So Tom DeLonge finally got his way. Apparently sick of the scatological humor of Blink 182 and ill-received attempts at maturity, the band broke up and he was free to record the album that would be "the greatest album of [his] career." Hyperbole aside, this record is, according to DeLonge, "more than an album, and more than just a cool punk-rock tune". While "Fuck a Dog" was indeed a cool punk-rock tune, it's encouraging to see the development of DeLonge's musicianship alongside the work of his former bandmates Travis Barker and Mark Hoppus in Plus 44. The album kicks off with "Valkyrie Missile", a slow-to-start 6 minute introduction to the record that never really ends throughout the 50 or so minutes We Don't Need to Whisper occupies. Incorporating strings, delayed guitar and samples of conversations, it's clear that the intention here is "epic," or perhaps "U2." Almost three minutes in, when the first vocals show up, we hear DeLonge's familiar whine - this time with added reverb - with his trademark nasal enunciation of words like 'time', or as DeLonge sings, "toime", still present. The track is good but is let down in part by the similarity the rest of … Read more
I'm a huge Less Than Jake fan. Hello Rockview is one of my favorite albums ever recorded, so when I … Read more
The Lovely Lads score some major points with me right away by using Pulp Fiction themed artwork in their layout … Read more
In 2001 Boy Sets Fire recorded an album that many consider to be the band's finest hour, After the Eulogy, … Read more
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Belgium’s Emptiness have spent much of their career eschewing traditional approaches and with Not for Music they continue to imbue their singular take on black metal with wholly impure vibrations and ever more intriguing design elements. One such decision is the inclusion of Jeordie White (Marilyn Manson’s Twiggy Ramirez) on production duties and it’s this somewhat unusual choice that gives the Brussels-based quartet a fascinating dimension. Emptiness have always tread the more avant-garde path and their use of synths and beats to facilitate emotion is given even more time on this record, and it works incredibly well.Not for Music builds on previous work and intersperses darkness with electric movements and carefully placed rhythms, expanding on the tripped out beats of 2014s incredible Nothing but the Whole. Vocals are coiled and … Read more
Discography releases are a great thing, when they are deserved, that is. When a band has only released material on vinyl or defunct labels and it has long since gone out of print, a discography release on CD is great. On the other hand, if a band has only been around a short while and their releases (vinyl or CD) … Read more
Adam Green was half of the ardour and madness that was Moldy Peaches, half of what was behind the animal suits and make up. And you know, whoever would have thought that behind all of that craziness was a songwriter of such quality and grace? Jacket Full of Danger is Adam's fourth solo album in five years. It sees a … Read more
Does this band honestly need any kind of introduction? Seriously, Sick of it All is an institution in the punk and hardcore scene. Having been active for over twenty years at this point, the band has truly hit on a creative renaissance of late with their last album Life on the Ropes being a return to some of the heaviest … Read more
Hi Red Center hail from Brooklyn, New York and Architectural Failures is their debut record, initially recorded in 2004 but finding a home the following year at Pangaea Recordings, home of Capillary Action. The band mixes a wide variety of influences to creature the fairly unique offering which is presently spinning around in my stereo. Opener "Red/Green" is an Apple … Read more
Anton LaVey, Richard Ramirez, and Phil Knight. Three famous individuals who, despite being all about the evil and doing their part to ensure eternal damnation, they still don't hold a black candle to three young boys from the north of England, who've done more for Satan's public relations than anyone ever could. Conrad Lant, Jeff Dunn, and Tony Bray, otherwise … Read more
Tides have undergone a number of changes since we last heard from them on 2005's Resurface. Most notably, the band has added a second guitar player in Tim Fickeisen and they've picked up and moved from rural upstate New York for the metropolis of Boston. And even with those dramatic changes, Tides remain a focused rock outfit playing airy instrumental … Read more
I feel sorry for emo kids these days. Rather than being a certain clique that listens to a certain type of music they have become an entire entity within themselves. What we have in 2006 are a bunch of mopey teenagers with Livejournal accounts, bad haircuts and their mother's cheapest strands of pearls. Instead of being a community of kids … Read more
Like some ever-present albatross around the neck of the rock scene, the Red Hot Chili Peppers continue to linger, 23 years after their LA inception; a different band. Battling through drug-related deaths, personal differences, drug abuse, inter-band squabbling, drug abuse, motorcycle accidents and drug abuse, it's something of a surprise that the band are still kicking it in 2006, now … Read more
A Reflection: The Death of Belief "We drove a few hours to get there. And when I got there, everybody in the band was in different places. I think David was probably talking on the phone to Vic. And Dennis was hanging out with Mike Fight. Angry. And you were all scowling, and, you knowââ¬Â¦ Not getting along with each … Read more
Okay, Path of Resistance was a more hardcore project of Earth Crisis and their friends that convened the first time while certain members of Earth Crisis allowed injuries brought on by a tour accident to heal. Their last album, Who Daresââ¬Â¦Wins came out almost ten years ago. It was panned by many hardcore purists, but for some was more loved … Read more
Everybody's so political these days. Protesting this, boycotting that. Hell, there are more hippie protest songs out now then there ever was in the 60's. Who cares if it's warranted - shaddap, Commie! Cross Examination harkens back to the good ol' days of drinking, moshing and puking, and not even knowing who the president is, let alone organizing marches over … Read more
While most publications seem to avoid reviewing independent releases, I actually enjoy covering bands that aren't joined to a label. It refreshing to hear from passionate artists - it says a lot about a band to not only take the time to release an album on their own, but also to send it off to be reviewed by the "elitist … Read more
It's been noted that the names of New Jersey's Saves the Day's records have been somewhat contradictory to the bands' career: Can't Slow Down, Through Being Cool, and Stay What You Are. The release of 2003's In Reverie was marked by a critical panning and a fan reaction that was far from, well, reverie. In some ways, it wasn't surprising … Read more
Gary Zon's blurb about the ethic behind Standard Issue reads something like, "a sarcastic take on the simplicity and emptiness of the current musical climate." What this means is, either it sounds exactly like what it says, or it means that Dismantled have disappeared into the chasm of banality that seems the staple of the current popular set of industrial … Read more
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