Hating to love something is a complicated and frustrating emotion. When it comes to music, I prefer one of the following: to love an album unconditionally and make it a part of my life, despise it with a scorching passion, or just entirely forget about it altogether. Conflicting emotions and any sort of middle ground or grey area regarding an album makes the listening experience that much more maddening, which is exactly how I find Funeral. Musically, it's obviously brilliant. A mix of Neutral Milk Hotel, Modest Mouse, and The Soft Bulletin that is grandiose and majestic without feeling the least bit self-indulgent or pompous. Most of the songs start off rather quiet and reserved, but eventually build up to a cathartic climax that is usually predictable, always exhilarating. Vocalist Win Butler's emotionally intense, but not at all emo, David Byrne-channeling performance acts as the ringleader for Funeral. He takes the listener through a variety of sentiments via crooning, shouting, whimpering, wailing, and doing just about everything else a great vocalist ought to. His wife Regine's best Bjork impression on the album's liberating final track, "In the Backseat," is nearly equally impressive. The band's songwriting skill is as undeniable as … Read more
Sharks are awesome. They have big teeth, they've been around since the dinosaurs, and they'll eat anything. Sharks are awesome. … Read more
By now everyone is familiar with "Six Degrees of Kevin Bacon," that fun movie trivia game that is ever-so-often used … Read more
*Sound of Scavengers being slipped into a CD player* "Holy crap! What am I listening to?" "Is this Vast Aire … Read more
Split releases are a breed that can be difficult to review. Do I review each band's portion separately, or do … Read more
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Deal With It is the latest hardcore export from the U.K. This five-piece group of fellas churn out five brand new songs on World Coming Down. And with the CD version you are gifted with the band's demo recording from last year. World Coming Down is a high-octane blast of meaty hardcore that draws influence from the classic New York sound, but also has the swagger of modern hardcore. If you took the best of Leeway and Cro-Mags and mixed it with No Warning and Terror you'd have Deal With It. Lyrically, these dudes are pissed off about a lot of things, and with the current state of the world, who can blame them? These songs are pretty ace, though I think that they are the type of band that … Read more
Though both bands play their own variations of metalcore, this split release is an unlikely partnering. While With Resistance hail from New Jersey, Twenty Inch Burial call Portugal home. Despite being separated by the entire Atlantic Ocean, these two compliment each other well. Each band contributes three songs to this split from State of Mind Recordings. With Resistance kicks things … Read more
East coast and west coast heavyweights collide on this split release from two under the radar acts in today's metal/hardcore scene. Hoods and Freya attempt to set themselves apart from the dullness that is plaguing the hardcore and underground metal scenes. Sacramento's Hoods has been striving for recognition for the past seven years; the majority of that time has been … Read more
With the crumbling of The Burning Paris, a void was left that needed to be filled. The Burning Paris' farewell of And By December You'll Know Where You're Heart Truly Lies was the masterpiece that everyone ignored. Only four songs, one being a Smiths' cover that managed to one up the original, the album was gut wrenching and utterly soothing … Read more
When was the last time you left your car running while going inside your house to get a jacket from your room because it began raining? And while you were in your room you noticed a CD you thoroughly enjoyed? You began playing the CD and realized the next day that your car blew up and everything inside it was … Read more
The way the underground music scene, namely hardcore, functions is vastly different from the days before the existence of the Internet. Gone are the days of having to attend shows to purchase records, shirts, and other merchandise. We now have online distros and record labels that exist only in theory. Gone are the days in which music was spread by … Read more
On The Lost Riots, Hope of the States debuts with tragedy on their shoulders. In midst of recording the album, founding guitarist James Lawrence was found dead in the studio as a result of an apparent suicide. Do not, however, write this album off as merely pieces of suicide notes because of some lamenting lyrics like "I carry sadness on … Read more
The time has finally come. Originally scheduled for a release in November, printing and pressing delays pushed the album's release back to January. Fortunately we were able to pass the time with a new Isis full-length, Panopticon. But now, the fourth and final volume of the remixes and reinterpretations of Isis' titanic effort Oceanic is available for us to bear … Read more
Since June, I've been laboring over how to start off a review of Sonic Nurse. Now, it's December, and all I've come up with is a cliche about how I don't know what to say. Really, the only thing I can think to say is that Sonic Nurse is great. It's not flawless, but it is great. Style goes a … Read more
Writing, recording, and releasing the "emo opus." Selling roughly around 175,000 units of that opus. Playing on late-night talk shows while maintaing indie-label status. Being courted by every major under the sun and being able to turn them down non-chalantly. Making out with Winona Ryder. These are just a few of the things that would have happened to you in … Read more
Directly after the cover of Pinback's photographically dense lyrics booklet, there is a certain image that I consider of extreme relevance to the rest of this tight, ten-track album. It's a picture of a staircase set in arid yellow stone, one that leads downwards into an old underground bunker. This image, along with a similar and intrinsically linked photo at … Read more
Perhaps this is a bit of a stretch, but I've always found the careers of both AFI and the Flaming Lips to be rather similar in numerous respects. Both started off as bands long before their time of popularity and mainstream attention, both have a rabid (as well as strongly divided) fan base, and both bands sound a lot better … Read more
I've heard that people who review music are failed musicians. This is not the case with Capillary Action, whose composer/music maker/sometime music critic Jonathan Pfeffer is known to masturbate frequently while listening to The Fucking Champs, Pinback, Thelonious Monk and The Red Light Sting. Pfeffer's ejaculation from these sessions created Fragments, a ten song affair between jazz, metal, ambience, rock, … Read more
Listening stations in major music stores really suck. There's always some dolt who doesn't know how to use it ("SCAN HERE" is never in his or her vocabulary), or someone's playing mind-numbingly awful music with the volume at 11 so that everyone in the store can hear the decline of western civilization without ever having to leave their place in … Read more
The Milk-Eyed Mender came out in March and has been gathering press clips like a two-ton goliath going berzerk at a post-bar mitzvah shindig. It's freaking December and I haven't written anything about this record! So, what's a distraught proto-writer to do when 'best of 04' lists start trickling in? Easy! For you lovely readers, wherever you are, check the … Read more
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