips it out of his chest and smothers the bloody, still-beating remains in the face of anyone and everyone he can get his hands on. Since forming the industrial power-house that is Ministry, Jourgensen has been the driving force behind album after album worth of seething, stomping anger. In a … Read more
In hardcore's early '80s halcyon days, the EP became the coin of the realm: a handful of songs, often over before you had a chance to sit down. Many great bands never even recorded full-lengths - a phenomenon that's a lot less common today though by no means extinct. Maybe if Panic hadn't broken up in 2002, they would have … Read more
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