There was a time long long ago when Victory Records put out quality hardcore releases by bands like Integrity, The Path of Resistance, and Snapcase as opposed to the rubbish that they've been putting out as of late. In fact, the majority of what they release nowadays isn't even hardcore; it's closer to BSB (Backstreet Boys) than BFB (Blood for Blood). But if the label were to sign a band that took influence from their early years, I would see Time for Change as an ideal choice. With their debut EP, Profound, they are seeking to revitalize the glory days of metallic hardcore. The EP kicks off with the track "Time for Change." It only took mere seconds to realize where the band draws their influences from. With the additional vocal contributions of Mike Sogoff from Earn Your Keep, it was if I were magically transmitted back into the mid-90's. The guitar riffs are crisp, the breakdowns are heavy, and the drumming pushes the pace of the songs; team them up with shouted screams of vocalist Andy Gomez and you've got a junior version of Strife. A particularly pleasant aspect of Time for Change's music is the obvious bass-playing; something … Read more
Splits are traditionally a way two bands can get their music recorded/released by combining money. If you read that wrong … Read more
I first happened upon this group in June of last year, when the lead singer Chris made a thread on … Read more
Last fall rock lost one of its true visionaries. John Peel was responsible for introducing the UK to acts like … Read more
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What better way to start my career at Scene Point Blank and as a published writer than by reviewing one of the most important releases of 2012? Probably any other way, really, but I feel compelled to share my take on Kendrick Lamar’s second studio album Good Kid: M.A.A.D. City because of the impact it has made in the short time since its release. Dr. Dre is featured on the track “Compton” and his presence as producer is felt throughout the entire album. Other notable features include Drake (on “Poetic Justice”), other members of Top Dawg, and Lady Gaga; however, Gaga’s version of “Bitch Don’t Kill My Vibe” was dropped from the release in favor of a version done by Lamar alone due to “artistic differences.” Lady Gaga later released … Read more
Beginning a band is no easy task, there are many pressures involved with the entire process. Those pressures intensify when you're coming from a previous band that was considered to be fairly popular; it's a double-edged sword. You're pretty much ensured free exposure and publicity based on the fact that the new project gets the "ex-members of..." tagline. But with … Read more
In the late 80's and early 90's, Seattle was the place for any musician to be. A brief yet socially relevant counterculture was spawned, not too dissimilar to punk in the early 80's. The movement, being simply music or something more, had no name but was knighted "grunge" by the media. Much of the music was dirty, aggressive, brooding, and … Read more
CVA was fucking perfect. Naysayers beware: I am willing to defend that position. A hardcore supergroup of sorts (combining members of The Curse, Kid Dynamite, Lifetime, and Good Riddance), Paint It Black released one of the best melodic hardcore albums I've ever heard. I'm a sucker for melody and I'm a sucker for speed. They combined them with such precision … Read more
It's not very often these days one gets the opportunity to use the phrase "This brings the ROCK" without sounding like some kind of crotch grabbing throwback Darkness fan. If you miss (or totally missed out on) the days when Iggy Pop mocked Hells Angels while boasting about the size of his "Johnson," Dinosaur Jr. consuming more green than Cheech … Read more
An album cover with a skull, blood streaks and three fingers makes the viewer think of death, violence, periods and the very impolite action of pointing. In the hardcore scene this is all very cliché, although the fingers are a territory not plundered yet. Instead of surprising the viewer, now the listener, Saturdays of Thunder is filled with very mundane … Read more
Considering the phalanx of albums due for release, and with previous offering Discovery bringing all the musical vision and ingenuity of a series of polyphonic ring-tones, Human After All found itself rated rather low on my list of desires and expectations for the first half of 2005. Being honest, I expected absolutely nothing of real musical value from this album, … Read more
Osker was well known as being the most hated band on Epitaph in their brief stint as a band. Being roughly around the age of 18 when their final album, Idle Will Kill came out, they managed to release a pop-punk masterpiece having hardly entered adulthood. Now Devon Williams, lead singer/songwriter of Osker, is back in the spotlight some odd … Read more
This is the kind of split 7" I like to see. On one side you have Lucero, a Memphis band who have recently gained a lot of popularity. They have a style that is as equally influenced by Jawbreaker as it is by Waylon Jennings. They constantly are on tour, put out records on large indie labels, and have drawn … Read more
The name Ryan Adams has become synonymous with the word "prolific," but not so much with the words "genius" and "brilliant"- those are thrown around by hardcore fans and earnest publicists. After releasing five full-length albums in a span of four years, his debut, Heartbreaker, still undeniably remains his best record to date, but he is far from regressing to … Read more
I was having a conversation the other day with a close friend. We were discussing music, as we normally do, and I started quoting some lyrical excepts from Deep in the Heart. He chuckled and told me that he thought it was kind funny that I listen to "all those tough guy bands," and yet I am such a nice … Read more
When I was 15, I remember thinking Korn was the greatest band on the face of the earth. I was angry. I was rebellious. I felt alienated just like Jonathan Davis. But in all fairness, Limp Bizkit was a close second. And while bands like Korn and Limp Bizkit refused to change their nu-metal riffs, and their "Are you ready?" … Read more
Let's face it, most hardcore bands don't have it in them to do a "full length" and if they do, it's usually a couple of really good songs with some filler to get it up to the half hour mark. Thankfully, Blue Monday do not fall into this category with their newly released Rewritten. The first thing fans of the … Read more
Three months back I attempted to review War is Hell, but something more pressing came up to displace the debut full-length from The Warriors from atop my review pile. On occasion after occasion, I passed over reviewing the album in favor of something else. Then, last week I took in a show that The Warriors happened to be playing and … Read more
Dead Meadow, hailing from the D.C. area, formed out of The Impossible Five when they broke up in 1999. Jason Simon (guitar/vocals) Steve Kille (bass) and Mark Laughlin (Drums) went on to form Dead Meadow. Laughlin quit the group in '02, and Steve McCarty joined the group for Shivering King and Others and their newest addition, Cory Shane a few … Read more
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